Thinking of what will be

Experiencing what is, thinking of what will be, wondering how what is will affect what will be, letting your thoughts about what will be define your experience of what is, letting your feelings about what you are experiencing be good only in the case that they are good for what will be, only allowing yourself to be a certain way, which is to say only allowing what there is to be a certain way, as you experience what is, and making these requirements for yourself based on what you want yourself to be at some point in the future, which is to say making requirements for what will be in the future—in other words, trying to control the future. All the time doing this in the present, to manipulate what will be in the future, instead of just allowing the present to be itself, and thus looking deeper into the experience of the present with your full self that also exists in that present, letting water run together with water, instead of always focusing the attention of your present self on thoughts of the future, letting oil try but fail to run together with water. Future thoughts are merely experiences of a reality that has yet to pass and thus are less clear and beautiful than the thoughts of a present reality that exists right in front of your nose and overwhelms your appetite for attention over and over again if you really look deep enough and never run out of things to see.

Like just now, I am high, unable to function too well in terms of what my experience will demand of me in the future, especially when I have to return to work, but I don’t have to work for four days, and all that my present experience demands of me is that I relax, and so I ask myself, why let thoughts of the future change my experience of the present? Especially when my current state of being high is actually better suited for this present reality and will certainly change, many times perhaps, before the future experience of going back to work according to which I am now judging my present self and for which I now prematurely try to change my present self, and as a result would make my present self more ill-suited for the present experience in favor of being better-suited for a future experience. Why does that make sense? It does not, I don’t think.

Or, with my writing, I paused because I was going to write something but forgot, so I stopped writing, and started thinking of what I had forgotten, trying to remember, thinking of what the writing would be if I could only remember what I had forgotten, thinking of the future of the writing and ignoring what I was thinking in the present, restricting my experience of my present thought process so that I could pull a thought forward from the past in the interest of a future version of the piece that I had conceived of only in my mind.

Spending time

Now that it’s over, even though I’ve been after it this whole time, apparently I carried nothing along, so that I have nothing to show for my time, nothing to hold onto that I can touch and feel and say, this is what I got for it. Only now that it’s over do I feel this way. I can still remember moments while it was still going on, when I would say “this is it” or “I feel good” or “oh wow” so that it is only in hindsight now that I wonder what was gotten, even though all along I would have told you that I was getting it and even exclaimed to you, this is it! Perhaps it is a function of my bad memory that I now feel empty-handed. Or perhaps it is the nature of time to lock anything good in the present whence it passed, so that the present that now finds me writing, which was only a future from the perspective of the past present to which I am referring, is a whole thing in and of itself, that cannot contain any of the goodness from before. I am a banker with a vault. I keep putting funds into the vault only to find that they disappear right away. Time is not like money after all. It doesn’t save. You have to spend it when you’ve got it. Spend it deeply and rightly and well, and don’t expect to remember why you spent it or what you got for it, because at anytime after, when you are thinking like this, and trying to remember what you spent your time doing, in that very moment you will have more time to spend, and you’ll be better off just spending that time, rather than trying to remember how you spent your time before.

Edit: thinking of this in terms of spending time for pleasure and then judging that time spent for output of some material or otherwise utilitarian gain, as opposed to being grateful and thankful for the pleasure you enjoyed.

Physical love

It hits me in waves, my love for her. Beginning with excitement about what I desire in her mental or spiritual, then substantiated by rolling over in bed to see her beautiful face that matches the beauty of her aforementioned intangibles. It is like a soldier that dies in battle. The intangible of his bravery is made physical and actual by his actions, an event in the real world that we can see and touch. So too with her, the intangible of my love for her is made real and physical in her beauty so that I can kiss its mouth.

A love letter

Raindrops are tears from heaven that cry for another day that passes as your divine beauty remains mortal. 

Forest fires are blazes of passion from trees that do not share your form and can’t love you even for all the desire in the world. 

Avalanches are the strength of mountains that rush down their slopes to reach you but always in vain. 

Sunny days are most akin to your beautiful face that I can’t wait to kiss again.

Boiling water

Watching the water boil I realize I am usually doing something else like cutting the onion when the first bubbles rise to the top. Now that I actually take time to watch this event, when bubbles cover the pot’s floor, before the first few crawl up the sides, I feel a little fear, like an explosion is imminent. Silently and drawing you in until the surface explodes and then comes the noise that usually draws my attention away from cutting the onion and so then I start to see what I’ve seen so many times before. How many other small explosions do I miss? Simply because I am not paying attention.

sense and nonsense

like things make sense that don’t normally when you are under the influence of drugs, but not when you’re sober; or when you’re in love, but not when you’re out of it; or in the early morning, but not at night—though the sun can be as overwhelming and drunk as it can be Apollonian and precise—there is some Dionysus in the sun, when it is its most powerful.

pat yourself on the back

who can compliment a man as well as himself? not only for what he knows but also for what he would like to hear you say. if he could whisper to you and erase his memory before hearing you say it, then he would be the happiest.

sitting on the overpass

how much goes 
in between cars

as we sit on
the overpass

dangling our legs 
over the highway 

counting 
the seconds 

sometimes much
sometimes little 

until the traffic jam
during rush hour

when our work day
is done too

and we get up
off the overpass 

to walk on the 
sidewalk home

writing for them for her

she makes me write poetry 
that the world can read,
so she can see
what they think of me;

otherwise i would write
only for myself,
and go off alone. 

i wish she would
see it one her own,
what only i see;

but this is expecting
too much of her;

she will see it
through them,
so i write
for them.

deciding

the difficulty is not to decide. you will decide no matter what. to sit still, even, is a decision. to do nothing is a decision. the difficulty is deciding rightly. especially because with every decision there are so many options, and if you have not studied, you will only know very few of them, a few which may not contain the most right one.

adverbs are heavier than nouns

adverbs have more conceptual weight than nouns. for example, the words “much” or “more” – if you make them into nouns, muchness and moreness. those concepts are much richer than any noun, say, “flamingo” or “teapot.” those nouns are very much themselves and just themselves.

fear as an argument for god

darkness isn’t just red and devils, it’s your identity breaking up, life having no meaning, and other more metaphysical fears. from where do these fears come? if not from our animal selves just trying to survive, from where then?

sex is

sex is the heights so that’s what you chase after when you’re overwhelmed and can’t take it anymore and rather than continue to contemplate yourself, you seek for something in which yourself can be reborn, but you’re really just trying to escape from that need to describe – that’s what sex is, escaping the need to describe, putting your obligation to live into your seed for the next generation to take up your burden for you. avoid this if you can. describe yourself. describe what there is. stay pitted when it’s uncomfortable. use words to describe like now as you’re in the club and you were thinking and you thought it was all too much so you said to yourself, why even try to write? but here you are writing it and you’re getting it with your words.

theories about yourself

you create these theories about yourself and take them as truth before they’re tested; with only so much time to test, however, you don’t really have a choice. but you do have a choice to remain humble and remember that most of your theories are untested, especially when someone challenges you with good intentions.

Some more

in a hungover life 
of fragmented realities 
which is real if any?
even the the one world 
where you create your noose
out of thin air doesn’t
end up hanging

a writer

i have been many things, but always a writer. even before i told myself i was, and even when i wish i wasn’t. less so when i’m happy, because it is hard to do anything else when you’re happy other than be that way, let alone to write.

precarious action

i wish to treat 
serious matters seriously,
and have the power to do so,

though i was born
into trivial circumstances,
while my understanding
of both “serious” and “trivial”
are relative and perhaps misguided,

so that acting
is a precarious notion

THIS IS IT

THIS IS IT, THIS IS IMPORTANT – control your mind, do not let it run rampant with its thought, in idleness focus only on the breath, focus also on the beauty outside of yourself and on people especially. 

This is the key to avoiding the depression of your ego trapped in your monkey mind; mindfulness is everything, consciousness is everything.

Remember what it was like to be focused outside of yourself on your environment at 2:30 in the morning and then what joy came from opening your window and smelling fresh air, let that gratitude and focus exist outside of yourself in the fresh air.

everything is art

part of my theory is that everything is art; any decent argument i’ve heard against this comes from our primitive need to classify and sort and make sense of the world. otherwise, everything is very interesting just as it is, and any creation of any kind is a contribution to what is—which is art, all of it.

time tricks

when i’m not with you
i want time to go faster 
when we’re together
i want time to move slower  

i want time to do all these tricks for me 
like speed up and slow down,
dance around and stop and start again 
when the great trick of all is it consistency 
and it’s me that screws it up by not playing along

appeal of drunkenness

sitting on my bed in my apartment in San Francisco at 4:40pm on Thanksgiving day, I understand the appeal of drunkenness specifically for the effect of not being yourself for a while.

going in a circle

it is in the passing
from one moment to the next
each of which i fill
with the results of my desires.

the desires themselves, 
however, 
i can never remember;
only the results of them.

so when i end up in a mess
and feel the desire to change it
i can’t remember
if it was that same desire for change
that got me here in the first place.

look out more

can i resist doing drugs when i’m bored? i test myself. my poetry continues to be egotistical. look out more, i tell myself. forget about yourself.

we are all fishing

we are all fishing. the world is globular and all water. all over, we speckle the surface, in our boats. some with different lures and others with longer lines, all fishing.

our bobbers on the surface tell us a shallow and single-pointed story of the beast beneath pulling on the other end of the line.

what we don’t know, at the center of it all, is the same big fish. it will pull you out of your boat and under and swallow you whole.

old man

aging,
old man
looking back
remembering
pulling forward;
old man, what for?

things are different now;
you are different now.

what you wish for isn’t here, 
can’t be; it’s there, always.

with the same powers 
that you look backwards, 
look here; this is it.

what you long for, it is here. 
in the same way that you were you, 
meeting what was; again, you are you, 
here and now, meeting what is.

your desires and abilities, 
your hopes and fears; 
they have changed, yes. 
but still you have them. 

and what does it matter 
what they actually are? 
so long as you have them, 
and are still alive.

there is still a game to be played. 
the rules have changed slightly. 
you have gained some skills 
and lost others. 
play on, old man.

Sunshine with rain

After several sooty weeks, overcast with ash from the fires up north, it rained today and cleared away the smoke in the air that was indistinguishable from the fog in San Francisco.

During lunch I went out for a sandwich; it was still raining. I brought an umbrella and enjoyed breathing clean air. I met the rain as a bringer of good news, like I imagine it is for the farmers in a drought. It was the same to us unable to breathe because of the smoke from the fires, like I said.

Now sitting in our office chairs on the ninth floor, the sunshine is coming out. We haven’t seen sunshine in weeks, either because we leave the office too late, or the smoke has covered it, or the permanent cloud in San Francisco. Now the sunshine comes through after the rain. Thanksgiving is tomorrow. I’m excited to leave the office in a couple hours and breathe the air.

The right way

All around me are traps and snares and only one way is the right one and it’s not straight so always I must keep my eyes wide open and awake or I’ll move when I’m supposed to stay put or turn left when it’s the other way and just stopping or not going forward aren’t options until that’s what the right way tells me.

Dishwasher music

Yesterday I took an eighth of a tab. I was lying on my bed with my eyes closed and my hands folded across my chest. I had turned on the speakers before I laid down and was listening to some classical music, Strauss, I think. It was so beautiful and I was seeing great visuals with my eyes closed and all together coming into the peak of the trip, I thought. For some reason, I don’t remember why, I opened my eyes and got up.

When I walked over to the stereo system, it wasn’t on. My first thought was, what the heck? I thought I turned this on. And my second thought was, well that’s odd, what symphony have I been listening to this whole time then? That I’ve been enjoying so much. And I realized, it was my dishwasher! The only other noise happening in my apartment. I either had forgotten to turn on the stereo or it had shut off on its own at some point and I was laying on my bed and hearing such a beautiful sound coming from the mechanics and the splashing of water and dishes.

A hundred poems

I wrote a hundred poems and tried to have meaning in every one but there’s just not that much meaning in the world; so I learned to write about ordinary things and inanimate objects and wouldn’t you know I found all the missing meaning.

The first plateau of meditation

I know I’ve arrived when the black behind my eyelids spreads out beyond my field of vision and occupies a space wider than my skull. This is consciousness opening up; I exist in it for a moment, without my senses.

saturdays

saturdays are for art, you don’t have to maintain your self, this is the day to let yourself go and see what you discover, you can worry about everything else during the work week, on saturday just be happy and marvel at everything no matter what it is

thinking about Jeanette leaving

it is what it was. no need to add on anything extra now after the fact. remember me like you do. hold onto the hue of my character we created under the pretense that you wouldn’t ever leave. even if i could bear to let you know how much i’ll miss you, i wouldn’t want to, unless i knew it’d make a difference. go on then, get, i’m bitter already.

i’m just gonna start putting them in here like i type them on my iphone

i seem to have all these needs; but i don’t really, have any of them. so when i get a start and move on in the general direction i’m happy enough watching the scenes go by but soon enough i’ve no idea where i’m from or where i’m going and no real actual driving needs to really force me to keep going so then i get all confused and look around and ask some bystanders where the heck am i and they shrug me off and pick up their things to keep going in their own direction; they seem to have needs at least, they walk so serious with their heads down, they must. but me no not me, so i pick up the things i don’t have and head off in all directions at once.

everything is art

all that you have is here and now, no matter what elsewhere or when

all i’ve ever written is the same thing said different ways

everything is art, it happens like this where i have no ability to edit my own work because it all seems great to me; everything seems great, even that cardboard box over there i wonder if i could break it down flat and frame it and hang it on my wall

Can’t get enough

It’s got to be something you can’t get enough of; if there’s an end to it you’ll be frustrated. If there’s not an end to it, you’ll still be frustrated, but at least you’ll carry on.

Bomb off

Go ahead and bomb off you’re gonna be alright, everything is safe and okay here, you needn’t worry, what you need you have: there is food in the fridge and tea in your cup, you have a safe bed right there and the door is locked and nobody’s around.

Go ahead and bomb off, just don’t think of anything outside this room and if you start then remember to breathe, you’ll be alright, you great big baby you’ll be fine

Go ahead and bomb off, cover up the clocks and don’t think about time and just act thankful as hell and hang out in the apartment like your own world apart from everything else.

Go ahead and bomb off, today is your day, bomb off, it’s alright, read this if you get worried, everything is okay, breathe if you start to think, don’t think about your identity or your conception of yourself; just think of what your senses are taking in

Go ahead and bomb off you’ll be alright, when you come back you’ll still be yourself and pick up right where you left off and might not even remember but the thing is you’ll remember it now and it’ll be you for as long as it lasts.

Edges that cut

All around us sharp edges were breaking down our motivations to be anything that might bleed past the cuts. Most of us didn’t have the guts to try but if we would’ve we’d have known that the edges weren’t real, or at least not permanent in their places. They weren’t like normal kitchen knives that would cut you for sure but instead more like prickles on a pineapple or the needles on a porcupine—full of dynamic life and happy to have a conversation with you about their place in the world if you’d only ask. But we never ask most of the time because each of us has had our slip with a kitchen knife and shudders not only to remember the cut and the pain but moreso the drop of blood in the stew that the whole family was counting on so that our pain is twofold and only the first is selfish whereas the second has to do with our place in society and even if we were to brave the pain we wouldn’t want to be outcasted beyond the edges.

Groceries on Thursday

At the grocery store at 10:41 in the morning on a Thursday I wonder about who is here and who isn’t and who is being prodded along on the trodden track. I’m one of those normal. Look at all the open space and quiet here in a place designed for the heights of the mad rush after work or on a Sunday evening when chores are done according to the norms. But what a place built for so much with so little.

Double negative

I forget what I can’t do nothing with until I catch myself in the double negative and remember it’s good for something and scramble in my sieve brain for a trace just to get on the right track or it’ll really eat me up for having tossed out such a sweet save.

What is not

Now I know I always come back. Nothing seems so bad anymore knowing there’s always a bounce instead of a crash at the end of these falls. Like I imagine it is to jump out of a plane that’s very high up. Terror in the beginning, yes. But then boredom. And after boredom, interest in the air around you and what you can see and what it is like to fall now that the fear and pain of it is commonplace. So I’m sick with dread and a split head but really just thinking what is it for a head to split while I wait for everything to put itself back together and redeliver me to the paradise I can only stand for some time until the same effect takes over and it’s no longer a paradise but just a place where I think of what it is for a para to dice. Nothing is anything really, at least to you, until you make of what it isn’t.

The next scare

I don’t suppose there was anything really like that where we came from so when we saw it we were scared but not just two minutes later we were looking past it and not even noticing anything other than the next thing to scare us.

Alien high

I wish we could have come and gone with the wind without the kite strings higher and higher until there wasn’t any turning back and we were lower to another planet than we were high from earth and so began a weird alien life where as we got farther away from five fingers and oxygen we got closer to another life we didn’t recognize but this was the risk we ran when we cut our kite strings so we swallowed our situation and put on our aliens suits to play along.

Young ones grow up

At the height of it I wish you could have seen what wasn’t ever less than the bright flashing that we couldn’t close our eyes from when we were kids and thought to ourselves that someday we would get there to what the adults do in their private hours and against the rules that are seemingly only to protect us young ones that can’t protect ourselves until we grow up and it’s all there laid out and some take too much all at once and don’t make it but others can balance and come back again and again.

Lists of three

Concerning lists, don’t feel the need to make it three, if the marginal add of the third, is less than the net loss distracting from the first two.

Affecting consciousness

It’s all to affect your consciousness—whether by moving about in physical space to change the inputs available to your senses; or closing your eyes and plugging your ears and nose to ignore the outside and focus on what goes on silently inside; or taking drugs to create something that otherwise wouldn’t be there or to affect the way your senses perceive.

If you’re not satisfied with the consciousness that exists just laying in bed in your apartment so you get up and go for a walk (your consciousness takes in the stretching of your muscles) and you get to the park and take in the greenery that surrounds the trail (your nose smells the damp November leaves and you even bend down to let your fingertips feel them)—you’ve chosen how to affect your consciousness with all the physical possibilities available to you.

Or, take the same situation where you’re alone in your apartment and not enjoying it, you could also escape it by departing mentally while remaining there physically, if you were to crawl off your bed and sit into meditation on the floor. Focus on your breath, forget the feeling of lethargy, forget everything else your senses are telling you. Go to a memory if you’d like, go to a created fantasy world, or go nowhere, to nothingness.

Still another option, in the apartment, you could crawl out of bed and take the bong off the counter and, without having to do much work yourself, let drugs artificially take you somewhere else.

Alone on the main road

Some several weeks pass when all I’m doing is ignoring like a horse with blinders, walking straight down the main road and past forks, trails in the snow that lead nowhere, I just put my head down and pull my collar around my neck and walk all alone against the wind even though some of the false paths seem to lead somewhere sunny and warm, I’ve got to keep on the main road and move forward not sideways until I get to the real turn where the main road itself bends in a direction and then I’ll know for sure that’s the way. But the longer I trek the more promising each of these premature paths appear, sometimes I even try and trick myself into not seeing that the main road continues any further and this false bend is really the one. Though I know I’d kick myself if I ever turned off and got lost going the wrong way. So I pull up my collar and press on against the wind on the main road.

I’ve got one

I say that has meaning but am timid for what I’ve called out before that didn’t mean much so I let it pass but it persists and tugs like a child on my pant leg and cries or coos or otherwise says, look at me, I matter. Still, I shake it out of my head to make space for what might come with real meaning—something that other people will read and say, ah, yes, yes indeed, that means something. But on the third time as I try to push it out I find it has put down roots and not only is it still there but now it’s grown. So I scramble for my pen and paper like a fisherman with one on the line, cursing and murmuring to myself—I’ve got one, this one means something.

Sidewalk pirate

I watched a man with an eyepatch light a cigarette as he walked on the sidewalk. The sun was setting so I could see the light illuminate his good eye.

If we knew

Imagine if we did have certainty and knew exactly what to do. How boring life would be. If we knew not only what we wanted but also how to get it. Then it would be like looking at a map and seeing the path drawn out so clearly that you’ve almost already traveled it and see little point in leaving home.

Original art

I don’t mean to manipulate your attention by editing my experience; that seems to be more like mass-production than art. I have to keep it the way it appears to me, you see, otherwise it ceases to be mine and might as well be anything else. There is only hope that you would wander after it all alone and unguided and stumble upon what you might not have otherwise and then feel at first the pang of surprise and then second a joy at having found something that you are rather fond of.

But we must trade the possibility of never stumbling upon it in the first place for the guarantee that if you do happen to stumble upon something it will not have been placed there in your track—this is the manipulation. Instead, let art be unfettered and it’s offspring be more art, or else if we manipulate it from the start then we will only have derivations that are increasingly far from anything truly original.

Mental garage

If I don’t take time to stop and think and write things down, my mind get cluttered, like a garage where you throw all the extra stuff that you don’t want in your front living but you’re not quite ready to throw away in the trash.

At some point it will become unmanageable where you can’t even open the garage door or the garage just becomes a part of the house where you don’t go anymore and start to miss the whole point of having a purgatory in your mind where you can save some ideas that might be good when you look at them later, but if you just let it build into a clutter that you’ll never go through then you’d be better off just throwing everything out in the first place and focusing more on the simple and superficial living room.

My parents

My parents were for me certainty and steadfastness. It didn’t matter that, as I later discovered, they weren’t right. I needed to learn how to keep with the same principles and remain loyal. It gave me a worldview that I could hold onto, a sense of identity and belonging.

Obey

Doing what you’re told can be useful practice for when you start telling yourself.

Metaphysics of individualism

There are two forces. One that wants me to dissolve, and one that wants me to stay glued together. Both have bearing on how I am to understand that word “me.” My metaphysics are either that I am an individual, in some way distinct and apart from everything else, or that I am a dynamic part, my molecules intermingling and only temporarily belonging to the body and mind that I call my own.

You can see how each of these metaphysical views have great bearing on how we behave as individuals as well as in society. For example, a capitalist model makes more sense if we are actually individuals and our gains are the losses of someone else, and vice-versa. On the other hand, a more socialist model makes sense if we consider that we all partake in the same Source and all gains and losses are counted only as part of the net for all humans (or all beings, depending on who you consider to belong to the Source) such that actions taken for personal gain are simply irrational if they result in a net loss for the whole.

Some people and not others

Standing in line at a coffee shop, I watch the barista take orders and talk to customers. Her hair is dyed electric yellow and she has her septum pierced. Her eyes are glossed over like she might be high. She is perfect to me, in this moment on a Saturday morning when everyone is still a little sleepy and waiting for their coffee. She is not really that attractive. In fact, she looks like a boy, round in the face, and dresses like one too, with a long-sleeve cotton button-up. Still, I wouldn’t take anyone else in the world in her place right now.

It makes me think about our standards for people. We require them to be sexually attractive or economically productive or otherwise useful to us in order to deem them worthy of our approval or admiration. I wonder what would happen without those standards. I wonder what would a human being turn out to be. If we could be whatever we wanted, err, not even “wanted,” because that want is subjected to those standards.

So what I really wonder is what a human would be if we could be whatever, whatever at all. For one generation, it would be a fantastic display of art. But then for the next, sexual selection would be all disordered and economic progress might stall and even violence might break out. So the price we pay for our safety, progress, and order is to select some people and not others. On the whole, everyone seems satisfied enough with this. As for me and a few others, I want to run around congratulating and complimenting and loving those others.

Losing myself to the system

Anytime I drink a coffee to stay awake, fall in with friends to not feel alone, drink to lose myself and have a good time—I lose a little more control myself and start to depend on the system. Each has their corollary; The later I stay up at night, the more coffee I need in the morning. So I lean farther and farther into the system until none of the energies are coming from my own natural body and mind. I want to keep the powers within myself. But alone, I am weak. I must wield my environment to achieve more than I’m capable of alone. It is a subtle balance before my environment starts to wield me.

Forge your chains

Forge your own chains, bind yourself to something, work in fields and reap what you sew for yourself. In order to work toward a point in space, you must be confined and bordered. Let those constructions be your own. Point yourself. Build the banks on the sides of your own river. You will flow no matter what. Whether it is all over and indiscriminate, or driven with all the force of a flood; that is up to you.

Three rivers

The input will always be there as long as you keep going. There will always be enough to come in through the windows; the key is deciding to draw the blinds at the right times. Who you are moving forward depends on what you let in and what you keep.

If I am a river, I am three: stagnant, overflowing, and dammed. The third is preferred to the second, and the second to the third.

There is so much out there, welcome it in, this is the start. Drink from ocean, fall into a sky, hold up the weight of the world. The beginning is to grab for it, invite it in. To start, you just have to do something, anything. Like a sculptor, you first have to get some clay, before you can start to shave and cut and refine down.

Next is to discern. You have got enough to start getting rid of extra. Act as a sieve. Let water and anything else that is abundant and not the finest, let it pass through. Retain only the best, and place it in the miner’s pocket. You are the miner’s pocket, where he adds his gold.

Most make the mistake of never even stepping into the river. They stay safe and secure, but stagnant and dry, on the shore. The next few, who are still better off, thrash about in the water. They grow strong from swimming every which way, even against the current. They learn a great deal from their experience. But they are directionless. The best among us learn to move with the waves, traveling far and wide with the water’s natural power at their backs.

No vacancy

It felt like I was trying to add my piece to the puzzle only to find it didn’t fit and the puzzle was already completed.

Separate physically, together spiritually

I believe that we are each separate, physically. But we are motivated by the same universal Will, share in the same One soul, or have a fragment of one God like Brahman.

This is either spiritually true in ways that we can’t yet verify certainly, or it is physically true in the sense that there was a beginning that set everything into motion and we are now just sharing in the causal aftermath of that beginning, linked to it and part of it.

Pick me apart piecemeal

They pull me apart piece me and pick what they prefer; she for how I like and he for my mind, boss for my obedience and stranger just for me being there, brother for our past and mother for my being hers; but none of them, not even myself, get me for my whole.

Sunburn

I laid on the roof in the sun too long and even fell asleep, me eyes are fried like egg yolks in my scramble brain and my body floats like the burn carries it, too hot to remember, I wander in the shade like nothing here powers me. Even though the sun would have melted me apart if I stayed, the shade and the rest of the world in its muted colors seems alien to me now, I’ve thought of returning to the roof and the bright burning apart anyway.

Most excited I ever was

Like those times of my childhood when I lived with my grandparents in the summer and I had nothing to do but lay out in the sun on their back porch, dreaming easily and worrying only about what I was going to do with my friends that night—that’s the most excited I ever was.

How I write

With my writing I’m first a sponge, soaking up through my pores as much as I can. Then a splatter painter, getting it all out and down on paper as I feel it. Then I am a puzzle maker, cutting out pieces with jagged edges, sometimes cutting a big piece in half, straight through the middle of something that might have seemed cohesive. I put it all together, take it apart, and put it together again. Finally I am a sculptor. Preparing the work to be seen. Trimming excess at the edges. Once it’s complete, I make sure it’s really complete forever, and then I can’t look at it anymore. I move on and won’t come back no matter what.

Where I’m going

I see some spots on my hand. I am getting old, I tell myself. I could die without ever getting where W’ve even trying to go all this time. Where have I been trying to go? Some part of me seems so sure I’m going somewhere, but whenever I ask where, I can’t answer.

What a ride

It finally slowed down tonight, like I was on this ride and couldn’t even tell what I was seeing out the windows because it was a blur. What was going on inside the cabin held my attention. We partied and clinked glasses, oblivious to what was passing by. Now the train is slowed and I see where I’ve ended up. I don’t regret the party but it’s time to go. I pick up my things and wave goodbye to my cabinmates.

We are one Will and many spatiotemporal slices

I was selfish before and they told me I was selfish but I was still reading Rand and my metaphysics were such that I believed our souls are actually individuated and we are ourselves, no matter what, maybe even after death—as I learned in Church school.

Now, my metaphysics being that of a unified soul. I am just a fragment of Will, subjected to a slice of space-time. I am less attached to myself. I am understanding, motivated even, to let my fragment of the Will widen, and work for the good of other space-time slices—other people, motivated by the same unified Will. It is all the same. We are all the same.

Visceral commons

I’m more concerned with what is visceral and common rather than with what is scientifically correct but esoteric. You can throw bigger parties with the visceral commoners.

Glass castle

Such a delicate system 
of glass trusses 
sure shimmers 
but holds for 
not much more 
than the light. 

Even if you build 
softly and slowly 
the higher you go 
there is a risk run
of breaking before 
you reach the sun.

Strong or fast

You’re either strong enough to hold the world and bend it to your will, or you’re agile enough to go along with it and to go quickly, farther than most.

Causal psychic

If everything is determined, then I think there’s a superhuman part of us that can tap into the causal calculations and predict what’s going to happen next. This is why we sometimes dream of things before they happen.

If everything is determined, then I think there’s a superhuman part of us that can tap into the causal calculations and predict what’s going to happen next. This is why we sometimes dream of things before they happen.

A leaf in the wind

I live these lives that all of a sudden pick up their own Will. From the new place and people, their motivations and the motivations of nature take over. The weather will do what it will do. The molecules in the air will do what they will. My friends will gently and kindly push me along in the direction that the group is already moving. So I get picked up like a leaf in the wind and it requires nothing of me at all expect that I do not resist. before I know it I’m part of the mob that moves on its own; the universal Will is supplanted in place of my own.

It was chaos

“It was chaos, but contained in love.” Something Dom said last night. I don’t even think he realized he said it.

I left one morning

I left one morning with nowhere to go so that on every street corner there was no motive for me in any direction and I went until I ended up wherever and it was dark and I was hungry so I had to figure out what to eat and where to sleep for the night.

My greedy heart hopes

My greedy heart hopes haughty
Hunkered stars reach out 
For the first time in a million years
Beating blood meets far away light
Through eyes that shimmer
Stained-glass windows 
In between 
A high-ceilinged church
And a jungle of primal life
At first my beating heart complains
And wants to go back to the wild
Once I manage to wrestle it down 
I read a missal and hymn-listen
It beats slower and learns
There’s more than one god to beat for

Who hurt this flower?

This whole day I’m watching a flower, with its outer petals spread wide open, like a father crouched down to receive his child leaping into his arms. The inner petals, however, are still closed like a bulb. They remain this way for as long as I look, shutting out the world the from the flower’s nectar. Open, only so far, receiving some. The deeper parts, the heart of it, closed still. I wonder to myself, who hurt this flower? Who drank selfishly from the nectar before its inner walls closed? And how much courage did this little flower muster? Just to re-open its outer petals. I am the sun, watching this flower.  I will watch and ray down and tell my cloud friends to rain but never storm, to let the little flower drink without drowning. Hope, I do, that the little flower opens. Watch, I will, and even if she doesn’t, love, will ray down.

Little speck that stays

Creep back coyly, cut past the pride with which you stepped out, shrink into what you were before your evolution hoped for all this, dash your tiny leaf on a wave of oppression that was always stronger than your Will, loose what little motivation you mustered, except for that sliver, that little speck that all alone is no match for an adversary at any one time, but as time passes, as everything else that was so strong in the moment fades away, this little speck holds on, it stays, though small, it remains, so that when nothing is left, there is this speck, hanging on. This little speck is the last of you. It will carry you to the end.

Can’t wait

Sometimes I think I just can’t hardly wait. I’ve agreed to meet her and I just wish the car would drive faster. Unhealthy, these insatiable desires. These hopes for the future that only hurt if you let them hold onto you long enough. Shake them. Breathe them out. Breathe in the subtle present—this we trade too readily for a future that can’t possibly match our hopes; a future that is really just a present yet to pass. All we really have are presents.

Homeless poet

The homeless man says, “The first part is you have to go somewhere that knows.” That’s all he said, to nobody, as people passed by on the street, nobody listening. I think to myself, is there any difference between my poetry and the ramblings of this homeless man? I don’t think there is, really.

The homeless man speaking poetry all day and nobody listens. Maybe he was a poet with a home at one point. Still a poet now but without a home. Maybe one of the best ever. Maybe he was too good and his poetry consumed him along with the drugs. No one will ever know, because nobody listens.

Fire drugs

There are some psychosomatic effects whereby even the bad drugs end up being good, when I need a boost just to get me over the edge and the short-term negative effects are outweighed by the long-term momentum, like a match to start a fire, even though the small stick of the match will be used and spent up and even broken, a sacrifice is made for the flame of a log fire that spreads and spreads, even into a whole forest if it really wanted to.

Harlem

Roundabout the lights
Through the speckled streets
Air and eyes and simple lies
Here we are in Harlem

Poetry

Poetry does something to you. It changes your mind and makes you consider more.

I go out to get a poem. I meet people and shake hands and dance. I look at things and tilt my head to change my perspective. I lean off the edge and feel danger and see if new words pop into my head to describe the feeling. I let myself dabble in love if only to get a poem of pain out of it in the end. I hold a leaf and let it scratch down some words on my palm. I get home and go to sleep, too drunk to think of poetry, then wake up with a mind full of it at four in the morning. There are no poems I won’t consider. There are many parts of the world I haven’t seen.

Mixing things up

Recently I’ve noticed I use words at the wrong times. I am self-conscious about sounding unintelligent. But sometimes I still can’t help but think it sounds musical, or that it makes sense in some odd way. When I look up the word in the dictionary, I’m usually wrong. I know what I’m trying to say, but we’ve agreed on the dictionary, so I have to abide by that if my intention is communication. I consider a world my only intention is communicating with myself. What would that sound like? I’m sure that crazy people sound perfectly sensical to themselves. They’ve just stopped checking themselves with the dictionary, so their words are only their own.

At some point soon I need to return to using language the right way. I’m too young to go so deep into poetry like this. I need to stay close to everyone else and their language. I love humans too much to go off on my own. Not yet.

Cooking up some good mind

I feed contents into my mind like ingredients into a pot of stew. They mix and mingle and seep into one another. As long as the ingredients are each individually appetizing, the whole stew will turn out.

Similarly, poetry that visits me in the night or whole stories that tell themselves in a daydream or bits of arguments in philosophy that make sense all of a sudden—these are composites of my readings, experiences, and thoughts.

The order in which these regurgitate in my writings doesn’t so much matter as does the quality of each individual mental input so that no matter what combination, my writings are composites of ingredients that are high-quality individually.

Hold on

So subtle was the pain that I barely noticed until my fingers lost their grip. I knew something was wrong but in a fight for my life I had no choice but to grip even harder.

Living in the past

I wouldn’t have wanted to think of it, had I any hope of experiencing it again in the real world. Without such hope, all I had was the memory. I know to avoid living in the past; in this case, however, even a hazy and abstract semblance was better than any present reality. Laying in bed at night I played it over like a movie on the back my eyelids, each time it became more distorted. Still, there was nothing out in the city that could be any better for me. Until now, I’ve finally forgotten enough, so that my memory is not even of the actual occurrence, but more so of my longing for it. Only recently have some present realities presented themselves as superior alternatives.

Climbing

About a hundred dollar halfway,
not even a head start,
if I haven’t dug my toes
into the cliff face
notching my progress
on the way up.

Economic ego

My economic ego tries to squeeze out and run dry every other part of me. I stop, shocked, and question myself, who is who here? Who is sacrificing what to whom, and why? I have an idea that the mob has caught me and fitted me into a cog, albeit with handsome reward, but this is not the Self at work here; this is a social trick born of a mass of animals, no single one of which knows why he participates, other than that he is satisfied in some way by it.

Lazy poems

I don’t know enough words to write a novel. That’s why I write the same words over and over, just in different orders. I call them poems.

Safe balance

Always a balance, he says, so that he can escape either way. Waiting, watching, somewhere ambiguously in the middle—the safest place to be.

You can’t stop time

Suppose it wasn’t so sorry enough that you really thought the clock even cared, ticking along like a march of hand soldiers that even the coldest winter snow couldn’t stop. Even if Atlas himself held back the clock hands with all his strength, it would take much more, even than the shoulders that hoist the world, to stop everything from changing.

The social man

The social man, seen to be with people. I wonder why they love him. Why they hang on his arms and laugh at his jokes. whether it is superficial or genuine; either is good enough reason apparently. The lights get bright and conversation gets louder when he walks into the room; they either want to impress him subtly or to get his attention outright. The social man is attractive, if only by virtue of being attractive to others. If seen alone, it would ruin his whole persona.

Plenty to worry about

There are plenty of things to worry about; if any one becomes too much, you can pick another, and another—you’ll never run out.

We’ll always worry. The key is to concentrate the inevitability on the right sort of things, and never to dwell too long on any one.

Listen

Melancholy whispers
silence shouts
somehow I listen closely
for the silence
if only I'd bask 
in the quiet noise.

World for you

If I create a world for you, could you pay the price of admission? Could you stand in it? Would there be enough room for you to dance around? Enough birds to sing with you? Enough space to pay you attention?

Once inside, would you try and leave on a cloudy day, and steal away with my favorite flower? If you stayed, would you miss what you left behind? Or would you swim in my creeks and climb my trees and smile at my sun? Happy with the world you have.

In between couch cushions

Split down the center of a formerly indivisible line, these become two sides of your wonder wall. Not too far apart, as their magnetism still draws the two sides together, you nestle yourself deep inside like a child in between couch cushions. It’s not long until, something from the outside world, catches your attention. You look up to see, a symphony, for you and the other split cushion dwellers. So you start to say, with less dismay, this really isn’t that bad. And the same magnetism that sucked you down and in, spits you back out, into the world that welcomes you home.

Open your eyes

Whether it was or wasn’t, doesn’t matter now. When the past is gone, it’s gone. When the ships have sailed, they’ve sailed. When the meadowlark moans you must crane your neck and look up into the tree and see. Your mind and memory have failed you with facades you’ll never fully realize. Your eyes can only show you what there is. Drink this and only this. Lean in after the sight of it and let it swallow you whole, until you can no longer tell the difference between yourself and what you see. When the past is gone, it’s gone. Let it go. Open your eyes and see what you have left.

Fly by night

I fly in the deep dark night past jostling fears of failure and falling, none of which matters much anymore now that the rain beats into the windows and the horizon is speckled with black clouds. We lurch on like a bullet train out of a pistol tunnel headed straight for an inevitable leap straight out of reality and into a world where the climbing higher takes on meaning in dimensions other than just the physical; our souls climb the celestial ladder together with just enough time to finish what we started in the early budding flower season when all relationships are happy just by virtue of two people having to come together; higher, here—things are more dire now and the risk is higher on both sides, deeper, higher into the more than physical divine sky and crashing, earthward back into a very physical and almost primal nature which is certainly a step backward from the ancient godly life that our love has taken on.

Swollen knuckles

My knuckles swell until I can’t feel my fingertips, the sweat on my brow doesn’t bother me, my collar tightens around my neck, normally I would be uncomfortable, but this is what is required, it being time to push into it, and life asking to go on like this at first politely, later it will force me one way or another, later there won’t be enough blood to swell in my knuckles, my brow won’t bother to sweat, and my scrawny neck will slip from a sneaky collar that needn’t bother breaking it; I’ll be as good as dead then anyway.

Friends with memory

I like spending time with people that remember things. It somehow gives importance to the moments we spend together. For the same reason I like to write and take photos.

As hard as I try, I can’t help but feel that I am losing something when present moments pass. I want my time spent with others to be an investment in their memory bank, even if it has to push out other memories to make room.

I’m selfish about the space I occupy in their mind. I’m even competitive about it in the same way that I want to make space for myself in culture and history. I want to be remembered. I don’t want to die. But I know I will. So I substitute mnemonic remnants of myself for the longevity of my actual physical body, hedging against the possibility that not even my soul lives on.

I’d be happy enough just to live on in others. I’m less attached to maintaining myself in the confines of my own ego. I see more clearly now that everything is part of, and flowing in and out and together with, everything else.

Why I love nonsense

I like nonsense because I don’t have to worry about being wrong. It’s the closest thing I can get to being completely myself without apologizing, filtering, or being careful in any way. I go recklessly in whatever direction no matter what. You learn a lot about yourself this way.

Stay present

All you have is the present. If you live in the past or the future, they are just less realistic versions of the present. Also, they detach your time from your space. For example, if you spend your time dwelling or hoping, you can’t focus on what you want and need and what you can do about it in the present.

Morbid

Leaf says, “I’m looking forward to this time tomorrow when I’ll be asleep.”

Moose says, “I don’t know what I’m looking forward to anymore.”

We laugh. It’s funny while we’re still together.

Art diamonds

I feel best when I’m putting out art. Emptying myself of everything I’ve worked hard to cultivate. Giving back to humanity the art diamonds that I have salvaged from the soil of my experience. And as a result art diamonds come back to me from others and the soil of my experience grows richer and my next diamonds are more readily refined.

Good trip guys

Krys walks out the door after we’ve said goodbye, “Good trip, guys.”

We all laugh.

Krys walks out in the snow. His car is waiting, idling, blowing smoky exhaust into the cold air.

In between times like these

Seamus says, “Just working in between times like these.”

Krys says, “Marking off the days in my calendar.”

We laugh jaded laughs, morbid about some things, but soberly, and knowing the things we have to do are well worth times like these.

Primordial soup

Spatial things are hard to grab at when their essence slips and melts together so you end with a primordial soup running through your fingers and you’re asking yourself, what’s the difference? Between this and that. What option do we have anyway? So choosing generally between a positive bright hue versus a dark trudging and dwelling upon weakness or misfortune or whatever else.

Art without explanation

I see art in everything that could just as easily be anything else but it is what it is; it doesn’t matter why, just that it is so gosh darn interesting, and that’s what I try to describe, as it appears to me, while avoiding the temptation to overexplain and force everything into a reason just because of my need to understand. I let it go and smile and say to myself, “This is it. And this is good. No matter whatever else.”

Bus trip

Wow, so much on the bus, trying to think of words for this but I don’t think there are any. Even my fingers streak across the screen. So many thoughts that don’t have words to express them. I’m doing my best just to write this and saying to myself, “Okay, okay, you got this.” I want to try writing poetry.

Glass out the window. Cold flakes yet to hail. I really think I’m too lost for this. It’s all garble. Nothing that makes sense comes out. All I can keep saying is ‘oh god, oh god’ and marvel at how my fingers feel.

My mind isn’t putting together what is spatially available to my body. I thought in my head that there was fruit in the fridge at home. I reached out in the present world where I’m just sitting in a bus and I tried to take the fruit out of my fridge. It seemed perfectly reasonable to me that I could reach out and grab something that wasn’t there. Everyone on this bus is thinking the same thing. It’s like we all share the same mind.

I want to take mental snapshots, to remember this somehow. The height of my life. I think the same thing every time. But eventually I forget and go back to living normally.

I feel the soreness in my brain like a muscle tired after a workout.

Fall leaves

Sitting on the porch swing in Denver looking out at the trees. Lake asks me, “Do the trees change color in California?”

I think about it. “I don’t know. Not the redwoods, I don’t think.”

“Well, what makes them change?” Krys asks.

“I think it’s them dying. The chlorophyl that gives them life goes away and the green color fades.”

I look at a tree across the street. It’s October and the leaves are shades of green, orange, and yellow. It’s like an aging population. One branch has green leaves that are all young—it’s a school of youths and no elders. Another branch on the outer edge has mostly orange members—these are middle-aged citizens that think back to their own youth in the spring months. And the yellow leaves, towards the end of their lives, looking at the ground beneath and preparing for their Fall.

Death by fire

My fear of death takes over and I stop thinking about the future, thinking it improbable. I’d prefer to burn up right now all at once by my own hand and enjoy it, rather than let a subtle icy death sneak up on me.

Frictions

Frictions define me. In the smoothness I hurtle fast along, not noticing much. It is in the transitions—changes in direction, slowing or speeding up the pace, transporting to somewhere or something else. This is where the friction comes from. Travel is never instantaneous. And I can never stay doing one thing in one place forever, so the frictions are inevitable.

Music is good

Loud music gets me high. I close my eyes and know nothing else. It covers me and gives the darkness a quality of warmth, like the dark is hugging me. Blinking when the cymbal claps. I worry about getting up with it and having to get down later, like climbing a tree that is easier to climb up than down. Why are you dualist about this? I ask myself. Music is good. Don’t worry about getting down. Maybe you’ll grow wings or find a rope. Go with it, I tell myself.

Kansan identity

Growing up, it was all about where you were from. Your friends, your tastes for food, your sports teams, your religion. Everything was largely homogenous with the people you grew up with.

Now that I’m grown up and out into the world, people ask me questions about who I am and what I like and where I’m from and I’m less sure of how to answer. I try to talk to any of my experiences based on I’m with and what they’re most familiar with.

So much chaos inside my soul, had I not been born into the basic, safe life of the plains and homogeneity, I might have lost it too soon. With my Kansan base, I can lose it carefully, consistently, and still always return afterwards to a static set of rules and sense of identity, then set up to take off again.

Plane crash

Sometimes I sleep soundly on a plane ride, when I’m all too comfortable to die. Otherwise I worry about a crash, of course, as all people do. I can’t sleep and I can’t read, so I just sit there and wait for time to move slower than usual, jumping at any turbulence and watching nervously out the windows as the wings flex in the wind.

Multi-directional art

I used to write and want to keep it going in the same direction no matter what. I’d have the initial idea and no matter what else occurred to me I wouldn’t veer off; I was limited in this way. Not to mention the cultural norms that were really barriers to my creativity, only allowing me to access so much in the first place. Now that I have access to more and I’m more willing to go off in another direction, my possibilities for artistic direction have multiplied.

Lady love and poetry

Somewhere from the night she visits me. Lady love and poetry when I need her most comes in through my cracked door and sleeps at my feet and waits for me to wake. Sometimes she’s not so patient and tickles my toes in the middle of the night. I wake and smile to see her like Wendy would smile at Pan. Oh lady, I’ve missed you, I’ll say. It’s been so long here in this factory world with its gears and mechanics, can we please please go off to your world tonight? Without saying a word she grabs my hand and holds back time like a bedsheet. Space and the mechanical world still seem to be there but the light is so bright that I can’t tell. We fly in the timeless night until I’m all empty. When lady love and poetry places me back in the mechanical world to charge my primitive batteries. And I wait for her to return.

Suppose a sucker

Suppose a sucker swayed in his conviction like grass in the wind. That a heart’s center had no magnetism to guide its morals. Only a natural trepidation that bent one’s back in the direction of the queen. Hard labor and a leaf that looked bad actually turning out good. Then a rose petal might stay in that stem a little longer if only the woodpecker’s cry was on softer bark. Oh daisy, oh doozy, I can’t even write anymore.

Hot air balloon

Just when I think the poetry has dried up, and all I’ve left in my forlorn life is a trudging forward, just then I’m up in the night with flowers bursting from my chest. No soil beneath my rib cage and no sunlight in my room, but nevertheless here are these flowers brightening my midnight life and making smile a face that hasn’t in a while.

God, life is good and everything is alright, I tell myself. You just have to go through the bad times, I guess. Necessary lows for the highs. And as I’ve gotten older I get better at remembering this. A paradox where I can still enjoy the high knowing there will be a low coming, and paying my dues in the lows without hoping too much for the highs.

It’s only sometimes when I’m like a kid again and I get so silly high that I forget about anything and blow so much hot air into my own ballon that when I’ve run out of breath the fall back to earth has a hard crash landing. And when I meteor here, my impact drives me so deep that at first I know it is temporary but at some point so far beneath the surface I start to wonder whether I’ll ever rise again. So much time in the dark, cold cavern, and deeper, darker all the while, I can’t really help it. But boy, when I’m high up there, I don’t know if I’d change it for the world.

Let’s go through it

Let’s go through it, unsure of how we’ll come out, this is all we’ve got. One direction being no different than another, the only real difference is our speed, if we are to control how much ground we cover. So that the only choice we ever really had was to hurtle headlong into the furnace. The sun mooning up at any distance we charge into. And the moon sunning from the source. Your heart’s center was really the only thing that ever beat for me. No matter how much sense school ever made to me as a boy, I was always bound to chase after your heart.

Yoga love

At yoga, the instructor tells us, “Exhale and let go of something.” I exhale and let go of it. Later in the practice, he says, “With your strength, express love.” I express love to the same thing I let go off.

High ceilings in churches

High ceilings in churches so our songs rise and the divine beings in the corners can hear them. I am stumped trying to write about religion now. I walked by a beautiful church on ninth street and saw the high ceilings through the beautiful windows. I thought to myself, “There is something about those high ceilings.” But I cannot separate my childhood ideas of churchgoing from the art I’m trying to write. They don’t seem to want to go together.

The aesthetic of having things

The aesthetic of having things: I am attracted to a person, a man especially, who seems to generally have things—things which we need, in particular. For example, when we are hungry and he says, “Ah, here have a piece of fruit.” Or when there is something to be paid for and he steps forward with money as if his pockets are full of it. Or anything at all where something is sought after that I or everyone we’re with would otherwise have to go out and get ourselves and he says, no matter what it is, “Ah, yes, here you go, no worries.” And never expects repayment.

Aesthetically, he is seen to carry things that he owns, like a backpack on his shoulders, the coat he was supposedly wearing at one point now in his hand, glasses on top of his head that serve a dual purpose to keep his hair out of his eyes. He is a demigod working towards either omnipotence or omnipresence—I am not sure whether it is power or presence that his possessions convey; either, godly in some way.

Abstract art is about feeling

I closed my eyes last night and thought of how abstract art makes sense. I tried to “see” my toes and legs and hips with my eyes closed. I was trying to feel, only with the sense of touch—my toes against each other, my legs against the bedsheets, my hips against my own skin. I could only come up with a rough sketch that didn’t match the exact picture I’d seen before in the mirror. I think similar when in love—opening my eyes and seeing, closing my eyes and feeling.

There is a certain emotion still that goes with even the roughest sketch. Something that just barely looks like a face, only the curve of one side of the jaw, a shadow between the eye and eyebrow, a line where scalp meets hair—individually, these marks, shapes, colors are nothing; together, they represent all the faces that we’ve loved, hated, longed for, and feared.

Infinite lives

When we were young we talked in terms of now. When we went to school we talked in terms of what are you doing today and tonight. At work we talked about months. Now we say we’re going to do this or that for so many years. I wonder, if we lived infinite lives, we’d start talking in terms of decades and then centuries.

Sight meditations

My deepest meditations continue to be based on “sight.” I am not sure whether it is my physical eyes seeing the backs of my closed eyelids, or if it is my mental mind projecting blackness. Either way, I see mostly black darkness that displays sometimes abstract shifts in its color and other times real-world shapes and figures that I recognize, like people’s faces, street signs, etc. I go deeper by continuing to focus on what I “see” and avoiding thinking about anything else. I find my drishti in various points of the mildly dynamic darkness. At some point I felt a delightful sensation in my legs and feet like a tingling. Once I got to a certain level, I felt that I was oscillating back and forth. I made a push to go deeper but was shut out, set back, and made to try again. I did this until I fell asleep, not from lethargy or relaxation, but from exhaustion.

Don’t fall in love

I sit alone on my couch in my apartment at 9:32pm on a Sunday night with my arms folded tight across my chest, shaking my head and groaning and saying to myself, “Don’t do it! Don’t fall in love right now, you fool.”

I try to meditate. I try to focus on my breath or on anything else but her. I’m on the cliff, I know it. I might have even already fallen off. I’m already thinking of the last time this happened. Even if it’s requited, this kind of headlong love is too much. I’m going to try and sleep it off. By god, I’m scared.

Big decisions

I remember right after we graduated we were most of us on the fence with our decisions. We could have done one thing just as easily as several others. Some decided right away and started. Others took a couple months. But almost everyone I know decided on something eventually.

And now, almost a couple years later, a lot of us are doing those things we decided on, and they’ve now taken up big parts of our lives. Seeing as most of us are in our early twenties, then what we’ve done since graduation is a tenth of each of us.

It makes me think of how important those decisions are. In the moment they seem just like waking up and having breakfast. What’s subtle is they change the course of everything for really no good reason at all in the sense that we could have picked something else and it would have been just the same now.

Do more

Mostly I don’t have time to plan. I just have to do it. In my mind doing more is better than the marginal improvements of doing less, even if the less things you do are made better by the planning. Still not worth it to plan, I think.

God, I’m thankful

Wallets I would have had if my bookshelf could’ve kept from toppling. Empty bottles full if they weren’t so full to begin with. Laying on the hardwood floor hurts a little bit, neither of us will admit. We even roll around a bit before confessing we’d rather be in bed. Shoes and rolled jeans; I like her dressed up as much as not. Don’t think it’ll last much longer honestly but at least it lasted this long. Even just that it lasts right now is more than I can really ask for. God, I’m thankful. I forget too often.

Death destroyer and birth creator

The physical world chews me up anyway. I want to have some control over my own destruction. Like a child constructing a tower with blocks or a miniature toy cabin with logs, I build myself up partly for the joy of stomping through, smashing and tearing myself down.

I believe in the two sides of morning and night, birth and death. A morning birth is building up and a night death is tearing down. They might seem at odds except for that what breaks up in the night reconstructs itself in the morning. The parts of us that release at death are born into others.

Like a child’s watercolor

I can’t look at a tapestry, too much, so I look at a nailhead, but even that starts to break itself apart after I’ve stared for a while. Things hold together only if you glance and shortly go on glancing at something else. Otherwise you see that nothing stays the same, and everything is entangled; hard to tell where one thing stops and the thing next to it begins, like a child’s watercolor that melts at the edges of each brushstroke.

Fire love

Iced stuff over the fires that could have burnt anything but this. The contrast, miraculous. To see her fight to not fall into this love. No, any one but this one. For though surely it’s flames would melt her away into ecstasy if she gave into it. There would be nothing left of her—or him, for that matter. A love that destroys, and means to destroy. A building up that tears down. A creative destruction. A melting burning.

God of time

The god of time visited me, pocket watch in hand. He talked in a rhythm that matched the ticks of his watch hands. He said, there are appropriate times, to stop and to go. You shouldn’t stop when you need to be going. You shouldn’t wake when you need to rest. Do the right things at the right times and watch out for when the times change subtly. You’ll be doing one thing and all of a sudden it’ll be time to do the next. Balance between staying completely present to what you’re already doing and keeping your eyes peeled for potential futures that need to be grabbed at just the right time.

Torn like a sunset

Tell me things, about when they weren’t like this, when you had to dress a dandelion just to hold down the fort for a night’s cabin. Man, I miss those nights, even the ones that have yet to dusk, that might resemble nights passed, in which case I can’t wait. Nights are like dying, which means they are also like living. I am always torn like a sunset. I want it to start but I don’t want it to be over.

Written memories

“I have a bad memory,” I tell people. Nowadays I’m better at organizing my writing than my own memory. I have to write everything down or I forget. So when I need to remember something I search my phone or my notebooks instead of my own mind.

Method writing

I bend myself like a method actor to get into a certain style of writing. Sexed and drugged to write poetry with an honestly dumbed-down vocabulary and more emotion. Alone for weeks with coffee and exercise to write academically. Holding my breath and watching characters out the window to write a novel.

Swords and arrows

I could have played along just as easily. I just wasn’t built to. No harm or foul if you are. Pros and cons to fitting in, and the same for not fitting in. Just so interesting that progress and economics are primarily owned by one, and love and spirituality are primarily owned by the other. Like two armies with different types of soldiers, one with archers and the other with swordsmen. Both could potentially win the battle, each by completely different means.

Girls

Girls that are loyal but not bad enough, and girls that are too bad and not loyal.

Dark and light

There are dark times and there are light times, always. There is never only dark, and there is never only light. Even at the same time, the dark is light in some ways, and the light is dark.

I say this because sometimes it gets so dark that I think to myself I’ll never again see my shadow apart from all darkness. And other times it is so bright that I think it’ll be light forever. Always, things change. And things come up that I never expected—this keeps me moving forward, through good times and bad.

A sublime physical world

Carved into the hillside hauled down from the horizon where a point of eyes meeting sky ignores the sweat on my brow long enough to make progress that goes unnoticed save focus on the presents that were passing, though the passage itself made no difference to the hike ahead, carrying us along inside a sublime physical world.

Art I was after

There is a tragedy I face as an artist standing between two worlds. My mediums of description are symbolic while what I’m trying to describe is not symbolic. I do more drugs and love more and forget myself, feeling that I am closer to the source I am trying to describe.

All the while I am destroying my powers of description as my brain deteriorates and my memory fades. So that the door is closing and I will come to a point where my abilities (to describe) and my closeness (to what I am trying to describe) meet in the middle of my life when I will write my masterpiece.

Thereafter my powers will worsen like the wings of Icarus burning off as he flies closer to the sun. Finally in my old age a solar blast will return what remains of my attempts to describe, and what I’ve borrowed and called myself will break up and spread throughout the source I was after all along.

Capturing heart

I carry a capturing device in my heart that catches what my mind can’t when words don’t really make sense; still, all that I have other than a kiss and a touch is to try and say something.

Whether I remember or not

So that in times like these I’m not really processing anything both for being overwhelmed in this moment and all the moments just before that I haven’t quite caught up with but the dirt picks up under my feet just the same and supports a body that houses a mind in a universe that moves in just the same way whether I remember it or not.

Hiking poem

Trails cut into the hillside like scars;
looking out at the open ocean
I’m not sure which side is the sky.

Texting myself

Writing to myself, I used to feel dissonance when deciding whether to refer to myself as “you” or “I.” Now I’m more comfortable referring to myself with different pronouns. I think because I feel more a part of everything.

What day is it?

We made it and forgot that we made it so we got caught up in chasing something new until we chased that down too, so now we wake up every morning not knowing what day it is.

Found out

After I’ve “found out” it’s like the gates open and everything pours out so I’m writing all night on my iPhone with her asleep in bed next to me.

Spending winter break at university

I do my breaks alone. I travel to universities in the Midwest and rent a dorm room in the empty halls and take my showers in the community bathroom. They both rushed to tell me that I could spend the holiday break with their families. So I had to politely decline and tell them about how I actually enjoyed it. Something from my old school days is still hidden there, something scholastic and nostalgic. I sit at an old mass-produced wooden desk on a worn-out desk chair with a red wool cushion. There’s nothing on top of the desk except a book and a notepad under yellow light. It gets spooky at night, something about a place where normally so many people are but then nobody is. It reminds me of the Thanksgiving I spent alone in my dorm room during college. I was scared to get out of my bed at night and walk down the long empty hallways alone.

I need

I need a life where I can share.
I need open space for my deep breaths and soil for my roots.
I need pages for my words, the ones I write and the ones I read.
I need human bodies to animate the hearts and souls I long for, both mine and others.
I need canvas for what I paint and what I see.
I need stage for when I perform and for when I’m in the audience.
I need a pillow and a dream world to rest and let my tired mind roam.
I need a plot of land to rest forever, eventually.

Talking to trees

I assume she has her reason for not wanting to look, just like the rest of the natural world has theirs. I imagine a tree with his branch arms crossed, emotional, with his back turned to the trail, refusing to acknowledge passersby like us, who hike the trail looking at our feet, like guests at a party who fail to find and greet the host and express their gratitude.

I imagine a world not unlike the fairytales where our dialogue is not only just among ourselves but also with the rest of lifeforms and even with inanimate objects like teapots and candlesticks. Otherwise we are closed off from the world that’s always trying to tell us something.

Whimpers that won’t whine

There are some mysteries better left that way. Nothings that we’re better off not whispering to one another. Whimpers that won’t whine quite contrary to the core as we want them to. When it’s all up to the moment to just be, ignoring our nagging to describe it and box and tie it up in package and parcel when it’s really so much wider than that. Better left unsaid, these things. Better left just to be.

Irrational fear of death

My fear of death has almost become irrational. I imagine someone smashing me with a hammer when I’m not looking. I imagine someone coming in through my locked door when I’m sleeping. I imagine everyone has a weapon and everyone that looks at me funny wants to hurt me.

I think it’s irrational. But then I think of people who were killed by surprise. In hindsight wouldn’t it have been rational for these people to worry and watch out ahead of time?

Bright light

I turn off the bright light and turn on a dimmer one. In a few minutes I say to myself, “Gosh darn, I thought I turned that bright light off.” Then I look up to see the lights and it’s the dimmer one that’s on. I say to myself, “Oh wow, how my eyes have adjusted.”

Sexed and drugged

I come back to this sober world where I care for my physical body, my survival, and my future. Back from a whole month or more so sexed and drugged that I forgot who I was and just became a part of and in love with everything. I didn’t even realize I’d misplaced so much of my ego.

My meditation, too, served to lift me up and out of myself so that what I was concerned with most was everyone else and everything around me.

Now back here, more in my body, my thoughts are more often of looking better and maximizing returns on my investments, rather than poetry and dreams that came to me constantly while I was open to everything.

I was looking up into the open sky and overwhelmed by it so probably processing the same amount as I am now looking very far into a deep, narrow hole. They are either both lenses to the same thing or they are opposites.

Openness crept in

Seems quite open, everything does. In a way that heralds a hue of austerity outside of what you’d normally expect from the cool night air rolling in through your quarter-cracked door. ]The openness wouldn’t tell of itself other than the secondary qualities like air passing through and the absence of any closedness tattling. With a flow like that pouring into my nostrils it was too hard to stay awake and once the openness crept into my dreams I didn’t know anything anymore.

Ascetic glutton

Mindful on a morsel 
when you’re starving, 
but what about on a mouthful 
when your stomach is full?
Can the fortunate glutton 
be mindful as an ascetic monk?

Four of us feeling good

Through a tunnel passing through the low yellow lights crossing the bridge smoking in the car speakers drumming early in the afternoon four of us talking and feeling good.

Describing the whole thing (writing)

For the sake of my writing I try to stay focused for as long as I can where I’m at. I can look at something once and write about what I see. But if I look at it again and again and hear it and feel it and smell it and wait to see what it does and how it reacts to me being there and experiencing it—all this can only be gotten from stopping and staying put for a little while.

You’ve got to let it work its whole self out otherwise you only end up describing one point on the surface rather than the whole shape. You’ve got to stick around to get all the other points like pieces of a puzzle until the whole image is displayed. Otherwise your reader will only have one thing to go off of and it’s more likely that their subjectivity will show it to them as something different instead of what you were trying to describe objectively. On the other hand, if you can give them more points on the surface, more data points, then your description can trend towards objectivity with less of a chance of your reader guessing wrong.

Travel sickness

I travel far away and forget who I am so that when I return I don’t remember what to do. I feel that I belong nowhere anymore and don’t know whether to spend energy remembering who I was or to just set off again and keep forgetting, letting what happens happen and not worrying about it.

Only me

It’s only me that stops myself. It’s only me that tells myself that I’m unhappy. It’s only my mind playing tricks on itself. I’m smarter than my biology. I should start acting like it.

Left coast

We should take some acid and go to the Presidio and roll around. I have no science to corroborate this, but I’m pretty sure I can do drugs without hurting my body.

Meditation saved my life

Sometimes I get all caught up and drugged out and so deep into my art that I can’t see back out. I start to break all my good habits and hurtle headlong into the furnace. This is where meditation has saved my life. I stop and remember to breathe and return to my true nature and everything is alright. I breathe in everything and let out everything and remind myself that I’m not supposed to hold any of it. I’m just a part of the whole flow. All that matters is I do my best and respect and love others.

Creative flood

After I finish a creative flood and get a lot down on paper, I like get drunk to kill all my old thoughts and brain cells and start rebuilding new ones. Probably not healthy but definitely helpful for my art—this is a larger them I’ve noticed: art is often not healthy.

It includes everything over and beyond what is allowed by our survival, everything over and beyond our physical bodies in space and time, on the far side past the veil of death.

 

Love like

In some ways like attracts like. But as far as who you’ll love wouldn’t it be better that they mostly be different? If they were the same as you then you might as well love yourself. But then if they’re different than you do they really understand you?

Brain damage

I’ve been destroying my body over the past couple days. It’s just a phase. I drink and smoke and get punched in the face, trying to empty my brain of all the old cells to make  room for new ones.

Wonder world

Woah it’s like a wonder world where the edges melt and all the exacticity of a normal woken up walk along isn’t so straight and narrow with no room to even barely breathe, no, not like that. Here is what we need and what we were meant to have until the order that was meant to give frame for the beauty ended up corrupting what it was supposed to protected by rounding its soft corners into edges for the advancement of a mission that we thought was in line with our needs but really just served to trade short-term pleasures for an eternal happiness that we were meant to have all along.

Forgot to relent

When it really doesn’t want to be that way, so much I push off and forgot to relent even when my sanity is shouting no. At the margins of what keeps me together even though I want to fall apart all the time; it has to be in the right way where I beak open into everything else and not just out into a non-discernible oblivion.

Who to call on

It’s a bunch of thoughts fighting for my attention. They all collide heads and explode and nobody wins. So I end up thinking of nothing all the time, until you ask me and I don’t know what to say. Like a classroom when all the students raise their hand at once and the teacher doesn’t know who to call on.

I’m really just a sieve

This afternoon I ate a cashew like I was a prisoner in a cell and it was the only food I had. The things you notice with such focus! I turned a page in my journal that was full of reminders, little poems, to-do lists, and notes to myself. I turned to a blank page and felt a sense of freedom.

Not only the page but everything is blank and brand new like all I’ve written here is all I’ve got—which is nothing. My memory is terrible lately and I’m a little worried but really I think it’s healthy not to have so much stored up in my mind all the time. Even that journal page full of reminders and lists was starting to stress me out.

I’m really just a sieve. My only function is to have things flow through me. And when I’ve caught too many big rocks, I need to be turned over and dumped out.

New motivations

Go until you can’t go anymore. Don’t think about what you’ll do when you get there; new motivations will push you even farther.  

Killer god

Sometimes I get sick for a week and I imagine it’s going to be the end soon. I get irrational anxiety about having brain cancer or some disease. Then miraculously the next week I’ll be healthy again. I tell myself that God was about to off me but then he decided I’m not really done yet and I still have work to do. I’m doing everything to find out what that work is. But if I knew what it was I’m not sure I’d actually do it, even if I could. Because I want to stay alive. If god found out I was holding out on him he’d probably kill me anyway.

Good feels good

We arbitrarily choose good because it feels good. We’d choose bad if it felt good; some do. Then we realize our definitions of good and bad are all screwed up.

Such steel

In a city full of people, such steel so straight up to support an industrial flow of life above on the streets and in the buildings where bodies come in contact all day and some stay supple and human while others become like the steel and a part of the foundation; even for these I am thankful. For in one way they have forfeited their humanity. In another, they have made a great sacrifice for those of us who choose to remain human. Without the steel, those of us truly human would work up our appetites until we eat each other. The economic Apollonian steel offers the skeleton and checks and balances for the all the emotion and passion of the overwhelming Dionysian human.

Much further

Looking back at where I was
to where I am now
makes me believe in 
really how far we can progress;
even with all my stumbles and detours
I’m so much further now than before.

Straight into heaven

It’s nothing except for what it is
right there in front of your face
no tomfoolery or window dressings
just an open door straight into heaven
so good it kills you.

Locked out of the world

When there’s a certain world that you don’t get to be part of anymore. You get locked out, like going to prison or being stranded on an island. And you try to recreate everything in terms of what you knew before. But it’s not the same and you’re not sure if you want to even go on living anymore. You wish you could have your old world back or no world at all.

Freckle stars

I try to memorize her freckles 
like a sky of stars
so when I’m not with her 
I can close me eyes 
and place the constellations
—two on the upper inside of her left breast,
one also on the inside but slightly higher on her right,
and a trio in the center of her collarbone; 
like they were placed there by design.

Was a winter

So sober was a winter 
want of deluge and decay
over off and oblong waffs 
so cigarette smoke’nt breathe.

Behind closed doors 
and smoggy pours
my good girl 
braids her hair.

Poetry on my iPhone

I write poetry on my iPhone
and everything is great;
I wait for a time when it won’t be
when I won’t be as creative and in love
when the same lights will seem darker
and the same routine won’t be as happily productive.

I try to breathe deep and drink it in now;
God, the sunlight looks good 
coming in through the window 
and reflecting off the walls 
and my tanned skin.

It’s because everything 
has made upward progress, I think;
not so much up and down over time
more up and up and up lately.

More time

I want more time, what for? When I think of the rest of my life, I wonder what else there is. What would I miss if I didn’t get to live it? Isn’t it all pretty much the same?

If I were able to live for a millennia, I think I would. Why not? Might get some kicks out of it. But if I were able to choose immortality, I don’t know. Part of me wants to die, I think. But when I find newness that gives me life, I fear death.

If I could always find newness, maybe I would choose eternal life. But then what if I changed my mind? I’d be doomed not to die. Even if that were the case, I think I’d find something new and be alright.

Eat fast enough

I try to make it last
eating slow and taking my time
but then my food gets cold
and I realize you just have to take it as it comes
all you can change is the depth of your focus.

Rainy sunday morning

When the window talks
and the raindrops knock
curled up under covers
wearing my brother’s socks
the sheets are made of silk
—not really; they’re cotton, I think—
but they might as well be silk
and everything else that’s perfect
because that’s how everything feels
on a rainy Sunday morning like this.

Come in everyone

When I stare into the black backs of my eyelids, my heart and soul open up for other identities to pour in. I think and see and feel other people and live their lives for quick successive snapshots. People I don’t know or at least can’t remember or maybe my former selves. My ego opens up wider as my physical body is still the same and even my mental remembers mostly the memories that belong to my body but my soul that has a larger grasp opens up to a broader swath of the Self and let’s everyone else in.

Wonder who I was

When it wasn’t what was wanted by the violent crowd my knees began to tremble and wonder who I was. For if not love does garner, what I wish to say, where my words fall on fertile ears, an alien home I do not know.

Sickle topple lophagus

Sickle topple lophagus
let it swallow loud
sopple so that words can sing 
from my tired mouth.

Windows washing waffle woes
whence where theirs have worn
there rips rife like twilight nights
what queer clowns waved asorn.

Nonstop poetry

Poems have filled my head ever since my trip by the river with Ford. Like all the words in the world were held in a jar and that jar were turned upside down into my sleeping mind, so I wake up in the middle of the night with all this out-of-order nonsense that I can’t help but think sounds important so I have to get out of bed and write it down.

This is the third night this has happened. I hope it doesn’t stop for another week or so, until the whole jar is emptied, even though my mind spills over already and what’s in my mind tonight displaces what was there the night before. I like to have this non-stagnant flow. It gives me a sense of freedom and creation.

Loved again

I stepped low and let the bass in my feet rumble.
I looked into a like face and loved again.
I wanted what was taken for the last time.
I’ve cared about my queen as I could.

Moreness

Sometimes I think to myself, what if this is it? Then I’m hit with such a gust of moreness that first I try to catch my breath and second I feel foolish for thinking before that there might be nothing more.

Starting with the physical

I try not to think of it and reconstruct it in my own mental. I used to do this, reading and rearranging according to what I thought would be optimal. Performing my own mental surgery to rewire my brain.

Lately I try to let all that happen naturally in the physical. What my body takes in: what it eats, touches, hears, sees; how it breathes, exercises, works plays; who it loves and fights; where it spends its time in nature and the city. All these exposures subject my mind to certain natural rewirings via the physical inputs of my body in space and time.

If you believe that reality was created this way for a reason, and our hearts and souls were put here for a reason, it is not far off to believe that if you do the right things starting with the physical, then all the intended effects will flow up through the mental and to the spiritual.

Just by breathing and watching, so much can be done, even more than by a mathematician who tries to work out all the figures on his whiteboard or a guru who tries to memorize the spiritual texts. All that is higher is there in the base physical, too, ready to be absorbed by simple bodily actions.

It is when I remember, imagine, or hope that I am putting ideas into my mind that break the connection between my body and mind in the present physical reality. Ideally, always, I am thinking of what my body is presently experiencing so that I can listen to the story that the physical world is trying to tell me, without trying to piece together my own story from the confused fragments in my mind. A full cohesive and linear story is written into a lifetime in the physical world.

Dream writings

In the middle of the night, I can’t control my intellect. Healthier, I’ve found, just to follow along where my dreams and subconscious ideas have gone on their own throughout the sleeping night, like a child with my hand held by my parent, I don’t tantrum or run in another direction.

Often what is there is already there so that when I wake up in the middle of the night and start to write something exactly like this, all I’ve to do is start with the first words in my mind and the rest come tumbling out after due to no extra effort of my own. It’s all from what’s been done in my subconscious between 10pm and 4:30am.

Whereas the weirdest part, irksome even for a writer that tries to get down what’s good, is just how much I don’t recall upon waking, how many dreams I don’t remember but lived like my real waking life nonetheless. These forgotten dreams affect me surely but I do not know them firsthand. All I can do is write what there is and go back to sleep and wait for my parent to wake me again with her wisdom.

More will come

Don’t carry it all on your shoulders, welcome the world into you. Let the earth and wind be your strength, books and sages your mind, children and lovers your heart, stars and mushrooms your soul, beauty your eyes, fir trees your feel, stories your memory.

Let it all grow and change outside of yourself. Hold only what is given to you, only long enough to give it away. You are a sieve that must occasionally be turned upside down and emptied even of what you’ve caught. Let everything else flow through and do not long for it to come again. More will come.

Moon minds ponder

Spending time 
with a wasting whine 
that waxes off not on;
until there clears 
some subtle fear 
that what was 
wasn’t there.

Only then 
where compass spins 
and map men 
know no longer,
does truth reveal 
what hearts can't feel
and only moon minds ponder.

Lily pad revolution

When you don’t really know what you want to say about dragging out a paramount, keep it consistent and nag a lake for the fishes on bottom to bubble up a complaint that makes enough sense to rally the lily pads against the dam.

After the trip

After the trip, everything is refreshed and new. I pick up objects that feel like I’ve never felt before even though it’s the oatmeal container that I’ve grabbed every morning for a year. Even my job is exciting and rewarding in ways that I’ve forgotten. Just the ability to speak and interact with such beautiful people, I’m so thankful for.

A special few

It felt to me like we were on a trajectory that started and ended with confusion and chaos no matter how many times the sun rose consistently in the morning and the river flowed the same direction, the order in the universe still wasn’t enough to sustain a sense of meaning that we could wrap our heads around and get on living in the same direction of hope for a future that wouldn’t let us down like all the times when we thought we had something but it turned out to be proven wrong by science or just simply forgotten so that where we’ve ended up is a group of individuals trying to figure out for themselves and I can’t help but think there are a special few who are getting close.

Too high

I dose myself up too high so that I have to try my best to stretch out my shirt and make a parachute on the way back down.

Talking stool

Well thank God you’re here because the stool just wouldn’t take no for an answer and if I had to sit down then I might as well have a conversation and the stool wasn’t telling me anything other than “sit down, sit down” over and over. Even when I prodded I only heard a little about the wood he was made of and that was it so after that I really needed a human conversation.

Away from here

Went a while away from here just to see what I couldn’t before, so mucked up with soot in my eyes and the chimney unswept so that all the once new cheer of a morning fire got bogged down in normalcy like a leftover icy night.

Glass sand

Little did I know that the walk wouldn’t be so long if the glass hadn’t shattered all over the desert sand so that you couldn’t step anywhere barefoot without knowing what might cut you, so floating down the river was our only choice.

Mind travel

The whole travel home I feel like my body knew the way and carried itself while my mind traveled elsewhere—home with other travelers leaving the airport, into empty crumpled snack bags on the plane, in the silence in between jet engines, hoping there was water still in my cup. Now I’m home and wonder how I got here, my body sitting on my bed that it missed and my mind in so many other places.

Window flowers

So it’s like there was a time when it couldn’t be said in so many words even though that wasn’t what you wanted to think about the flowers that grew outside your window despite the lack of sun. Grow they did and learned to talk in ways the sun never taught them, supposedly from what they saw inside the window.

Another body

I saw another hand 
holding a phone 
in the car window; 
I thought it was mine. 

My ego dissolution remains,
like my mind could use another body 
just the same.
On his phone, 
he’s reading something. 
I read sometimes too. 
Maybe it is me, 
I’m not sure.

Driving down the road

Waxed wheels on lighted asphalt just waiting to rip a tread in the dashed lines off to a point in the dark pinched distance where other racers wait saying, “Come on, catch up.”

Grip the steering wheel, but not too tight. You can’t let them know you’re trying. Lean back and careen into the dark night.

New billboards

Advertising billboards and nightlight street signs.
A return to the city and all the buildings that look like new.
A shower and a clean return to routine.

Slipping back into what I’ve done
to figure out what I haven’t still,
then I’ll take a car back to the airport again
and the billboards will say something new.

Leaving slack

Sometimes I try to plan things too perfectly and don’t leave margins for air and the whole thing breaks when one small thing goes wrong. It’s important to leave yourself slack and enjoy it when everything does go as planned and you have to have some patience to wait for the slack to let out and remind yourself that you would have been thankful if you needed it.

Regal remedies

Sneaky regal remedies
for slum-born sickness
hoping it will go away
if the shacks and lean-tos
are far enough from the palace.

It’s a forgotten thing 
about kings and queens 
that they forgot themselves
that you and I and prying eyes
will seed a thought of destruction.

No more bedtime stories

Whimper whistle wash
simple supply squash
midnight raves and lunes
mutter mistletunes
so that the kids can’t say
when parents went away
and bedtime stories stopped.

Fewer marble jars

Epic animal sights 
after four beer flights
seeing eyes their whites
crying flies and mites
only simple slow
powder soft as snow
and I would say there are
fewer marble jars.

All-prevailing one good

Suppose it weren’t a sort of trick they played and all was meant to help you where what seemed so terrible in the moment would turn out good if you’d let it but you’re so focused on seeing things as two that are really only one and that one is good just for the sake of being a teacup tootsie in the dark dreary space that conspired but failed to keep out the all-prevailing one good that grew from deep inside it in the beginning.

Narrow days

Tell me what does become of the narrow days that pinch up all the time in between morning and night so that in the middle is a quick rushed river that cuts deep and doesn’t leave room for morning coffee or night tea but is just sandwiched for lunch in the middle so tight that when you go to bite into it all you get is the thin air that rushes out of your lungs on the last narrow day that you didn’t know would be your last.

Dripple dropple durble

On top of tickle topple knots
dreamed of dropping dribble clots
hoped it wouldn’t play this way
and lived to fight another day
last and lest the sun does shine
for you and I and bubble wine
drink and choke and sober up
slit and cut and burble slurp
dripple dropple durble durp.

Safe here

Holy how long have you been listening, glistening from the tree tops above, where my musical notes don’t reach, and your ears are shut out from what everyone hears, here where there’s a community of like-minded individuals, powerful like the mob, or there where it’s all one all you, lonely if not for the unique magic that you create for yourself.

Come back to us dear, we miss you so badly as we miss anyone else, come back and hear the headless harken, the waves that don’t break, save the lack for a beach, the slack for a rope that hangs itself, the self same love that hands its own shoulders, and all for what you wanted but never found out there alone, come back to us dear, you’ll be safe here.

Fully empty

I feel full in the sense that I am empty.
I’ve let it all go and it’s out there.
More than I could've held within myself.
And now there's more space to let more in.

A cloud letter

Up along the water skies I left a little letter. 
It said that so was what you know and nothing would get better. 
So I was scared without you there and and started to expect. 
That what was next would carry less but keep us light and lifted.

The grass is here

White roofed in green tall trees I wonder about who lives there. 
So when wonder weighs what won’t be held it’s hard to keep it quiet. 
Why don’t you lead with what you see and just let me follow. 
The grass is here the water too so nature's sights will wile.

Apple whites

Apple whites in starry night that fickle fights do fumble. 
Up and all the leaves do fall that tear my heart asunder. 
So please do pray that all these days have meaning.
Other wise my solemn eyes might find a reason not to.

Straight on

Straight on the road that I’m so excited to be on as long as I don’t think too much about where we’re going.

Lines like

Lines like I love them but they only go so far to keep us together when all the rushing inside the lines is what gives it life anyway. Watch the lines and listen to them but don’t obey for too long otherwise all the rushing will slow.

Seeds in the sky

I love that when you’re here like the lights on don’t bother you and the sky folds down to lift us up from the dirt where we’re supposed to grow but you can’t forget about the seeds in the sky that grow down.

Right when

Right when I get to what I think is what I’m supposed to be doing with my friends that all seem to think they have it together, that’s when it wrecks what I thought I’d be able to hold onto that’s slipping out of my grasp so all I can do is let go what leaves and keep what stays.

Where the high falls

You release into Dionysian ecstasy too early, even though there are diminishing returns to appreciating the increase in ecstasy at those high levels. You push to go higher but you’re only moving horizontally, not really enjoying it as much anymore but still just holding onto the plateau for fear of falling while your wings are burning the whole time.

Better to keep the ecstasy channeled in Apollonian and let it grow in tiers. This way the ecstasy fills each tier and is “saved” in some sense and the drug high can grow and grow, slowly but consistently, upward.

A feeling of connectedness

I asked F, “What’s it like when you get deeper in your meditations?”

“I sort of dissolve,” F said. “It’s more of a lack of me. A feeling of connectedness that exists all around me.”

Hugging

I’ve noticed that after I’ve had a hug, I’m less afraid to die. I feel more connected and content just to let my ego melt into everything else.

My whole apartment

Sometimes it seems small. When I’ve gotten used to it and I know every square inch so well, it seems to fold in on itself. When I’ve come back home at the exact same time and cooked the same dinner and lighted the same candle and meditated on the same cushion, I get claustrophobic and push on the walls to let in some air.

Other times, right after I’ve gotten back from vacation or when I’m having a friend over and showing them around, I have to stand a little taller to touch the ceiling, my bookcase seems to have another shelf, and the artwork I have hanging up opens my walls out into the world. When I start to look closely enough, it’s really myself that starts to feel small, like I could run for miles and never traverse across my whole apartment.

Easterner in the West

I am Westerner by birth and Easterner by self-education. I wonder if I would have educated myself on the West if I’d been born in the East? Seems I was doomed to live in the middle either way.

My Mother Was An Artist

My mother was an artist. In her hometown she got sick and went to see the medicine woman in the fields. The medicine woman was there and my mother’s mother was still alive and she knelt there in the fields among rows of other people that had passed on. They all knelt down in the dirt on a sunny day. Here they came to life again, in the medicine woman’s field.

My mom was sick. You only went to see the medicine woman when you were already sick. If you were healthy, the dead would make you sick anyway. When you were sick already, it didn’t matter. My mother held me in her arms. I was sick too. I was a baby too young to remember this story.

My mother knelt in the field next to her mother, my grandma. My grandma knelt there in the dirt looking very somber and worn down by being in the sun all day. My grandma held a baby boy also. He was my mother’s baby brother, John. He would have been my uncle had he not died before he was one year old.

My mother knelt next to my grandmother and communicated via the medicine woman. My grandma whispered to the medicine woman and the medicine woman turned and translated to my mother. My grandmother, via the medicine woman, told my mother that she was proud of her. She also said, holding dead baby John in her arms, that I looked to be very healthy. I was a little younger than one year old at the time, just like dead baby John.

The medicine woman said that it was time for us to go. This did not phase my grandmother. She knew that it was as things must be. She maintained her same somber disposition. Her golden cheeks eternally tanned by the sun of the dead. She whispered one last thing to the medicine woman and the medicine woman turned to my mother and told her, “She wants you to know that she loves you.” My mother cried a single tear in the soil of the dead. Then the medicine woman said that we really must go.

She led us away from my mother and through rows of other dead people kneeling in the soil. We came out of the rows and reached a road and departed from the dead. In the real world, the fields of the dead were a gift shop filled with pictures. There were many aisles of framed pictures of deceased loved ones. They hung on the artificial walls like books sorted in the shelves at a library.

The medicine woman told my mother, earlier this morning I sold the first one of your mother’s pictures. She only has four photos left now and then she will move on from the fields and rejoin the sun.

Thank you, my mom said to the medicine woman, putting her hand on the woman’s shoulder. I will come back and see her again once more before she passes on. I will have one more question to ask her. Well, why did you not ask her today? asked the medicine woman. Because I don’t know the question yet, replied my mom.

The medicine woman smiled and said that she understood. With me as a baby still in her arms my mother said goodbye to the medicine woman and left the fields of the dead, or in reality, a picture gift shop where souls waited in purgatory to pass on into the sun.

Small, stupid lie

I lied today. It was a small, stupid lie. I lied about something that happened in college. In truth it was a story that my friend told me. I lied and said it was me that was there. I feel bad about it now. I wish I could take it back. I said it just to impress the person that i was talking to. It wasn’t worth it.

Objective joy

All joy that comes from your subjective place in space and time, dispense with it. This joy will come and go, beyond your control, and is not to be relied upon.

Learn to focus on the joys of the objective world—the sun rising, the grass growing, people talking. Anything that will remain the same for as long as you live. But even those examples are not truly objective. They are subjective insofar as they depend upon your sight to see and your ears to hear.

All that is truly objective is your Consciousness—that which remains, even when you rise up and out of your subjective ego. It is to your Consciousness, regardless of what fills it, that your joy should be attached.

Such a door

Keep me up all night alright I get it but you don’t have to be such a door about letting people pass through and just get to where they’re going when they might even give you a nice wave if you’d let ‘em but you’re so stuck on being closed all the time and forcing people to pay tribute to your function when you could just do what you’re supposed to and pay it no mind and save your energy for staying open as long as possible.

Political words

When I just start a sentence and it makes at least some sort of sense it’s like rolling a ball down a hill where I really only need that first push and then the momentum takes over where I’m not even thinking of the real world anymore and I’ve lifted off into this elevated plane where the words all still exist but they don’t have to be used like usual anymore.

They’re free to relate to one another like they’re all meeting for the first time and being polite and not trying to make assumptions where each of them belongs so you end up with run-on sentences and too many conjunctions and in a sense you’ve wasted all your time up there on the elevated plane but in another sense it’s the only time worth spending, where you’re saying everything for the first time and actually experiencing whatever it is before you say it instead of the other way around.

Problems

I lay awake and suppose there isn’t anything I could have done differently with a day like this one which happened to be full of all the things with which a day is usually filled except for the feeling that anything was really done that hadn’t been done before.

That feeling irks the god in me. I let it go; content to lay here in my bed at night and breathe it all away. Tomorrow is a new day and my memory has gotten so bad recently that I rarely remember what I was worrying about the day before. I was worried about this until I realized that most of my problems aren’t really worth solving. They’ll sort themselves out or come up again slightly more dire further down the road and I’ll have to deal with them then but there are only a few of these that come up again.

Most of my problems don’t need dealing with right away. It’s only that other people don’t have it so good that irks me about this. Not everyone can lay up in their bed and just breathe and be safe and fed. So sometimes I think I’ve worked out a good system for dealing with my own problems but then I think I better get started on everyone else’s.

It gets messy when you consider some people create their own problems. It’s the ones that really had no choice that I want to help first. But then again I consider maybe the people who create their own problems don’t have a choice either.

Mistakes

I made several mistakes today. I am trying to part ways with the anger and learn from them. Mistakes are relative, I suppose. For example, I bruised both my big toes playing soccer today. My cleats were too small. Now my big toes are black and blue. This mistake is relative to a world where toes are not supposed to be black and blue. This is the world we live in.

Meditating while holding my breath

If I close my eyes and focus on the backs of my eyelids while holding my breath, when my lungs scream for air and I am just about to pass out, my consciousness explodes and the darkness behind my eyes expands and I enter like a rocket ship deeper into the meditation but then I must gasp for air and my consciousness resurfaces to my senses.

(It’s as if you can organically micro-dose “fear of death” and it brings you immediately deeper into the meditation).

Creation story

The Will has to be individuated into an ego in order for effects to be realized in space and time.

The Self could not get to a goal as it was, because it is not the nature of the Self to act. The Self just was and nothing necessarily needed to be done.

The creation story begins when all of a sudden there was something to be done. And the Self created mankind, beings capable of doing. He gifted unto them fragments of the Will subjected to time and space—thus mankind is striving after what the Self needed us to achieve but couldn’t on His own.

The poor man

Woe to the poor man who cannot find his place in the economy. Though he may have many great skills, his misfortune is that they are not the ones for which people pay.

Read something other than myself

In my writing I hit a creative block and my instinct is to read what I’ve written before to get an idea, but then I think: why not read something new? I’m afraid because I forget easily and don’t want to lose what I have from before. This is limiting, holding on to the past. I probably will forget, but no matter. I’ll replace it with something new.

Perfect moments

A few moments are perfect, like the movies. Everyone is beautiful. The conversation is clever. Laughs are haughty. Someone speaks another language to the foreign waiter. Everyone is in love. We think to ourselves, it can’t get better than this.

I think of Nietzsche’s idea of eternal recurrence. The idea that even just one perfect moment can make an entire life of less-than-perfect moments worth reliving.

Unsuccessful people give into short-term pleasures in normal everyday moments. Successful people spend the normal moments preparing to make the perfect ones possible.

More to lose

The more safe and secure I got, things got less flexible. I lost hope for potentiality. My art suffered. The more I was given, the less I was willing to give up. As I was happier, I was less likely to up and leave for something else. I had more to lose.

Conversation with M

“What inspired it?” M asked.

“Nothing really,” I said. “Just thought of it in the barber shop one day. And finally got the time to finish it today.”

“I wish I had that kind of imagination.”

“It’s a weird thing. I didn’t used to. When I was good at math and remembering stuff. Now my head’s so empty. So there’s more room. Less room in your lawyer brain.”

“Your head is not empty,” she kindly assured me.

It was useless to argue with her.

“I start school tomorrow. So even less room,” she said.

Are you excited to meet your classmates?” I asked.

“Only because it is new and refreshing.”

“Isn’t that why we do anything?”

“Oh I don’t know about that, people find comfort in routine and familiarity.”

Again, there was no point in arguing with her.

“You’re right,” I said.

The Little Ant: A Short Story

The little ant couldn’t remember how he had gotten lost. He was in the middle of an expanse with no sense of direction. The ground under his feet was hard. He had nothing with him other than the grain of rice that he held in his mandibles. He had no thoughts in his head other than delivering the grain of rice to the colony. It was so peculiar, the little ant thought to himself, that he could not remember anything from before. He could not remember the queen, not specifically at least. He could not remember what she looked like, only that he did in fact have a queen. He could not remember his brothers or the tunnels inside the ant hill, only that he did in fact have a home and the colony was waiting for him and depending on him to deliver the grain of rice.

The first few seconds, which are whole days in ant time, the ant spent in despair. “How did this happen to me?” he asked himself over and over again. He felt disconnected, alone, and purposeless. The colony is the reason to live for an ant. Without his queen and worker brothers, the ant felt no energy for life. But he still had the grain of rice in his mandibles. He had a duty to the colony, he remembered. Thus concluded his period of despair and reintroduced to the little ant the resolve that is customary for his kind.

He was hungry. He thought of taking a little bite from the grain of rice. No he could not, he told himself. It was for the colony. The colony needed it more than he did.

The little ant looked around to see in what direction he might start to search for the colony. He was in a foreign place, or at least a place that he did not remember. In all directions, it was only flat and there was nothing noticeable to be seen. The little ant realized there was nothing that would tell him which direction to choose. He picked up the grain of rice with his mandibles and started off in the direction that he was already facing.

It was many minutes that the little ant marched straight in the same direction. He was careful to pay attention to the movements of his legs. Because he had no information neither from his sight nor from the smell of the colony, he had to be careful this his steps on the left and right sides were equal, to guarantee that he moved forward in the same straight line. He was also counting the number of steps that he took to know exactly how far he had traveled.

If he did not find anything in this direction, he would turn around and walk back in the exact same direction from where he came. He reasoned to himself that he could not be far from the colony. He did not want to risk marching off in the wrong direction, away from the colony. He planned to set out on equidistant paths from the center where he started. This would allow him to cover the most ground, closest to where he began.

There were occasionally long ropes scattered on the hard floor. The little ant dared not leave his track to examine them until he came across one of the ropes in his path. It was not a rope, but a strand of hair. It was much longer than ant hair. He wondered to what kind of beast such a long hair could belong. He wondered if such a beast had anything to do with his separation from the colony. The little ant felt a sudden fear for the colony. He hoped they were safe from this great beast. He stepped over the hair and shuddered as he did. He continued on the same path, keeping his left and right steps equal.

The little ant had no way of keeping track of time other than the steps he had counted. He had taken twenty-five-thousand-six-hundred-and-twenty-eight steps. He had not stopped other than to briefly examine the strand of hair from the great beast. The little ant wondered to himself how many steps he would take before he would turn around and retrace his steps backwards. He cursed his predicament for he had no sense of how large was this vast expanse that he was in. If he only knew, then he could determine how far he needed to travel in each direction. The best he could do was to guess.

The ant was now more hungry than he was before. Time would become a factor unless he found something else to eat. He would dare not take even the smallest bite from the grain of rice. The rice was for the colony. There was no purpose in him even returning to the colony if he did not bring the grain of rice.

When the little ant reached fifty-thousand steps, he turned around. He was very careful when he turned. He composed himself and stood straight as an arrow in the direction that he was facing. He took note of the position of his body. He would do it in two movements, he decided. The first would be a quarter-turn to his right. He would then make a second quarter-turn to complete a one-hundred-and-eighty degree-turn so that he would be facing, hopefully, in the exact direction from which he came. He cursed himself for not marking the spot from which he had originally departed. He could have carved a large “X” in the floor with his mandible. Now he had no way of knowing if the measurements and count for his steps were accurate. He would have to trust them. He had no choice.

The ant started his fifty-thousand-step journey. He crossed the large strand of hair at roughly the same step, which was a good sign that he was on the right track. When the ant counted his fifty-thousandth step, he started the count over. He was now tracing new steps.

When the ant was a third of the way into his journey in the second direction, there was all of a sudden a great shadow cast over the whole of the expanse for as far as the little ant could see in any direction. Instinctually, the little ant dropped the grain of rice from his mandibles and did his best to crawl atop it and cover it with his body (the grain of rice was several times the size of the little ant). Just as quickly as it had come, the shadow passed and the light from an unknown source returned to the whole landscape. The little ant shuddered. What was that? He wondered to himself. Did it have anything to do with the giant strands of hair that were scattered all around? Did the shadow belong to the great beast?

The little ant stood immobilized for some time. What would he do if confronted with such a large beast? He did not know, he told himself. There was only one thing he could do. He picked up the grain of rice in his mandibles. Before he began again, he realized that he might have lost his direction slightly after having thrown his body on top of the grain of rice and losing his footing as a result. There was nothing he could do about it now. He reset his track as best he could and took a step to continue on.

Nothing occupied the little ant’s mind other than the count of his steps and the soft embrace with which he gripped the grain of rice in between his jaws. He started to feel a kinship with the rice. At first he scolded himself for giving into delirium. He longed for the companionship of his brother ants and his queen. It was not for an ant to be alone. Still, even as he admonished himself, he could not help but feel connected to the grain of rice. At times, he swore that he could feel a soft rhythm like a heartbeat against his mandibles. It was only the vibrations from his steps, he told himself. Grains of rice did not have heartbeats.

He had now gone more than forty-thousand steps in this second direction. He was twice as hungry as before. He started to feel a weakness in his legs and mandibles but dared not pay attention to this. He was still likely very far from the colony. He did not even know anything about where he was. The most frightening thought crept into his mind, the colony might be no more.

After all, he did not remember anything. How could he be so sure that he even had a colony? The little ant shook his head, trying to shake out these thoughts. He admonished himself two-fold: for having thoughts in the first place, and for not keeping his head straight and rigid in the interest of staying on the path.

There was no productive outcome of thoughts like these, he reminded himself. The only productive thoughts led to action in the service of the colony. Any thoughts that led to either inaction or action not in service of the colony were thoughts not to be had. The little ant marched on, recommitted to his steps and maintaining the posture of his mandibles, even though the joints of his jaw had started to ache severely—the ant didn’t think of this.

At precisely forty-four-thousand-five-hundred-and-eighty-six steps, there was another shadow. This shadow was different, however. It was static and non-moving, not like the beast’s. The little ant set down the grain of rice carefully to get a better look. In the distance there was a vague color not like the hazy blur of nothingness. It was a wall! He could not see the ceiling but he knew it was a wall. The little ant did not know how he knew this, or from where he had learned the concept of a “room.” But he knew it, as sure as he believed that he had come from a colony.

The wood inside of a wall would provide an ideal home for a colony. The little ant contained his excitement and reminded himself to focus on only two things: counting his steps and holding the grain of rice in his mandibles.

The little ant passed fifty-thousand steps in this second direction. According to the plan, he should have turned around. However, finding the wall justified an update to the plan—the little ant reasoned with himself.

At sixty-three-thousand-one-hundred-and-twenty-nine steps, the little ant stopped with the grain of rice against the wooden, painted-white floorboard of the wall. The little ant didn’t move. He surveyed to the left and the right, along the floorboard. To the right, the floorboard appeared to go on out of sight, undisturbed. To the left, there was a part where the head of a nail protruded from the floorboard and it looked as if the board was pulled slightly away from the wall. Maybe there was an opening where he could get in, the little ant said to himself.

The risk of exploring the possible opening was that the little ant would have to abandon the rigid structure of his exploration. He could not, however, pass up this opportunity to explore the opening. He resolved to measure, as best he could, the angle at which he now faced the floorboard. The little ant determined it was about sixty-degrees with respect to the floorboard to his right, and therefore one-hundred-and-twenty degrees with respect to the floorboard to his left.

It was becoming difficult for the little ant to remember all these numbers. He made it easier for himself by dispensing with all the other superfluous pieces of information in his mind which were not essential to bringing the grain of rice to the colony. He systematically disposed of any emotions and any ideas about where he had come from.

Then, returning his mind to the numbers, the little ant realized, if the room was rectangular (he seemed to recall that most rooms were), the line along which the little ant had explored thus far, which ran exactly one-hundred-and-thirteen-thousand-one-hundred-and-twenty-nine steps, was diagonal with respect to the walls of the room. This being the case, the little ant imagined he might amend his plan and, instead of returning back to the center where he would continue in a third direction, he would search along this floorboard until he found a corner of the room. The chances were greater, he reasoned, that he would find a corner if he followed the board to the left. If he found a corner, he could make estimates for the size and the shape of the room, given the measurements he already had. This was assuming, of course, that he would not find the colony behind the opening between the floorboard and the wall.

All this, the little ant thought of, while still standing motionless facing the floorboard with the grain of rice pinched gently in between his mandibles, careful not to adjust even slightly his exact position until he was sure that he had all the measurements he needed. He was sure now. He turned to his left and started to move carefully along the floorboard towards the protruding nail which the little ant assumed would mark an opening to the interior of the wall.

At only two-hundred-and-forty-seven steps from where he had first faced the floorboard, the little ant came to the protruding nail. There was indeed a small opening between the board and the wall where the paint was chipped away. It was roughly the width of three little ants. Peering into the opening, it was like a long dark cave. The little ant was afraid. He dispensed with this emotion as superfluous. The colony might be at the end of this cave, the little ant told himself. He adjusted the grain of rice in between his mandibles, made his way into the cave, and started leftward.

It was dark. There was a thin ray of light that seeped in between the top of the floorboard and the wall. This ray illumined only a small part of the little ant’s path inside the cave. He relied mostly on the sense of the board to his left and the wall to his right, as he occasionally bumped into either side with the grain of rice. The little ant was very sorry to the grain of rice each time that this happened. He tried with all his strength and concentration to avoid these bumps but he had become very hungry and weak as a result. He occasionally faltered to either side as his legs had begun to fail.

After seventy-four steps from the opening of the floorboard, faintly at first, then louder; the little ant could hear a bustle up ahead. At first he was excited. It’s the colony! He told himself. The end of his journey is near! The little ant marched forward with a newfound exuberance and strength. He craned his neck and hoisted the grain of rice high. He thought of seeing the queen and his brothers.

Then the little ant’s exuberant march slowed. He listened closer to the bustle and his stomach turned. He listened to the heavy steps and their rhythm. They were not like ant steps. They were heavy and spaced out. This was something bigger than an ant.

The little ant stopped and stared as deep into the cave as he could. Whatever it was was coming closer, straight towards the little ant, and fast. The little ant took a step backwards, and then another. By the time the hairy fangs became visible in the thin ray of light, the little ant was moving backwards as fast as his legs would carry him. He could have moved faster if he dropped the grain of rice, but he dared not. The spider was very fast and closing the distance between them.

In his mind the little ant displaced his fear and counted his steps backward. Twenty-five … fifteen … five … Just as the ant whipped his backside to the left where he knew he would find the opening, the spider lunged forward and snapped his fangs after the little ant.

Outside the cave, bathed in light, the little ant laid on his back inviting in air through his spiracles. For a brief moment the ant allowed horror at the spider to take the place of his concern for the grain of rice. When he realized the grain was no longer clenched between his mandibles, the ant jumped to his feet only to find that there was something very wrong with one of his front legs. As he tried to support himself, he fell forward onto his right mandible. The spider had severed his right front leg at the joint. A clear liquid seeped out from where the little ant’s leg was detached.

This injury, however, was secondary to his concern for the grain of rice. He looked around, ignoring the pain in his leg. Luckily, the grain was beyond the opening in the floorboard. The little ant limped over and picked up the grain with his mandibles.

The little ant felt his pain only insofar as he needed it to assess his ability to carry on. Combined with his hunger, the loss of blood was now weakening the little ant significantly. He would carry on. There was nothing else to do. With the grain of rice securely in his jaws, the little ant limped along the floorboard in the leftward direction (relative to where he had first faced the board). The little ant shuddered to think that the spider was just on the other side of the board. He could not get out, the little ant told himself. The opening was too small. Besides, he could not think of that. He had to continue on in this direction no matter what.

The little ant carried on. He continued to count his steps. It helped him to ignore the pain in his leg. This would be the last segment of his journey, the little ant knew. He would not be able to return to the center and continue his systematic exploration.

The little ant thought of nothing. He did not even process the information that came in through his eyes. He did not smell. He did not think of anything other than the count of his steps, and increasing the number by moving forward. All the while, clear liquid seeped from his leg.

He carried on like this, until step thirty-thousand-seven-hundred-and thirty-eight since the opening in the floorboard, the little ant ran headlong into another wall. He had reached the corner! Though the little ant could not spare any energy for excitement.

He craned his neck upward and started to climb. Normally, the little ant could have climbed the wall vertically. Impaired as he was without the full function of his right front leg, he was forced to crawl up the corner with his right shoulder relying on one of the walls for support. With his neck craned back as far as possible, he could just barely keep the grain of rice in his mandibles from scraping against the wall. Like this, the little ant climbed.

At several points, he stopped to rest, focusing all his strength on the grip of his claws that held him to the wall. He feared if he did not do this occasionally, he would fall backwards. How high the little ant climbed did not matter, he had no room left in his mind for the fear of his own death. He could not even remember the numbers anymore, not the angles nor the steps he had taken. That was all beside the point now.

The stops for rest grew more frequent until with every step the little ant feared he might let go. Then the wall that made up the left half of the corner, gave way to a countertop. The little ant scrambled onto this flat surface, thankful for the ground to rest his tired legs and the space to adjust his craned neck. The ant rested, with the grain of rice clenched in his mandibles. He would die with the grain of rice in his jaws, he told himself. He felt that death was near.

The little ant got up to his feet. The clear liquid had stopped seeping from his front leg. The little ant wondered if he had any blood left. He wondered if he had already died and he was now just hallucinating. The little ant looked around at what lay on the countertop. He did not recognize anything. The shampoo bottles and electric razors made no sense to him. They were all merely objects that were not his colony, and therefore meaningless.

It was towards the end for the ant. He knew this. His eyes were starting to dim. For the first time in his long journey, the little ant started to lose hope. He knew he only had the energy for a short distance. He crawled towards the row of hair product cans. He stumbled and fell every two or three steps. He made his way behind the cans and laid down on his back. How long he spent like this he did not know. There was almost no light left in the world.

The little ant had been unconscious for some time when he woke with a start. There was another ant leaning over him. The little ant thought that he was seeing himself. It was his spirit, the little ant told himself. His spirit spoke to him. It said, “Well done, brother.” The spirit ant touched his mandibles to the little ant’s. The little ant felt the mandibles. This was not a spirit ant, the little ant realized.

He heard other voices. He turned his head slowly with what little strength he had left. There were a dozen or so ants. The little ant breathed a sigh of relief. He leaned his head back. They were talking about a great beast. Many ants were lost. These were among the few survivors.

With what little strength he had, the little ant opened his eyes. There was another ant leaning over him, assessing him, clicking his mandibles in thought. He watched this ant look away at the others and shake his head. This ant too touched his mandibles to the little ant’s.

The brother ant came back; he seemed to be the leader of the survivors. “I brought the grain of rice,” the little ant said to him, “for the colony.” He took a shallow breath with great effort

The brother ant looked at the little ant, confused. “What do you mean?” asked the brother ant.

“The grain of rice,” whispered the little ant. “I brought it … food … for the colony.”

The brother ant laughed. “That is not a grain of rice, brother! That is an egg. And not just any egg, brother. It is a queen egg.”

The little ant was overcome with warm rapture. He asked himself, how had he not known? But then again, how could he have? He had never before seen a queen egg.

While the little ant was thinking to himself and remembering the encounter with the spider and the climb up the cliff face and how he could have lost the queen egg. He silently thanked the almighty for granting him the strength to deliver the queen egg back to the colony.

The brother ant continued, “We lost our queen in the battle with the great beast. Without her, we were all prepared to die soon. Without a reason to live, we had thought of throwing ourselves from the cliff here. You have delivered life and purpose to us, brother. We will rebuild a new colony for the new queen.”

The rest of the ants gathered around the little ant. An ant much larger and stronger than the little ant now carried the queen egg in his mandibles. The rest of the ants clicked their mandibles in  honor of the little ant. “Sleep now, brother. You have done your duty to the colony.” The little ant relaxed his mandibles and leaned his head back and went to sleep.

Humans are not diamonds

Humans, even perfect ones, are not like diamonds. We are more than just stone. We are tree trunks and flowing water and open space. We are sounds and light. If compressed we only become more unintelligible.

If an immense pressure all of a sudden squished the earth into a ball the size of a marble, it would not be like a beautiful diamond. It would be a black ball indistinguishable from an actual black marble, other than its planetary weight.

Like earth, we are not designed to be specific. We need space and time to spread out, maybe even more space and time than the whole universe is physically allotted, certainly more than one lifetime in one body.

I am many

If you refine me down into one-pointedness, like a cog in a gear, then yes of course I am limited. But the things I am are many. They are spread wide. They don’t mix, like oil and water. To refine me down to one-pointedness is like cutting off a piece of me, as small as the edge of my fingernail, smaller even. Not even I can appreciate all of me at once.

Balance in history

Some individuals, who have really worked hard at it, find balance in their lifetime. Lifetimes are self-contained and subjected to relatively static identity that flows from an individual Will. One person can build up to a specific goal before death, and that goal is subjected to a Will that may fluctuate, but within a range and non-randomly.

As a society, for the masses, however, there is only a very volatile general consensus that does fluctuate based on individual preferences that are mashed together and averaged. Because of this, history swings back and forth between extremes.

Absolutes

There must be absolutes. Because to say there are none, is itself an absolute. Or, maybe it is to speak, is the only untruth. To not say anything at all, is truth.

Anxiety

K said, “I’m getting anxiety again.”

“About what?” I asked.

K looked at me annoyed. “I don’t know, that’s what anxiety is!”

An objective to start with

On one hand, you can subjectively play with it to make it your own. On the other hand, we need some objective to start with. You can chop up a tree and make it into a house, but there first has to be a tree. Or, you can roast a marshmallow and put it on a graham with chocolate, but there first has to be a marshmallow.

Similarly, you can write Lewis Carroll nonsense and made-up words, but there first has to be the English language. Or, you can be an anarchist and a vagabond, but there first has to be society mainly comprised of people who follow the rules. You can have a wolf in sheep’s clothing, but there first have to be sheep. You can have art, but there first has to be reality.

Order is the mother of disorder. Disorder depends on her to survive. As soon as everything is disorder, then there is only order. Then, in a twisted way, order becomes the new disorder.

Will meeting reality

I keep finishing things and then wondering, what the heck do I do now? I think it’s because I’m tripping. All my ego is stripped away so I’m just a Will meeting reality so I constantly want to be doing something.

The churn of space and time

Nights, like everything else, have slow beginnings. Nothing can start fast right away. It’s got to first figure itself out as a thing apart from other things in space. For the night this is clear. It is the darkness clearly set apart from the light. And then time will start to change it. And the changes happen faster and faster. Until the original thing explodes open and it isn’t itself anymore. And then a myriad of other things, born from the explosion, have their own slow beginnings.

The hours before

Remember when it was quiet. When you came over and I was cooking. You were sitting on the couch. I poured you a drink. It was simple and slow. I asked you about your day and you made a joke.

That hour or so, maybe less than that, when it was just you and me. It fills up with anticipation for the night. It fills up with anxiety about the silence. It fills up with things other than peace if you let it.

But now that we’re in bed in the morning, and we try to remember the night, it’s easy to overlook the subtle acceleration. When A came over and started to play his music and the volume got a little louder. Then K came over and we danced and moved a little faster. And then E and J came over and by then the night was really a big boulder tumbling down the hill.

To really savor it, I don’t know if it’s possible without slowing down. But at least to remember how it started so slow, makes the fast rush of the out of control night just that much sweeter.

Art is godly

I think my art comes from a deep desire to not just be a cog in the wheel. I want to tear out of what was going to happen anyway. It seems that so many people are just animals that stay alive. Art is godly. Art is really an opportunity to do something that’s just you.

Command+F

I pour out all of myself and all of my thoughts into words and I put the words in the computer. There is a function in the computer, Command+F. It allows you to search. I can search inside myself (I think that’s funny), when I’ve forgotten what I once knew, or when I need an old light in a new darkness.

Nobody knows

Art isn’t supposed to make sense. You could ask the artist, what does your art mean? And even she wouldn’t be able to tell you. She might try. She might tell you, I thought this. And I felt that. But the truth is she doesn’t remember who she was. And even in the moment when she created the art, it wasn’t quite clear.

Static art, dynamic me

I don’t like to over-identify myself. I am dynamic and changing. The only time I like permanence is with my art. I want to permanently achieve in the sense that I have written something down and I want it to last forever. It is what it is and I don’t have to think about it anymore.

Poetry on drugs

It’s much easier to get excited about poetry on the drug high. Working on the novel requires more precision like an exact science.

Do you like me?

It’s whether people like you. That’s it. That’s all art is. Because it’s not like there’s some truth to judge your art against. It’s all random and just thrown together. It mimics life in this way. All we have in the meantime is each other. Of course you have the option to go off and not be liked. But that seems to be the only really wrong thing to do. All we are is if we’re loved. That’s the main thing we’re after.

Possessive

I think of her possessively. It’s a bad habit. I think of how to keep her and make her mine. I think of our relationship like something static, like filling up a cup with water and I try to quantify our moments together in terms of how much more of the cup is filled. I need to let these ideas go. They are ego-driven and selfish. My main focus should be making her happy and constantly outpouring love and admiration for her.

Glue

I go to this other world, I’m addicted to it. So that the real journey and true test of my life is making the journey back. The other world is toxic in the most sweet way. It is entropy and chaos. It is also creativity and love. I know it will kill me someday. The length of my lifetime will be determined by how many return journeys I can make.

When I return back to reality, the real reality that I have learned to stop calling “real,” or at least not any more “real” than my beloved other world. But this reality, of names and concepts, is what sustains my physical body. The principal commodity in this reality is a very certain kind of glue that keeps all my molecules together and maintains the cohesion of my sense of self. I huff on this glue, walking in straight lines on the sidewalk, learning and obeying the laws of nature, being careful and avoiding danger, eating and sleeping enough. I huff and huff until I’m strong and together enough to travel. At which point I step off the sidewalk and the earth tips upside down so I fall through gravity into outer space.

Out here, in my beloved other world, which I should stop calling “other” if I have stopped calling reality “real,” a new creative force pulls me in all directions. It is only the glue that keeps me together. I revel in being stretched, and right before my molecules are spread over the entire universe, right before I achieve omnipresence and thus make permanently impossible the return journey to the reality of sidewalks and safety. That is when, with all my strength, I pull myself together and return.

Tattoos

Let’s split the body into two categories: dynamic and static. The parts of you that are dynamic: your hair gets longer, you can get piercings, your muscles get larger or smaller, you get tanner or paler. And the parts of you that are static: you have two legs and two arms and a mouth and a nose. My biggest argument against tattoos is they’re static, they’re permanent. But if I have static parts of my body anyway, parts that the Creator decided on without asking me. Why not add my own static art to my body?

Sober occasionally

When you’re doing drugs, you have to intersperse highs with sobriety. If there was no reality, you could stay high all the time. But there is a reality, to which our bodies and minds are subjected. In order to stay healthy, we need occasional sobriety to check in and make sure everything with ourselves is still functioning properly, like a spacecraft coming back home from outer space to refuel and perform maintenance.

Other-worldly

While I’m tripping, I want to write. I want to take advantage of the good feelings and creativity. But I realize writing is a worldly thing. Words are worldly. Characters and plots are worldly. Tripping is other-worldly. All you can do is be in the present and enjoy it.

My father built this house

I was making breakfast in the morning. A long-haired man put his hand harshly on my shoulder. I turned around and grabbed his wrist. I said to him, “My father built this house.”

He said to me, “My Native American ancestors nourished the tree and stone this house is built with.”

I was taken aback, not expecting this. I said, “Well, I guess we’re even then.”

Let your mind tire itself

When you sit down into meditation, especially after a stimulating day, give your mind the freedom and autonomy to roam for a while on its own. Just focus on breathing in and out of your nose with your eyes closed. Let your mind tire itself out on its own. Then after it’s exhausted, your mind will more easily achieve one-pointedness.

Quinn on animals dying

They don’t know. Their instincts are like, don’t die. And then they get eaten and they’re just like, eh. They probably don’t even know. I don’t know. I hope they don’t suffer.

Master

I focused on my breathing. I became impatient and asked my Master, “Is it time to turn my mind to my problems?”

Master said, “No, focus on your breathing.”

“I am ready,” I said.

“Why do you think so?” Master asked.

I thought to myself. I considered my problems, but I had no solutions. “I don’t know,” I admitted.

“You are not ready. You are impatient,” Master said. “You cannot solve your problems with the same mind you had before, one which could not solve your problems. Focus on your breathing.”

Early morning hours

In the early morning hours when some of the night is left over and the day hasn’t quite worked up the courage to get over the horizon, there is this in-between world where everything is still and you can’t tell if it’s a human planet because nobody’s around.

Play your role

You have to pick a part. Imagine a play. Now imagine a character without lines or stage cues. What would she do? She wouldn’t know what to say or where to stand. And the audience would get upset. They would say, who is this fool on stage? Gone with them! And on with the play! If everyone else is going to play their role, and we’ve agreed to be organized, we must play our roles too.

All the lives in one city at one time

Imagine all the different lives in just one city. I stand on my balcony at nine o’clock at night and look towards downtown. The dressed-up and cute, young couple having a date night at a nice French restaurant. The crowd at a concert jumping up and down for the headlining act. Another couple, they decided to stay in their apartment and make love. A homeless man inside his tent in a back alley digging for the last crumbs in an empty chip bag. A lonely elderly woman watching television and dreading meeting her friends for tea in the morning. A family finishing up dinner and cleaning the dishes. In the next hour, some people will die, and others will be born. All these different lives, at the same time, all in one city.

Writers’ best friends

The best friends for writers are not other writers, but characters. Writers are world creators, you can’t have more than one world being created at the same time.

The little ant

The little ant couldn’t remember how he had gotten lost. He was in the middle of an expanse with no sense of direction. The ground under his feet was hard. He had nothing with him other than the grain of rice on his back. He had no thoughts in his head other than delivering the grain of rice to the colony. It was so peculiar, the little ant thought to himself, that he could not remember anything from before. He could not remember the queen, not specifically at least. He could not remember what she looked like, only that he did in fact have a queen. He could not remember his brothers or the tunnels inside the ant hill, only that he did in fact have a home and the colony was waiting for him and depending on him to deliver the grain of rice.

Mrs. Miller

I was always coming up the elevator when Mrs. Miller was coming down. My day was coming to an end and hers was just beginning. Sometimes when I’d be leaving for work in the morning I’d see her coming back. Just before the sunrise. She’d stay out all night and dance and party with whoever would pay her bar tab. So it was only some mornings that I saw her coming home and I’d smile at her and she’d smile back.

Stopping and going and stopping

Something was chasing after us and making us push forward. What we really wanted to do was stop and stay in one place and just explore what was going on. I think we could have stopped and stayed in one moment forever. But deep down I knew we couldn’t, even if we wanted to.

Ping pong dream

In a dream, I played ping pong against a formidable opponent. I had played against this opponent many times before in practice and we were a good match. This game was for competition in an arena in front of many people.

When I stepped into the arena, I noticed immediately that one thing was different: the table was slanted at a forty-five degree angle. I played from the side of the table that was on higher ground. It was my serve to begin. I lost four of the first five points. Then it was my opponent’s serve. I lost the next two points. I threw up my hands in disgust. I shouted to the crowd. They were all children, sitting cross-legged and watching curiously like they were in school.

I shouted, “Why can I not beat this opponent? Who I have beaten before. Did he know ahead of time that the table would be slanted? And practiced beforehand.”

“No!” all the students said in unison.

“Because he is a more experienced player than me?” I shouted again.

“No!” all the students said in unison again.

“Why then?” I shouted back.

Then from the crowd, appeared an old sage, and he said to me, “It is because you are not a good leader.”

I was confused and silent.

“You must care for the bunny, before you get the bunny,” said the old sage [this is the only part of the dream I cannot remember word-for-word, it was something about a bunny, something that surprised me].

I had a feeling of deja-vu, like I had heard that before.

“What text does that come from?” I asked the children.

They all thought about it. One boy raised his hand and answered, “The Dhammapada.”

Ego death by travel

You strip away everything external about you—leave the town where you grew up, make new friends other than your classmates and workmates, sweat or freeze in a new climate, see new scenery, grow your hair out, wear different clothes, and speak another language.

All of a sudden, one night in some far-off country you’ll get back from the bars and look yourself in the mirror in your dingy hotel room with a roof that leaks and say, who am I? And after a brief period of panic, you’ll discover that there’s something buried deeper that’s been there all along but you had to sift through all the muck. And what you find there, deep inside, that’s you.

Mental god complex

I identified with my mental either because my body was not great enough to satisfy my god complex or because of the idea that my physical self was not my true being. Now I discover the spiritual and find that even my mental is probably not my true being. Still I persist in my mental identity, probably because of my god complex.

Meditation on sight

In my meditation, sight continues to play a role. I enter the meditation by focusing on my breath. I do this until my other thoughts have become less frequent. When my breath has become my main focus, my sight catches my attention. The black behind my closed eyelids becomes interesting. I watch it and feel myself go deeper and higher into the black until I am fully wrapped up in the black and only aware of my body as if it were distant and down below.

Work

It’s a working world. You can pursue art, non-profits, love and anything else that doesn’t pay. But on the front lines someone is doing hard work on a farm, in a factory, or at a desk to pay for your essentials. If survival is human, then so is work. It is important to remember and be thankful for those who keep us alive.

Bad memory

I do not have a good memory so whenever I write I only have a short time to take it in and get it back out all at once.

Melting trip

My trip was starting to go bad and everything was melting. That was when you put your head on my shoulder and I thought it was melting. I reached back to grab it and yelled, “Dali was right!”

Body modification

Tattoos, piercings, and eccentric fashion are marks of free will. The most base body modification is none at all. Think of how a man would appear naturally, like an animal, with unkempt hair and long fingernails and naked. There is no choice at all in the natural appearance. Man appears as nature determines.

Next, think of man in society. He looks around him and sees how everyone else looks and for the most part dresses and grooms himself to not look any different, or at least not different enough to attract attention. Businessmen in suits, for example. In this case, man appears as society determines. In both these cases, natural and social, man does not himself necessarily choose how he appears.

It is only in the third case, that man chooses for himself how he will appear, makes his body like a painter’s canvas, and creates himself as art, such that his aesthetic appearance aligns with his metaphysical beliefs.

World eater

I eat taste and consider old worlds, then chew them up, mash the bits together with my tongue, and spit out new worlds.

Death night

I run away from death and into the night, not realizing they are the same thing. Drunk and high I forget and just focus on the present. When I get sober again I remember that time is limited and there are things I want to achieve.

Send it

You can’t constantly be doing utility calculations to figure out what you’ll enjoy most. Sometimes you just have to send it and you’ll find things that you never expected.

Money

If you wanted the money you could have the money, as much as you want. But you don’t want it.

Investing your time

There is always a trade-off between spending time in the present and investing time in the future, just like spending money now or saving it for later. If you only spent your time in the present, then you would ignore needs of the future. You might still find food and shelter in the present but it likely would not be as good as if you spent time planning and growing to find better food and shelter in the future. On the other hand, if you spend all your time investing in the future, you’ll likely have no joy in the present. And there’s great risk, in the case of unexpected death, of losing all your investments all at once.

My metaphysics inform my ethics: an argument for aesthetics

My metaphysics inform my ethics and aesthetics. “What is” informs “what can be.” I’m an artist and a writer because of my beliefs about what is. I treat life like a film or a story or a game. I’m relaxed because I don’t think there’s much we can do. And further, I don’t think much matters.

Defining “matters” becomes interesting philosophy. As most philosophy seems to regress to nomenclature, defining terms is paramount. By “matters,” I do not mean that nothing seems important. Of course, love and hope and friendship seem very important to the human experience.

For a while, I thought it was truth that mattered. If I could only know the truth then everything would take on meaning. Then for another while, I thought it was self-actualization that mattered. In some pseudo-material way, we have a place to fill in existence, and meaning is filling that space by actualizing or making real each of our individual full potentials, so I thought. Truth and self-actualization, these two seemed to “matter.” The only way that I can think to explain why it is they do not matter is with a crude economic example, or rather, a question: how do they spend? In other words, in what market do they have any value?

In our real-world economy, currency is valuable because it can be exchanged for goods and services, which are then used almost exclusively to satisfy our animal need for survival. So we get to a value at the end of economic motivations: survival. But I ask the same question in the same way that continually asking “why” serves the same purpose: how does it spend?

Once we’ve spent enough currency to achieve survival, then how can we spend survival? How can we spend the time we have to live? And there again we uncover another value like we are digging in a mine and finding diamonds. Time is a value. But how does it spend? It spends in terms of changes in space. What else signifies time? If the whole world were to freeze and not a single physical change were to take place, wouldn’t we say that time has stopped? So if we spend time by changing space, how does changing space spend? Maybe the physical world is connected to mental and spiritual planes—then the metaphysical possibilities explode. But the point remains the same: nothing seems to matter. And it doesn’t matter because nothing really spends.

I remain alive because the phenomenology of the human experience is beautiful and artistic and I like to watch and continue experiencing it just like I enjoy films and books. I’m also alive because the universe has order. There are rules to the game. I enjoy the game of life like I enjoy a game of chess or a soccer match.

Overall, I remain alive because I enjoy life. If I didn’t enjoy it, I would remain alive for the possibility of enjoying it in the future. Even if only for one moment of joy, that would be worth a whole life of suffering. And even if all of life were suffering, I think I would still find a way to enjoy it by some sort of detached curiosity. I believe in my experience, and I am so deeply grateful for it, even if it doesn’t matter.

Weekends

The workweek became like a fast before each weekend binge. Monday, Wednesday, and Friday I went to the gym. Tuesdays and Thursdays I ran. I ate healthy, mostly fruits and vegetables, oats for breakfast, fish for protein, and no red meats.

I meditated in the mornings and said prayers of gratitude at night. I breathed through my nose and slept on my back. In the office, I sat at my desk looking at my computer screen, thinking of the weekend. I wrote notes to myself as I pretended to work.

I didn’t think about Hannah anymore. I considered maybe I had only wanted her out of boredom in the office. Now with my new life, her and everyone else in the office seemed inconsequential. I thought of quitting, of course. But I realized I needed it. I needed the structure and the time to decompress.

The weekends bursted at the seams. We lived until we almost lost control. Monday morning was when I pieced it all together. I could lose myself completely on the weekends, like an astronaut in outer space. As long as I had my tether and oxygen line connecting me back to the space station. I could float off without worry and explore because I knew I could return to the sober, structured and healthy week.

Selfish hedonist

I am a selfish hedonist. I do what feels good and what’s best for me. Justice, religion, even charity—I’ll do whatever as long as it feels good. But most of the times it ends up being the obvious things: sex, drugs, wealth, and fame.

Kansas in the Summer

The sound of sprinklers
The smell of fresh-cut grass
The feel of humid air

Seeing the distant horizon over flat plains
Remembering what it was like to grow up here
And how much has changed

Listening to the priest’s homily and not believing a word of it
So different from a liberal San Francisco
The bedrooms are dark and quiet

My sister is so young and excited
My parents are getting old
My brother can beat my dad in a wrestling match now
My mom wants me to get married

Recent words

I don’t have all my words. I have the most recent ones. So my recent reading and conversing greatly affect my writing.

Young adult

All of childhood we collect data without standard, then we grow up and experience these things for ourselves and form our opinions and retroactively say of those adults we remember, they were foolish or brave or smart or arrogant.

Determinism

In a hotel in Farmington, Missouri, after swimming in the pool outside and having a breath-holding competition with my brothers, we come inside and see a small statue of a Catholic saint. I recognized it because I’d seen statues like it growing up. I recognized the woolen brown robes with the ropes at the waist and the bald head on top with hair on the sides. Only as I describe it now do I recall that the statue must have been a saint of the Franciscan order. But more than that, I write this because I am continually shocked by how people are inevitably products of their time and place.

First, I think of where I grew up. People are conservative and Catholic mostly because they were born in northeastern Kansas in the late twentieth century. I couldn’t have had this thought early in my life, because I myself was a product of the only time and place I’d ever known. When I traveled, I saw different places and cultures and read their histories to imagine different times. And those places have statues too, but instead of Franciscan monks, they are Buddhas or political leaders or animal idols.

The people I met while traveling were, almost without exception, consistent with the presumed effects of their respective times and places. This makes me wonder: who are the people that resist their time and place? And what are they determined by? These people who look for influence outside of what they are born into. Maybe they are born into the wrong environment, so they rebel against it and travel and explore until they find the right time and place. For the people who cannot access the time and place their heart desires, do they travel and search to no avail and then die feeling lost?

Are there some who exist who do not feel comfortable in any time and place, because it is so human, so physical and base? Are these demigods and prophets, or maybe even real and actual gods, or small slices of actual gods. I know I shouldn’t, but I am inclined to think less of people who are determined by their time and place. I think they are lazy and lack agency in their own lives. I think they float along like a piece of driftwood in the river and never really do anything but get pushed along by the current in whatever way. I think some very successful and famous people have even existed this way. And they were applauded and respected for doing nothing but floating along, just the same as other unsuccessful and poor and wretched people who have been punished and thrown out for the same exact spatiotemporal forces that aided the more fortunate.

The great irony is that, as you might have already assumed from my writing, I consider myself to be one who lives free of determinism, or at least rages against it the best I can, when in reality I am mostly likely determined just like everyone else. Even all my raging for freedom is likely determined. So that all my raging that I find so romantic and noble is no different from the determined lazy bum that never does anything in life and always takes the easy way out and even steals and kills. If he is determined by the same forces, he and I are the same, no matter what I achieve.

No different than a tree will grow tall when planted in good soil and watered, and a plant without will not. But is this any fault of the plant without? That it has not grown tall. And a star shooting in dark space at the edge of the galaxy will not light any planet. While our sun brings life and activity to so many creatures. But is this any fault of the distant shooting star? This starts to raise the question: how are we valuing these beings?

How are we determining that one is successful, right, and good while the other is failed, wrong, and bad. For the stars, for example, I’ve arbitrarily valued them based on the light they give to living beings, but is this an objectively true way to value a star? And for the trees, we value them by how tall they’ve grown, but is this an objectively true way to value a tree? And humans, we value based on wealth and fame, but is this an objectively true way to value humans?

This is another argument for why the study of aesthetics is more interesting to me than the study of ethics, because all value judgments reduce to non-truth claims. So not only are living creatures seemingly not responsible for the their choices and values that result from their determined conditions (except for those godlike humans who seem to have gained control of their own will), but even the values that do result from determined conditions, if we were to judge them and ascribe their good or evil to an agent, we have no standards for what is good or evil.

So this is my argument for art, for aesthetics over ethics. Because life is like a film or a game, where we can experience and appreciate and express gratitude and enjoy, but as far as responsibility and justice and morality—these all arise artificially, mostly via social controls, from our base needs for survival.

Q&A

The question, asked more and more accurately, becomes the answer.

My ego is stretched

I start to get anxious as my identity expands. My ego is stretched and afraid for its survival. My recent metaphysical view has eased this anxiety. I believe in a Will or a Self that is universal. Something that we all partake in. A driving life force that animates our bodies and minds. What we know as the individual ego or self (lowercase ‘e’ and ‘s’) is merely a manifestation in time and space of the One Self-at-large (uppercase ‘O’ and ‘S’). So that when I feel my self stretching beyond its limits, I first remind my physical and mental self that I am only what I have experienced in time and space, then second focus on my breathing and remember that my true nature that shares in the Self-at-large as well. In this way, I am still comfortable to expand my self and try new things and assume new identities while also committing to the spatiotemporal reality of my experience and existence.

Writing’s mind of its own

I let my writing go where it wants. And then build the structure around it after the fact. I throw the words in my mind onto paper like a drip painter throws paint onto canvas. Then after that I see what I’ve got in my head and how it looks rendered in the real world and if it makes sense. Maybe it doesn’t need to make sense and comes out beautiful and I leave it. Maybe it needs a little adjustment at the edges to make it digestible by a general audience, if that’s my goal. Maybe it’s garbage and I leave it alone and move on.

Orange drugs

With the same experience over and over we become entrenched in the same pathways. Drugs open new mental pathways and unblock old ones. Last night I smoked and this morning as I’m peeling an orange I pay attention to the small bursts of citrus that erupt from each slice as I pull the orange apart. I can see the small droplets from a fly’s-eye-view in micro-detail. I can smell the citrus so crisp and clear. Such a pleasant small experience that I think I would have missed if I had not smoked last night and reset the way I look at things.

Lately I just pay attention

I question myself less. I am flying home tonight to see my family. It’s been six months since I’ve seen them last Christmas. I am happy and excited and hopeful. I know it is base and emotional. Normally I try to rationalize or remain stoic and avoid future expectations. Lately I just pay attention. I appreciate the feeling for whatever it is, with child-like curiosity and gratitude. If it is what we call “good” or “bad,” either way I pay attention and express gratitude.

Dynamic body and mind

I am 23 and just now realizing how dynamic my body is. I can completely destroy it and return to health in just a few days of good habits. Or I can build it up and make it strong and destroy it in a short time. Same with my mind. I can be so stupid and forgetful in a moment and then so brilliant and creative in the next. The effects of drugs have influenced these thoughts I think.

I’m scared to die

The sickest thing would be to try and pass the time, in order to avoid the bad, rather than use the time chasing after the good. Worse would be to give it away all at once via suicide. In moments I understand it. When I’m completely satisfied and want nothing. All other times I’m scared as hell to die.

Desires

Thank god for desires. There are always new ones to satisfy so I have another chance at happiness and something to look forward to.

There is a quote, I believe from Camus, that goes something like this: I have not yet tasted the fruits that will keep me alive.

Themes and characters

Part of me wants you to just come right out and say it. But then I don’t believe you unless you’ve given me some context. So a story needs themes and characters. Just themes is too cerebral to a point of being non-humanist. Just characters is catering to emotion to a point of being base.

Game

You got yourself born into a game. Just follow the rules and relax. You aren’t the game master.

Life without death

I’m not sure how I’d live if I didn’t think I’d die. It’s like a timed race, you’ve got to run fast. Time matters. If the race weren’t timed, I’d go off track and wander around. Maybe I’d meander back and finish eventually. Maybe not though, maybe I’d never finish, if the time really didn’t matter.

Like a child

I can recreate a child-like enamoredness by pretending that I know nothing and treating all sensory inputs as novelties. I remember nostalgic moments and ask myself, why am I so fond of them? They were new in the moment. I knew less about the world. So I try to go into experiences saying wow and ahhh and asking everyone, why? And saying ohhh when they answer. Like a child.

Life is a game

The rules and values are arbitrary, yes. Maybe they are conditioned, or socially imposed, or even just an illusion. How we got them does not matter. It only matters that we do, in fact, have them. And that “fact” need not even be true in the material sense. So long as it is true phenomenologically. For our philosophies need only be humanist. Because when we say “our” we are referring, of course to ourselves. Here is where I make my first assumption, and it is a metaphysical one: assuming that “we” are what we experience, or at least this is what we our concerned with during our lifetimes.

Now, why it matters that we do, in fact, have rules and values, even if they are arbitrary. Like the rules of any game are arbitrary, but there is still a way to win and lose. Chess, for example, has rules. The knight moves in an L-shape, the game is over when the king is “checkmated,” and so on. Now, arguments about why the rules of chess are as they are would be fruitless. In practice, it would be ridiculous for a player to spend mental energy thinking of “why” the rules are as they are. Instead, he must devote all his psychic powers to his next moves and defenses, if he hopes to defeat a formidable opponent.

Samely, there are rules to life generally. You must drink water to survive, sex creates new life, and so on. This may seem obvious, but consider that it just as easily could be otherwise. Our material (or what appears to be material) universe is mostly predictable and only slowly dynamic. This is what Hume discusses about being thankful for the order of the universe. So my philosophy is this: remain thankful for the order and the phenomenological nature of the universe, and play by the rules to win the game.

Big words

The long and pedantic words are not really the big ones. It is the words that are short and simple and well-known that are big, swollen with the meaning of a thousand tongues that have touched them. I read a word “pulviscular” recently. When i looked it up online, the only evidence of the word being used was from the original text where I found it. How is this supposed to mean anything to a reader? Other than what she finds when she opens up the dictionary to seek out the word and then defines it in terms of the other smaller, simpler words that she has known from mnemonic context. It is these short and stubby words most often used that have swollen fat and convey the most meaning. It is the complex and haughty words that are rarely used which must draw their meaning from the short and stubby words that are truly the big ones.

Space that time couldn’t contain

We tried to break each moment. We tried to do so much in space that time couldn’t contain it. Just as we were about to have it full, the next moment would begin and all the air would let out and escape into the previous moment that we had almost already forgotten. So we set about like Sisyphus, filling up the next moment, and the next, until sleep.

Passing time

The sickest thing would be to try and pass the time, in order to avoid the bad, rather than use the time chasing after the good. Worse would be to give it away all at once via suicide. In moments I understand it. All other times I’m scared as hell to die.

Desires

Thank god for desires. There are always new ones to satisfy so I have another chance at happiness and something to look forward to. The high of work and creativity ends just in time to remember that I have relaxation next up.

Characters

It’s therapeutic, too. Because I forget so much, and sometimes feel guilty about it. Growing up going to school and studying for exams it was always so important that I remembered what I had learned. It was often the students that could remember the most that did the best on exams. I wanted to be a good student so I would take my study guides everywhere with me, reading them over and over, not paying attention at all to where I was or who I was with. It can become the same way with maintaining your identity. If you are constantly worried about who you are, and making it seem like you are this person, then all the new inputs from your present cannot get in and flow through and affect you.

Like Borges said, “One publishes a book to forget it.” I write my characters to forget them. I used to think so utilitarian about my experiences and worry about how they were adding to I-at-large, the holistic concept I had of myself. I worried when I got so deeply involved in something and “forgot who I was.” Like a Western-colonial-capitalist, I was trying to swell, get bigger, have more. I wanted each book, memory, skill, experience to be an addition to my sum. But my natural capacities for memory were slightly-above-average at best and worsening all the while due to my drug habits. So I was working so hard to add what I would shortly lose anyway as it would simply be forgotten or else displaced by whatever else I would add. The things I remember best are whatever I’m presently experiencing.

Writing my characters allowed me to deposit my memories somewhere outside of myself. I could forget them and not feel guilty about losing them forever. So now I am more comfortable as just a conduit of the present. I put it down on paper and send it wherever it needs to go, which is sometimes the waste basket, but even then I don’t have to carry it with me, weighing me down. I’m lighter and empty for new and full experiences.

Context

Part of me wants you to just come right out and say it. But then I don’t believe you unless you’ve given me some context. So a story needs themes and characters. Just themes is non-humanist. Just characters is base.

Steam-of-nonsense

I went to walk along but when I did it wasn’t enough just to come and go as I pleased so when it broke down and the rough and tumble cut my teeth then I knew it was time to go like before all the nonsense of the flood that overtook my life in those days and left out all the parts of me that I thought mattered so I didn’t know anymore what to do with all the purpose-driven decisions now broken open by the emotional feelings and art that I didn’t understand but loved so much; I guess the true problem was that I wanted so badly to be God or at least not to die so that anytime I was confronted with my weaknesses or evidence of my mortality then I started to run in the opposite directions and away from my problems where I could at least get some satisfaction from my pursuit of the meta and existential Truth that I wouldn’t ever get and really only ever landed and dressed it in a worldly motivation for girls to love me and read my poetry and fuck away my fear of dying.

All art

Human communication, conversation, texting, messaging—all people sending their art back and forth.

Full send

A full send into a final deep sleep, stay awake as long as possible, filling each moment, and when you lay down to sleep you don’t want to do anything else, and fall asleep immediately and deeply.

Still there remains an inner void

Like someone said, “Every generation thinks they invented sex.” And every other great nation might very well have felt the same way, at least the upper classes. But they eventually realized, as we are now, that our external circumstances are arbitrary and still there remains an inner void. Which is when we feel the darkness and the dread, without even our earthly needs and struggle for survival to distract us, we start to think about philosophy. New needs arise. With power over our mortality, we begin to think, and discover too late that thinking is the worst thing to do. I believe we will endure a great intellectual depression, like diving deep in the ocean without a headlamp. When all this time we’ve been in a small boat on the surface. And at first the deep dark ocean will terrify us, until we reach the ocean floor and turn on a light, that was within ourselves the whole time, to illuminate everything.

Control

I have various experiences, some of which I like and some I don’t. I’m not sure that I have much control.

Listen to desires

I listen to my desires, and pay attention to the overwhelming ones, which are not always the first ones I hear. I have to sift through the base and biological and social, down to higher desires.

Kids are smarter than us

I watched a video at the modern art museum where kids answered questions. The off-screen narrator asked the child, “Will we be smarter in the future?” The young Asian boy took the time to think in a very adult-manner, rubbing his chin and looking down. He looked up and said, “Probably smarter, because we learn more as time goes.”

Wise man

I am a wise man, yes. But can you tell me why that is, why I am wise? If not, do not call me a wise man. For you do not know.

Inconsistent

My inconsistency bothers me. I wish to be principled and constant, unwavering in my motivations and beliefs. But I change long-term as I learn, and in the short-term I am weak for the moment.

Real love

I love you for the same reason I love myself: you control the way I experience reality; you fill the contents of my consciousness.

Sci-fi as a device

It’s amazing how the sci-fi functions as a device to allow us to consider the concept that “this reality that we know isn’t all there is.” But if this were delivered to an audience via religion or philosophy, then people would disregard it. People disregard ideas about afterlifes and reincarnation and ideas about other realities that are present in religion and philosophy. They disregard because it has to do with their identities and beliefs. But the sci-fi devices of a brain in a vat or a computer-created world—these we can experience safely just as stories, without having to involve our philosophies and religions.

Causal prison

We were born into prison, bondage of cause and effect, we cannot break out of the time and space that we were born into, so that we will only experience the few causal reactions that are determined by the space and time to which we were appointed, and thus the short, subsequent period thereafter which would be our lifetime, turned out to be a prison, relative to the vast expanse of the rest of the universe that we cannot experience (unless we live many lives).

Chasing after the great book

I am chasing after the great book. I wonder about what the world would be if Homer or Aquinas or Voltaire or Hemingway had not written. And I am arrogant enough to wonder to myself, what if the great book is within me? And who am I to thieve the world of it and not pull it out of myself. Miles I have to go, indeed!

I am still catching up to the greats. I can feel myself understanding more of Nietzsche. Even writing some of his ideas, only to discover that he had already written them before. I read Nietzsche and discover what I have only fumbled with in my own mind, articulated so clearly!

Yet I have one advantage: I have come after these great minds. I have the distinct advantage of being born at such a time that it is possible for me to read them, as well as the greats before them. Whereas they only had the advantage of reading their own predecessors. So if we assume that at least some knowledge is passed along and built upon in human history, then I have just slightly more intellectual wealth to draw from. Thank god it has been recorded! And woe for what has not.

And I cannot skip ahead. There are still things that can only be understood in the present lifetime, things that must be felt and seen and experienced in the real present. So that it is not possible just to read the last great and understand everything. Still I must read everything. So in this way I have a disadvantage, or, a greater challenge rather! In that I have more to read, more greats before me than had Nietzsche, owing to the addition of the few greats after his lifetime and before mine.

Tragic, that it is necessarily an individual endeavor. For even if I do write the great book that I am chasing after. It will only contain a fraction of the truths. The other truths must already be present in the heart of the reader. So that the great book that I hope to write is really only the key to a larger enigma. The key alone is a beautiful work of art. Like looking upon the peak of a tall mountain. But only the actual climb partaken in, only therein does the whole truth reveal itself.

Ubermensch

What if the ubermensch is she who understands higher truths yet understands that her role in all of existence is lesser? So she has to play the role the best she can, even though she knows the higher truth and that this life is just a spatiotemporal slice of the whole, but still her place is here and now. Like having the mind and soul of a god, but still the body of a human. Could the human form even contain that.

Per usual, Nietzsche precedes me and articulates this better than I can in The Birth of Tragedy:

“Suppose a human being has thus put his ear, as it were, to the heart chamber of the world will and felt the roaring desire for existence pouring from there into all the veins of the world, as a thundering current or as the gentlest brook, dissolving into a mist—how could he fail to break suddenly? How could he endure to perceive the echo of innumerable shouts of pleasure and woe in the “wide space of the world night,” enclosed in the wretched glass capsule of the human individual, without inexorably fleeing toward his primordial home, as he hears this shepherd’s dance of metaphysics? But if such a work could nevertheless be perceived as a whole, without denial of individual existence; if such a creation could be created without smashing its creator—whence do we take the solution of such a contradiction?”

I can’t think of what I’m trying to say

I used to be critical of those who would claim to think of great thoughts but then say, “I just can’t articulate them.” I used to think that they didn’t really think great thoughts at all, they just wanted people to think they did, without having the obligation of proving it via articulation. But now I believe that these people really did have great thoughts. I believe that they were thinking of the ineffable and universal truths, truths that cannot be articulated in our empirical world. Truths like the Dionysian musical mood and the way that love feels. But these are not the truths that are valued in this world, so those that can think and feel great thoughts but can’t articulate them, these people are treated dubiously by the rest of the empirical world. Many of these must be the great artists. Those who were forced by their genius into outlets that were not conventional or orthodox. But what else would we have them do! There were no other vehicles from the other worlds, of which they thought (or more accurately, felt and believed), to our world here. It is the people who have the gift practical thought and articulation that thrive in the empirical world where they know how to speak the languages—mathematics, science and all other studies of the natural world—that hold sway over cause and effect.

Practical and abstract truths

Practical truths are the truths from this world and abstract truths are the truths from other worlds. Practical truths are popular among the majority for their applicability to our first plane physical world to which most humans are still evolutionarily addicted.

And abstract truths are popular with the minority devout religious, drug addicts, hermits, scholars and philosophers—wise men that rise up and out of the physical plane in this one world where we presently live and up through the mental and spiritual planes to discover the other worlds. In these other worlds, abstract truths are the fundamental principles of life.

These wise men, who have traveled to other worlds in their minds and souls, they must first have experienced something in the physical world to allow them to rise up. They may have encountered mind-altering drugs or many years of formal education or devout religious meditation—anything that would have given them access to the second mental plane and the third spiritual plane and these “other worlds.”

One

Let us assume there is a whole pie that represents the primordial Oneness. And each individual real empirical person is a slice of the pie. What if the slices weren’t equal so that some people had a larger slice of the primordial One than others. The biggest slices of pie were the most woke spiritual leaders like Buddha and Jesus.

Sci-fi hero

Fantasy and sci-fi provide solid frames for the hero. In realist fiction, by contrast, the setting is presumed to be one very like the reader’s. So that heroes in realist fiction seem to be better than the reader, even though they were given the same circumstances to begin with. The reader must swallow the hard pill for himself or herself when regarding the hero, “He or she is like me, yet he or she is so much greater than me. What have I done to be inferior?”

On the other hand, fantasy and sci-fi are explicitly non-realist. So that characters in fantasy and sci-fi are not presumed to begin with the same circumstances as the reader. The characters are different enough so that the reader will identify with them to a lesser degree, but still “human” enough to teach lessons and carry themes that the reader will be interested in. This way, the heroes in fantasy and sci-fi are able to go above and beyond normal human standards, exemplifying the height of human aspirations, without upsetting the reader for his or her own inferiority.

For example, a story in the future can have a hero that has more knowledge than the modern reader. The modern reader won’t take offense to this because the hero is in the future and human civilization “has had more time.” Another example, an alien hero from another planet can be stronger than the physical reader. The physical reader won’t take offense to the alien hero because the alien hero is literally a different species and  “has a different body.”

Of course, a major task the fiction writer undertakes is to make her characters seem real. In this respect, sci-fi and fantasy also give a great answer. For if the reader is to say, “That character is not realistic!” And the reader feels uneasy because of it. “Well, of course not,” the writer would say. “I’ve been explicit about that! This is a different time and different world about which I am writing. It is only tangentially similar to the world you know.”

Liberation

If it doesn’t matter, there are two sides of that coin. In one sense it’s depressing because there seems to be no goal or purpose. In another sense it’s liberating. If there’s no purpose then we’re free to do whatever. And we know what feels good and what we like. So it’s like we got access to a free amusement park ride. Like a ferris wheel is never going to go anywhere. It just spins on its axis. But it’s at least fun to ride.

We will die

We’re going to die and everything else will move on and it won’t matter. So let’s take advantage of it while we got it.

Ubermensch

Now that god is dead, and we are morally bereft, these new values of the Ubermensch must be motivated by a love of this world and of life.

This

It is this, here and now, that we have. All the other-worldliness that my catholic mother promised me may not be. We have these days and these bodies to live. That was our philosophy. Why we danced and loved and created and did all that we could. Even if it wasn’t much. We were justified in that we were making do with what we had. So that when we were exhausted, we were satisfied, and did not need anymore and could sleep. And at the end of a life, we hoped to feel the same: satisfied, and ready to die.

I think of death

I think of death and remember that life is precious.

I think of death and see a bug crawling on a blade of grass and it is so beautiful that I start to cry.

I think of death and pay attention to my senses. It is a marvel that I can experience the physical world this way. I imagine what it would be like to have no more sense experience. I remember that life is precious

I think of death and am grateful. I have already lived such a great life. I picture my loved ones and our moments together.

I think of death and write, in an attempt to live on past my time.

I think of death when I am exhausted and beaten. I wonder if I might welcome it now. No, even this I can endure. And death will be a whole other life when it comes. This, even painful and downtrodden as I am, I prefer this, just so long as I can go on living.

restless

I can judge from my bed in the morning, how soundly I slept. Either my sheets are tossed and my pillows scattered, or everything is neat and tucked in.

Death

When my time has come it will have come, and that will be the end of it. I will not fight it. I will do my fighting before it comes.

Forgotten

I remember the times that a name was “on the tip of my tongue,” as they say. I remember ideas that I had in the shower but forgot to write down after I got out and dried off. I remember what it’s like to be in bed and in love, but not really. I really only remember the generals, and not nearly everything. I really only remember that I have forgotten.

Caught up

I got caught up in the world and decided not to fight it for once. I let my unconscious body take over.

Life and writing

I live and I write. I live because I have this lifetime, no matter what. I write because I can’t shake the need to do something more. I do not live to write. I do not spend my time to achieve some earthly goal. I spend my time for itself, for enjoyment and curiosity. Sometimes I make the mistake of thinking I spend it just for writing, or for something else ulterior.

A love letter – February 5, 2017

I love you. At first, I ignored you because I couldn’t risk getting close to you, actualizing my love, whether it was requited or not; the fall would have been too far. Then second, I ignored you because I wanted to say I love you but couldn’t because I wasn’t worthy of you. So I went away to improve myself. But am now realizing there is much more to improve before I am worthy of you. And it’s going to take time. And I can’t stand to be near you in the meantime. Because it only makes me want you more. And I can’t stand to hear about the other people you’re with. And I know you need a lot. And I want to become all of that. But it’s going to take some time. And even if on your doorstep years from now I’m still not enough, I’ll have to live with that. And if you’re with someone else, I’ll have to live with that too. And if you didn’t even want me in the first place and even after all my work you still don’t want me, well I suppose it might kill me and if it doesn’t at least I’ll have something to do until I get too old to love anymore. But right now I can’t say I love you and mean it, and that’s the only way I can stand to be with you. Oh, and one last thing: thank you. Most of the time it hurts but to love like this is I think the closest thing to the meaning of life I’ve ever felt.

The Chameleon

The Chameleon was born in India. His father was a tradesman and his mother was a servant. He had one brother who was a troubled child and went to jail at age fourteen for murder. The Chameleon became a Buddhist monk. He achieved nirvana at age sixteen, on the same day that his younger brother committed murder. Some people in the village said that the soul of his brother’s victim inhabited his body after he reached nirvana. It is possible that many souls entered the Chameleon’s body that day.

It was expected that when the Chameleon came down from the mountains, his nirvana would mark a point of departure from the world. This has always been the case for Enlightened ones before. For the Chameleon, however, his nirvana marked a point of deeper entry into the world. He became curious about all the lives ever lived. He spoke with the old wise men about it. They were deeply unsettled.

In a discussion with one old wise man in particular, the old sage said that he believed the Chameleon had not completed the nirvana, but had stopped just before, right when he experienced the potential power of the Enlightened one, and then stopped himself just short of the permanent break with his worldly senses. The Chameleon was power-hungry—the old sage did not say this, but he believed it and kept it quietly to himself.

The Chameleon decided he would set out to travel the world, unknown to all those around him. He would take on different disguises, some said he even changed his physical appearance. And he changed his mannerisms and emotions and mind in order to become as many people as he possibly could, assuming their identities completely.

The center point of the wheel where the spokes of all other identities connect. At one point on the outer rim, the Chameleon only knew himself. He could see the points to his left and right, but he could not understand them. And the points on the other side of the wheel, he could not even see. When he experienced nirvana, he entered into the center of the wheel, from here he could become anyone, moving freely from the center to points on the outer rim, where the One true identity experiences time and space in different individuated bodily forms in the physical world.

Gang gang gang

A group of pseudo-intellectual and affluent types who go gallivanting around without any sort of a moral compass.

People

I was bored of normal people. People who knew they weren’t spectacular. I wanted to achieve something, anything, just so I could break through to the group of people who had done something and were proud of it and knew who they were and were happy to be among people like themselves.

Watching

I am amazed by the diversity of my experiences over the span of just a few days. I am healthy then sick, satisfied then wanting, in touch then out of it, hungry for love and people then alone and fine with it. The only consistency is that I am watching always. Now I question even that, for if I weren’t watching, would I know I wasn’t? I can’t know i I missed something if I did. So maybe then: I am watching then not watching, until I am watching again.

Mental framework

I get a mental framework to really conceptualize the world so I can make some progress and talk about it, but then all of a sudden I’m thinking only in terms of the framework and missing other things.

True

What if it’s all true? Everything that anybody’s ever believed or known is true, simply because there was a reason for it. If the truth is just whatever is. So that whatever is, is true, whatever it may be.

I do this to myself

I do this to myself. I get so caught up with everyone and fall in love and make friends until I’m not myself anymore. So I go away to be alone until I’m sick and tired in cold sweats in bed on Saturday night and I say to myself, I need to love again. And so I go out and the whole song and dance starts over again.

Everywhen

For a while I ran from it, across space and time. When I realized it would be the same, everywhere and everywhen, then I started to make progress.

Solo trip

I trip in my room alone on a Friday night and make these discoveries. I look at my hand and say, where am I? In my mind in my brain? In my hand that I can see? Can you see me? I ask myself. I encourage my awareness to be open to sensory inputs other than just sight. Can you feel or hear me? I ask myself

I’ve studied myself all these years; I’ve studied all my individuations of time and space, just as I’ve studied my sensory inputs. It’s all sensory inputs.

My body is the small part of the physical word over which God has graciously granted me control.

I feel healthy and fine to not be my body or my brain. In other words, I am no longer worried about losing my identity, mostly because I feel now that my previous conception of my identity was wrong.

But I wonder why can I not access everything. Why can I not be a palm tree on an island I can’t see. I can certainly be myself, even when I close my eyes and plug my ears I still feel my hands. And when I open my eyes I am in some sense what I see. And when I unplug my eyes I am in some sense what I hear. But I am limited spatially to what I see and hear around me. And I am also limited temporally to what is around me at this time. I can extend elsewhere and elsewhen in my memory, but it is more vague. Can I make it more clear?

Clarity

The world is laid open in brief moments of clarity. An ordinary shower faucet says to me, “How interesting?” I look at its ordinariness and respond silently, “Very.”

What to do

When it came time to decide what to do,
I realized that everything I had already done
had led to where I was
and I liked where I was.

So I kept on going, 
and here I am, 
having decided that
what I'll do
is what I've done.

I fail

In my meditation, I cut through my shallow purposes, and realize that time and time again, I set goals and do not achieve them. For example, tonight around seven o’clock I started to read East of Eden by Steinbeck. I promised myself that I would read fifty pages before I went to sleep. I read six pages. Now it’s almost ten o’clock. I’ve just had dinner and I’m getting tired. I think to myself, maybe I’ll just go to sleep and read more of the book tomorrow.

Similarly, my later goals have slipped away. This happens for two reasons. One, I lose sight of my ‘why,’ my deeper purpose. Two, I rationalize that the goal is not essential to my purpose, or that it can be adjusted in timeline or magnitude without harming my progress toward my purpose. I rationalize that I need to be relaxed and healthy, not always so determined and gritty. I give into my desires for sleep, pleasure, and social life, instead of staying committed. I allow short-term feelings to supersede my long-term goals. Three, my goals are not specific enough. For example, today after a 7-mile run, I’m tired and feel like laying in bed and reading. This isn’t necessarily against my progress because I haven’t set a specific goal for today. I need to set specific goals for Saturday and Sunday.

Why do I want to write a best-selling novel? How do I do it, and do my current goals and habits align with this?

Music high

I let music take me, I’m high. I know the higher I get, I risk being lower later, just by contrast. It’s fair, I believe. I’m thankful for the high. I must remember later to be thankful for the low.

Dionysian flow

Sometimes I let myself fall into the Dionysian flow, when I return to my true nature as just part of a larger reality, floating along according to cause and effect. Only when I am Apollonian, focusing on my self-created structure, can I affect my life like a god.

Morning

It’s on these mornings that I can’t get back to sleep, and must wake up to live.

Why fear hell?

Does a skilled meditator have any reason to fear hell?

I remember challenging my teacher in theology class at my Catholic high school. I asked him, “If the wafer and wine really is the body and blood of God, and the congregation believed it, wouldn’t they grovel on their hands and knees, even through broken glass and hot coals, just to be in the presence of God, and even more to consume him?” I remember also asking my mother, “Do you think people at church might fear hell more than they love heaven?”

I sometimes ask myself why I don’t go to mass anymore. I think according to Pascal’s wager, if there is only the slightest chance that it is infinitely true, then doesn’t it make rational sense to believe?

But this was before I started to learn of the East, and began to have firsthand experiences of the One and Consciousness and a higher reality that made itself known to me personally. So now I wonder, “Does a skilled meditator have any reason to fear hell?” If we carry on living in our bodies after death and experience hell this way, the same way that we experience pain here on earth, wouldn’t a skilled meditator, given enough time, simply reach nirvana and remove himself from his senses and the pain of hell and never return?

Muay Thai

Mark told me that Muay Thai fighters are always relaxed until they strike. They conserve energy this way, only releasing with each punch and kick. Dave taught me how to punch correctly, keeping my shoulders down and relaxed until I’m ready to draw energy up from twisting my foot, through my rotating hip and then through my throwing shoulder. Stay relaxed with your shoulders down until you’re ready, he said.

What to study

When it came time to decide what to study, I thought of mainly two options: the human species and the rest of the natural world. At first, I wanted to master the whole of everything, to know math and biology and natural history. I said to myself, “Our lives are determined by the world in which we live, let me learn it.”

But each discipline uncovered a vast abyss that refused to be mastered. I could not learn all of math. I could not learn even the full life processes of a fruit fly. Or the recorded events throughout all of history as they actually happened. I felt small and ungodly to not be able to know, especially at this time in history when to know is so valued.

I focused my efforts and what seemed to matter most. What mattered most, objectively, I did not know. What I did know, or at least so I believe, is that I am, ironically, because I think. And because I am, and I am what I am, I thought that is was what I will study, myself and my species. This is the abyss, which I have found worth the time to struggle to know. Because even though I may not be able to master all of it, or even a tiny fraction of it, every small smidgen of progress is a journey and adventure into myself and the people I love.

I used to think I needed to know more truths to make more money, but money is a man-made thing and truth is not; what I need to know more of is man.

And so too with love: I used to think I needed to get stronger and more attractive and richer; but I really needed only to know more of love itself.

Destination: Spain

I left San Francisco when I was doing just fine in the ways of money and moving up in the world and all the other things you would expect of a working young yuppie in America. But it was time that I make some progress of my own in the ways that my books told me were classically important, rather than just what was going on at the time and what everyone else was doing. So I set out for Spain.

Death

We weren’t dying or anything. But it felt like we were. It felt like death was coming a lot sooner than anybody was expecting it.

Healthy

See all the thoughts and dreams you are having now that you are sober and healthy.

Modes

I experience life in varying modes—once, so slowly and beautifully, healthy and paying attention to everything; another, so fast and blurry, sweating and barely able to keep up and survive. They come and go, these modes. I wonder about people who live whole lives in one mode, if anyone does. Especially anyone who has lived a whole life in the slow and beautiful mode. I’d like to live that way.

Dream of the Deep

I had a dream that it was monday morning and I was riding passenger in my mom’s white suburban and all the kids were in the backseats. it was winter.    

I was sitting in the passenger seat and thinking of a wild party that I’d been to that weekend. This was an example of a dream that spanned multiple days and nights and I could remember. As I was sitting there in my own world of thought and not paying attention, my mom put the car in drive and instead of putting her arm on the back of my seat to turn around and reverse the car out of my grandparents’ long blacktop driveway, she pulled forward and left onto the snow-covered lawn.

I asked her, casually, “What are you doing?” She responded, casually, “Getting the snow off the tires.” Now, this doesn’t make any sense. At the time, it made perfect sense. I only replied, “Be careful not to pull too far forward.”

We started into the grass, slow at first. But my grandparents’ lawn was sloped, and we picked up speed. I sat up in my seat and looked through the windshield. We were sliding forward. My mom no longer had control of the car. I started to become slightly worried. I thought we might crash into the thin wall of trees ahead. And we did. But this didn’t stop the car. And that was when I saw the icy frozen pond. And we were still picking up speed. And before I could think of anything else—to jump out, or save my siblings. We slid with such speed into the pond and then it was all so sudden and the icy water was over us with immense pressure and I looked upward out of my window to the icy blue above, unable to open the door from the pressure as we went deep deep deep.

Beloved

There comes a time when your beloved changes their name in your head. At first they are, “name” and it is filled with bits of information and memories: you met her at a coffee shop, her dad does this, she said this the first time you met, and so forth.

But when you really love her, and you’ve slept with her for the first time, and spent time together, then her name takes on its own meaning in your language. Just like a tree is “tree” or chocolate is “chocolate,” she is her name and nobody else will ever have that name in your mind.

Forward

My anxiety about failure and fear of death keeps me awake and drives me forward.

Saturday

It got very quiet last Saturday night. I realized I didn’t have much to do. It was nice outside at four o’clock in the afternoon so I went out on my balcony and laid there for about a half hour. Then I came inside and read a chapter on the couch. Then I laid in bed and watched some videos about fighting and getting in shape. Then it was time to take a shower and get ready for the night. But I realize now that instead of thinking about what I really should have been doing all afternoon, I let my mind just barely avoid it by finding the next lazy thing.

Balcony

I lay out on my balcony, perfectly fine and alone, minding my own business. A pretty girl steps out onto the balcony across from mine and robs me of my peace. I can’t just lay here anymore. Now I’m thinking of her and how to get her attention. I imagine telling her my room number and her coming over and getting into bed with me. I can’t think of anything else. I have to go back inside.

Satisfied

I haven’t written much lately because I’ve been so sedated and satisfied with the city. Funny, that even satisfaction becomes dissatisfying. I can’t write without a reason to put my pen to the paper. And when my hands and eyes and heart and mind are so preoccupied with what brings me joy, I think to myself I could live on like this and die and never write again. But then I wake up on Sunday morning with blank pages and not even memories of the last couple days. I am dissatisfied and so completes the circle; I pick up my pen and begin to write again.

Desire

There are two types of qualities in others that I desire: ones which I want for myself, and ones which I only admire. I befriend those who have the former, and copy their traits. I court those who have the latter, and love them apart from myself.

Chocolates

I sat on the couch and held my drink with one hand and sketched with the other. She laid on the bed with her head hanging over the side and her hair almost touching the floor. The shades were open but the sun had almost entirely gone down behind the downtown skyline. Music played. It was barely lighted in the room. We were high from the chocolates we ate an hour before.

Honeymooner

I live a life of novelty. I cannot rest. Anything good I have is soon gone, by my own doing. I am a honeymooner. I eventually push away what doesn’t have the quality I desire most of all: being for the first time.

Agility

It’s the changes in direction that are hard. To go off unfettered in one direction is easy. To wake up after a night of heavy drinking and read and return to health and sobriety is hard.

Eschatology

In the absence of eschatology, a lifetime is a mere matter of personal preference as far as how we spend our time. Meditation and prayer, hedonism and asceticism, vice and virtue—all have consequences for the lives we live. But none of these are infinite. The real deciding factors would be the infinite consequences; about these, however, we know very little.

Writer

A writer is what is, because language is what is, as we perceive and communicate it.

A writer is the character in his own story, as he lives and sees other live. He is the dreamer in his own poetry, as his subconscious mind wanders. He is the lover in his own romance, as his heart feels. He is the trees and the river in his own landscape, as his eyes see. He is the prophet of his own scripture, foreseeing as his soul receives.

I am a writer because of my god complex. I could never decide on any one thing to be, rebelling against my spatiotemporal conditioning in this particularity; this lifetime. I only ever wanted to be everything at all times. So I am a writer, and thus, here and everywhere, I have written.

Nirodh

I did as I was instructed from what I read: once I had achieved one-pointedness, I turned my concentration onto my own mind and said to myself, “I will watch as the mind watches whatever it will.” And so my mind first watched my heartbeat. It listened to my heartbeat from the inside.

And this so pleasantly surprised me, just to watch my own mind watching my own heartbeat and nothing else, that I accidentally stopped breathing. and I would have started breathing again if I did not notice that, as I watched my mind listen to it, my heartbeat slowed, and the intervals between each beat lengthened. aAnd I held my breath for longer and longer and remembered what I had read in my book about nirodh, the state that may come after nirvana when many functions of the physical body cease. I wondered if i could go on without breathing and not die.

So I held my breath, and the intervals grew longer and longer between breaths. Until I waited for the next beat but there was none. I should have wondered if the interval between beats had just grown exponentially long, but I did not consider it at the time. At the time it was clear that my heart had stopped. And so I wondered if i had just killed myself by watching my mind listen to my heart. But I did not want this thought to interrupt my meditation as I was starting to see flashes of light and visions. Until I breathed again. And at first, my heart did not resume beating. And with my eyes closed, again I thought I might have died. But then, softly, my heart began to beat again.

Dream poems

Dreams are conceptualized in the same language with which we name our waking hours: seen, heard, felt, just barely remembered upon waking. My dreams are written, so that I wake up in the middle of the night with a full poem that arranged itself with all the words from my waking hours.

Lover

With a lover, I go farther in walks of life I would not tread alone: up at night beyond exhaustion; out in the city dancing styles I don’t know; in conversation for longer than I spend thinking to myself; and, of course, deeper in love—with someone other than myself.

The time is now

The time is now. Which has me simultaneously excited as ever and scared as hell. Our minds and bodies are fully developed. We have money, in a city with brilliant and beautiful people. We have the resources and time to go after it. This is the peak of life right now. I’m just so worried about not doing enough, and missing our chance. 

Fool’s game

I am an ultimate nihilist about anything social when I realize that none of it is necessarily true; for example, I could write a great novel, but if it is not popular, it will not be read, let alone sell, and will be forgotten. Or anything that is human is merely so because humans are part of nature and nature is the way it is regardless if there is any reason or truth to it.

We act according to ourselves but we can’t answer thoroughly the question of what we are, and even less thoroughly the question of why we are, so that when a man is ever asked, “Why did you do that?” He can merely say that it seemed to be the thing to do, given what seems to be, but he cannot make any logical statements about whether his action was right or truthful—and that, makes me a nihilist.

For what are we acting? Except for a blind trust that what seems to be, according to which we act, is somehow intelligently designed. In most ways, this is the only bet we have. Like we are sat down at the gambling table with a stack of chips and the chips are no good for playing anywhere else; not to mention, we don’t know of any other tables. So we sit and gamble our best until our chips run out or we have all the chips at the table; the game ends either way. And if we happen to end with all the chips, we have only a fool’s hope that having all the chips was the way to win, when having no chips at all may have just as well been the object of the game.

So I toss my chips for amusement and watch them bounce and dance off the table and try to make pleasant conversation with my table mates in the meantime, maybe even have a cigarette and give a kiss to the woman that plays to my left.

The game seems to have a design—rules, players, a dealer, and an objective. But if I don’t know what the chips spend for, I’m just as interested in the leather and felt of the table, the dress of my table mates, and other things that seem to interest me for no reason other than they do. And if not for these amusements I might get bored with no option for another table or different game; only the option of no game at all, or to get up from my chair and walk over in the direction of the dark and out of the light from the one light bulb that hangs above the table, connected to a power source above that I cannot see.

Two

I wonder about
when to stay
and when to go
when to reap
and when to sew.

When to laugh
up a daffodil
and when to cry
down an ocean sky.

For me it seems
that all is two
save what is one
save me and you.

Sonoma

On a wooded deck by the pool, I hold a glass of chilled rosé and Uri rolls a spliff. I stand up and take my glass to walk around the pool and step off the deck down onto the grass that has overgrown the vineyard.

The grapes were infected by a germ the past year, but it is the middle of March in Sonoma and the other vineyards too are barren at this time of year, leaving behind short tree trunks with their top branches sawed off at the bases where they curl around the wires and would otherwise grow upward and bear grapes, but instead are cut short and look like gnarled menorahs—treacherous, if not for the beauty that surrounded the off-season trees on all sides. Nothing but shades of green on all sides, freckled with all colors of various flowers. The rows of another vineyard drawn into the hillside across the gravel road by which we had arrived.

My eyes taking in all this, with my fingers holding onto the same wires which the grape tree fingers would hold in season and had already held in seasons before. I thought to myself, ah, what a life of a grape tree in Sonoma.

And I kept holding onto the wire and looking upon the hillside across the road until some time had passed and I feared my toes might take root and my hairs grow into vines along the wires so I turned to step back onto the deck and resume conversation with Uri.

He had finished with the spliff. He handed it to me already burning. I pressed it in between my lips and inhaled deeply, looking back at where I stood in the vineyard. I held the smoke in my chest and wanted to choke; I was not usually keen to add tobacco into my joints, precisely to avoid the burn that I now felt in my lungs. But Uri preferred them this way and I liked Uri more than I didn’t like tobacco. I pursed my lips around the spliff and inhaled once more, then handed it back to Uri and exhaled deeply into the day and the hillside and closing my eyes to memorize it.

Saturday morning

We lay in bed on a Saturday morning in San Francisco. Heat creeps through the cracks in the doors and windows as summer has just barely made itself known, still behind the mask of a March spring that stares back the foggy and rainy winter months.

Laying side by side, our arms barely touching, and looking out of our own eyes. Our bellies rise and fall at a perfectly mismatched rhythm—hers, at its fullest when mine is exhaled, and mine inhaled when hers has released.

These mornings, I have time to wonder. And not only time, but courage, laying next to her. My thoughts are of adventures and possibilities, all dressed in happiness and ecstasy. This, freed from the anxieties of corners and code and other certainties in a weekday world. I wonder about where we will go today, what we will achieve. With all the means in our pockets and handfuls of ends to choose from.

I wonder if we might take the ferry across the bay to Sausalito. Or drive across the bridge and climb Mount Tam. Or even find a corner of a coffee shop to pour our adventures and possibilities onto paper and canvas—thus to have literature and painting as mediums of our ecstasy, just the same as we would have played them out in reality.

I wonder, as she reads a book of poetry that she has picked off the bookshelf at the foot of my bed. I smile to myself, so deeply satisfied to be with someone who will pick up a book to read as I write. I should not form my beloved in the shape of my own desires but sometimes I cannot help it.

Lifetime

I tell the artist she has a time limit to write me a poem.

She says, “I’m an artist. I don’t work on a time limit.”

I say, “You have a lifetime. You’re always working on a time limit.”

Then she looked as if she would cry. But I could see her realize she didn’t have time. She dried her eyes and started to write furiously.

Flashing lights

In the crowd, I face the stage. She faces me, with her eyes closed. She opens her eyes. 

I ask, “What are you looking at?”

She says, “Just you.”

I ask, “What do I look like?”

She says, “Flashing lights.”

Walk away

When I walk away
the things you tend to say
make me feel alright
enough to stay the night.

But when the morning comes
as it always does
my heart grows light
and again begins our plight.

Ego

I’m ego-obsessed. I want power, intelligence, and love. I’m constantly self-focused to make myself better. Even my relationships are conditional on that person making me better.

I wonder: Does this keep me from loving to my fullest? And from truly empathizing with others and writing characters other than myself?

There is a tension: Between me, as separate, acting for the good of myself, and me, as connected to the One, acting for the good of all unified creation, of which I am part.

I must die to myself. It is not my true nature. My true power to do good comes from the One. My highest happiness comes from connection to the One. I’m cut off from the true nature of existence when I’m trapped in my ego self.

It doesn’t matter what I do, as long as: I do it with love, and to the best of my ability. Returning to reality the potential energy inside of me, and letting it return from reality back through me. Remember, that we are all One: every human is you, with you, in the same unified whole.

She

She has the strength to weaken me, and the weakness to strengthen.

Antelope Island

On Antelope Island, we park the car on the side of the road, get out, and run the plains like natives.

An island of plains, surrounded on all sides by water, and the water, surrounded by mountains. In the center of the island, the plains fold up into the hills, and the hills into snow-capped peaks.

At the foot of the peaks begins a much more vertical climb. Slipping on piles of broken and jagged black rocks, some of which get displaced and tumble down, and enlist some others in their fall.

At some parts, we must really hug tight to the mountain face, and dig our toes into the dirt and snow, and balance with our hands.

At the jagged top, we set into meditation to claim the peace we came for. I am first to settle in, laying on my back and starting to breathe. Brother stays standing for a little while longer to take in the glassy water and snowy mountains around us. Then, he too, lays down to settle in.

On our own in the beginning. I meditate on the scenery, opening my eyes to see the blue and cool landscape, then closing them to remember it.

Brother meditates on something else, until I start to make my breathing louder and vibrate in my deeper throat. Brother joins. We are not exactly in tandem; his breaths are longer than mine. We add to the volume, especially when our vibrations overlap.

We grow louder and louder and start to sings in a low and deep mountain tone. Brother instructs me to bring the white energy down through myself and into the earth. When we open our eyes, it has begun to snow.

Love

It is difficult to truly love when still attached to the ego. Because the ego is motivated by itself. The highest love from the ego is what Rand describes: an acknowledgment of value in the beloved, based on the lover’s value system. But you see how this is necessarily self-motivated.

In other words, “I” have this need for love, and it is specific to my own philosophical values, so that the highest love of which “I,” in the sense of my own ego, am capable, is to seek out the “you” which most perfectly satisfies my philosophical value system.

This, is really only an intellectual graduation from its physical antecedent in that we are sexually attracted to the mate that is best suited for our evolutionary value system, i.e., most likely to produce offspring that survive and excel in the physical world.

However, when one comes unattached from the ego, and finds oneself rooted as part of the whole One, it becomes unnecessary to concentrate and channel love through this one particular, justified, and logical Randian framework—albeit, this framework seems to be the highest love on the mental plane, and therefore of the Western world, in the sense that it is at least not random, and the greatest thing one can achieve mentally is to be right, and insofar as we say that what is “right” in regards to human decisions is what is rational, i.e., what is “best” in the sense that it produces the max utility for said human, and utility is relative to the desires and the intellectual value system of said human, then we can call this the highest love in the same way that we would say economically that a perfect buyer and seller have met in the marketplace and found a sort of synergy to produce the most value and therefore are motivated and self-interested in a very logical way to “stay together” and not buy from or sell to anyone else in the market. Still, this is a lower love than one unattached from the ego.

When we detach from the ego, we gain access to a much higher and “bigger” love, whereby we are no longer the same “I” attached just to our one body, mind, and soul with a particular set of interests and values all within our one self. We have now graduated to what seems to be our truest self as part of the One—all of creation as one interconnected living organism—whereby we tap into a much larger need and ability when it comes to love in that we are part of the motivation system that rules everything, which is motivated to love everything, and therefore unlocks us from the pigeon-holed Randian mental love and gives us both the power and desire to express a much “larger” love unconditionally to everyone and everything.

Rand was on the right track when she wrote in The Fountainhead, “To say ‘I love you’ one must first know how to say the ‘I.'” She understood the necessity of knowing ourselves in order to love anyone else. But the Randian “self” is solipsistic, and unaccommodating of a metaphysical reality with connections between us all that make us all part of the same entity, and thus makes possible this “larger” love. 

Mindfulness

I am starting to “see,” literally, the variability in my mindfulness. My vision sharpens and dulls as I watch the picture in front of my eyes becomes less or more blurry.

And the pictures in my mind tradeoff with the sharpness I see in the picture of reality, like my mental images are holographically printed over what I see of the real world.

For example, I see my mother and wonder who will take care of her when she is older; even though, in the present reality, I am holding a half-eaten sandwich at lunchtime. I have entirely forgotten about it and replaced it with the mental image of my mother and the emotions that came along with thinking of her.

Until, of a sudden, I think to myself, “I am not being mindful.” Or, “I am not present.” Or something else to remind me of my present and physical state, so that I really start to “see” again, and register the picture of my hand holding a sandwich, as the mental idea of my mother floats away.

Freedom

I just hope
it was the freedom
you first mentioned
which we were after
all this time.

Otherwise it seems
we may have slipped
into an accidental bondage
whilst chasing after
a breakage thereof.

Gasp

I try to write whole pieces with exclusively the parts that make the reader gasp, so that the reader has to get on reading the whole thing without taking a breath.

Squaa

Foreign to the rest of the world, was our whole manner of living—reading, writing, consuming, creating, thinking, talking, training, exercising, sitting in meditation, learning new skills, cooking meals, learning new languages.

We all were fierce competitive scholars and athletes for no reason other than we enjoyed it and it made our lives better and reached our relationships to higher levels. We woke up every morning going after all of it in a different way, without being confined to the downtrodden channels.

We had each already before pursued this manner of living alone. The relationships, however, are essential. You can not maximize a man’s potential without involving his social persuasion.

A result of our having higher desires, but also higher abilities to satisfy them. A positive feedback loop, where our desires motivate forming new abilities, which in turn allow us to satisfy higher desires, and so on.

Sidewalk

We walk on sidewalks and don’t step out on the street to avoid getting hit by a car; everywhere, we walk on little sidewalks to safely get where we’re going. But I wonder about the alternate routes and the walks on the other sides.

Postive feedback loop

A result of our having higher desires, but also higher abilities to satisfy them. A positive feedback loop, where our desires motivate forming new abilities, which in turn allow us to satisfy higher desires, and so on.

Artist

I really do believe if I were just slightly more attractive to the world, I wouldn’t be so interested in art and counter-culture. At some point I realized that even though I was good at their game, I was never going to be the best. Because I wasn’t born with perfectly straight teeth to just the right family. So at some point I said forget it, and started to build my own worlds.

Dreams and Poems

Dreams are like poems
insofar as I do not know
where they come from,
only that they resemble
places I've been and
things I seem to've known
at one point or another.

Money and Love

I used to think I needed to know more truths to make more money, but money is a man-made thing and truth is not; what I need to know more of is man.

And so too with love: I used to think I needed to get stronger and more attractive and richer; but I really needed only to know more of love itself.

Art

As long as it doesn’t really matter, there is room for so much art in the world. Every decision we make could be art.

Ability and desire

My abilities are not so much determined by the ones I have as they are by which desires happen to call upon them. This makes it very difficult to write a consistent novel, as my desires change and so too do my abilities, specifically my style of writing.

Death

I‘m artistically, rather than scientifically, interested in death; it is the artistic argument which almost has me convinced to try it. But of course, I like to live, and science says I cannot have both.

Day

I wake up
to nearly
the same day
as yesterday
and wonder
about what
we could do
in one day
if we really
wanted to.

American hero

I’m an American; I speak English. Yes, I want to learn other languages and move to Europe, but I am who I am and need to start owning it. Instead of seeing all the heroes of other categories and wanting to be in that category for the sake of the hero, I need to own my own category and take the spot of an original hero.

Before

I think of something and say to myself, “Surely I have written that before.” But when I start to write, and am halfway through, I realize I have never written it before. What a shame it would have been if I just let that slip.

Characters

I have to go out and meet my characters before I can write them, or I will write them all from within myself.

A poem I wrote at yoga

i like to find
i've opened time
and made it big
so it doesn't matter 
anymore

i like to hear
the clamor clear
and really start
to listen

i like to hope
beyond hope
that after this
there is a this
still to be

but then again
i start to sin
and stumble

which is when
i like to find
i've opened time
and made it big
so it doesn't matter 
anymore

Creativity

His creativity comes from somewhere else and visits him at night. It works on it own and knocks on the door when it has something. His only job is to keep reading and experiencing and meeting interesting people and feeding all this through the door to his subconscious so that the creativity wizards have more materials to work with.

Morning

It would seem 
in the morning 
that all has begun, 
fresh and anew. 

If not for 
the scenes and 
objects and body 
that you remember. 

So you go about 
doing what you’ve always done 
or what you planned 
the night before.

City

In a city, walking along, if your head is held high, you will see the beautiful building tops, sunshine shimmering off the windows, and pretty women waving from the patios; if your head is laid low, you will see the sewer gates, the trash, and the homeless men laying on cardboard. What you perceive depends on where you are looking.

My name is

My name is. I walk through this field. It is dusk, and I will walk until I can’t, touching cat tails with my palms and then lay down to sleep.

It’s been three years since I left. I barely remember why anymore. But so much has happened since then that it doesn’t really matter.

Just barely not wanting more

I am convinced that for the most part people just bump around and move along until they get slotted into a channel in which they are satisfied and comfortable enough to keep on going just barely not wanting more.

This continues until the subtle beginning of old age, when nothing can be done anymore. But luckily by then, the desires too, have gone with the abilities. And that scares the hell out of me. Even the slightest possibility of looking back and asking, “What if?”

Game

Life is a game. Stop asking so many questions about the rules; just play and get better for the love of the sport.

You

as well as it was
with you here
i'm just as good
without you near

Meditation

My mental meditation is similar to my spiritual. For mental, I make coffee and sit to read; for spiritual, I light a candle and sit to breathe.

For mental, I watch the words and count the pages; for spiritual, I watch the gates of my nostrils and count the breaths.

For mental, I arrive at a place, inspired and thinking, like my mind takes a step up, into a plateau on a higher intellectual level, where I am free to move about with increased brain function, pulling memories from this and that book, making them debate one another, picking up the winner and putting it down in my own words, writing more and more notes in the book’s margins, until there is too much and I must move onto my own blank pages that I fill with what seems to fill the gaps between the books I have read so far, though my fillings may, unbeknownst to me, live in a book I have not yet read.

For spiritual, I arrive at a similar place, after having watched my breath for some time, I can see the candle’s dance play through my eyelids, I make this my drishti and watch until my senses let go, and now travel to a plateau through my third eye where I can play without a sense of space or time.

Poetry

Poetry is best read with courage and a bit of coffee. Not only must it be studied and require a certain amount of intellectual work form the reader (hence, the coffee). But it must also be emotionally invested in, and allowed to play in one’s own past experiences, and so the courage. It is not like an entertaining novel, easily lighted through before bed; nor is it like a thesis, requiring only the powers of the mind.

A general claim

I have dribbled on enough about certain particulars so that I may now make one or two general claims without the reader thinking I am a generalist. I dare say, life is …

Shavasana

After yoga, in shavasana, my mind is free to move about its memories. I sit at my desk in the office and hold an orange. I walk down the stairs to the basement of my childhood home and step out the glass door to the backyard. Everything is so clear, as if I were really there, and my eyes might open to find my body in shavasana just as easily as they would open to find any of these other realities.

Games

I play games with my mind. Young and western, a student of philosophy in particular, my physical self is pushed forward by my mental. Running on the treadmill, I chase after a goal: a certain distance in a certain time. Until I realize I can certainly achieve it; in fact, I am almost there, and my body is not tired yet.

So I reset the goal, and reset my mind to push my body to chase after it. My body knows no better; it forgets completely the former goal, though admittedly more tired than the start, it chases after the new goal with the same ardor as the original. But now my mind has caught on to what may be an infinite regression of goals, so O focus it on a drishti: a paint speck on the wall, and just watch it and listen to my breath, and avoid looking at the numbers for distance and time on the treadmill.

For my whole young life, I asked why. I would stop in my tracks and ask why and not keep on going until I was satisfied with the answer. So you can see why it was a problem when at some point in college I asked my philosophy professor why and he told me for the first time that there may not be a why and that was the first answer that stopped me in my tracks instead of starting me going again.

And ever since then I’ve been playing these mind games, inventing up answers and getting along that way until my mind figures out the trick and wants to ask why. Only I find fewer and fewer who can provide an answer of any decency. Most of the time they have not asked enough why’s themselves. And so I am stuck answering my own why’s but most of the time I don’t have any reasonable answer so I just invent up a new game to get me along for a while.

With

She looks at me as if to say, “Why aren’t you here with me?”

I want to reply, “If only you could see what I’m seeing.”

But I only smile and say, “I love you.”

She’s taken aback, visibly wondering what in the world I’m talking about.

I only smile, confident.

And seeing me confident, she smiles.

Create

I need a little of the sickness, sadness and depression to create; otherwise I just float along happy and smiling.

Getting along

I think about those who are just getting along, and I wonder who lives more in the present: those who have secured a future, or those who haven’t?

First and last

I want to experience it 
like it's my first and last; 
first, with all the curiosity 
of a newborn baby, 
and last, with all the gratitude 
of an old dying man.

Pain

When you feel the pain look at its face and see what is it, how does it burn, and what is a burn, and why do we call burn by the name pain; of course, the name itself, literally, is irrelevant, but the dualistic connotation is what brings with the concept a certain negative feeling toward the sensation.

But now that I look at it square above the nose and in between the eyes, I realize it is just a tingling like any other, and look past it to see what I am really experiencing—something like electricity that I can’t quite describe

Doer

My friend who has done so much says to me, “You have not seen enough.”

Before I can respond, our ascetic friend interjects to ask the doer, “Have you considered there are things which you may have overlooked?”

Karma

If it’s all slowed down, you must take the day to turn it around. And this is the most difficult part, to be slothy or downtrodden or depressed and not say, “Oh, why me?” but instead fight the viscous sludge and stand up and run around and smile and create and love and put all this into positive motion without any attachment or expectation of result or reciprocation, and keep on putting positivity into the world, until you’re not even realizing that it is the world at your back and pushing you along.

Myself

I consider that 
it is only myself 
that is hindering myself; 
so my latter self says 
to my former self: 
come on, let's get going.

Action

When things take on a certain simplicity as far as what is important, I can commit to action; but this assumes that that for which we take action must be important, and of course the standard for importance is also in question.

Documenting

I’m still at a point, both as a writer and in life, where I’m just documenting; I haven’t seen enough to make any claims yet.

Relationship

I, for maybe the first time, am experiencing what it is for a relationship to actually develop, as opposed to up and leaving the whole route at any sharp turn and picking up again on a new road with a new person.

I am seeing and feeling what it is for a relationship to have a life of its own and grow to become even a third separate entity from her and I, like a spirit or soul with its own personality and tastes and talents—we are more than ourselves when we are together, each of us growing to accommodate and nurture not only our selves, but also each other, as well as the third newborn relationship itself.

At junctures and bumpy patches, I stay in it and watch it swell as emotion is added and carefully point all this energy in a loving and positive direction that is a circle that flows between us, from my soul, through the third, to her and back, through the third again, to me. This, as opposed to up and moving on at the sign of first swelling; rather than maturity and molding and feeding what we have, instead breaking off, myself alone, to chase after novelty and a new sensation. But this is different.

Vacillate

Schopenhauer says we vacillate between distress and boredom. I think of this when deciding whether to move to Monterrey Bay and live a quite life by the ocean, hiking occasionally and thinking and reading, but also risking boredom and lack of inspiration. Or, to stay in San Francisco among so many people and new ideas and work and energy, but risking distress and the occasional anxiety. Of course, it would seem there is a balance between the two, which is why we drive back and forth on the pacific coast highway.

Smoke

El and I smoke in the hotel bathroom. We dash ash on the sill and blow smoke out the open window and laugh.

Fickle veil

The concept of not having something seems to me so fickle; so too with the concept of something having not yet occurred (future), or having already occurred (past); time and space are very thin veils between what there is here and now.

Period

The period is my favorite punctuation mark lately. I like to end things resolutely, rather than leave it open like it could begin again or not. It allows me to start a new sentence with confidence.

Phone

I want to take a picture of my phone in my hands. But I can’t. Because my phone is my camera. So I can’t. Unless I get another phone.

Older

I’ve been trying more often lately to stop time; I’m getting scared of getting older.

Lines

She said she likes to be drunk and let the lines flow. Watching the way she danced and thinking about her past, she had all the qualities of a beautiful woman with a fun and free spirit and I wondered about the men that had wanted her before me.

Laying in bed that night she says she has always liked men like me who had lines that she could play within. For a while, she said, she thought she didn’t need any lines at all, but then realized with complete freedom and no boundaries she might accidentally cut her arms and let all the blood flow out or run into traffic whether it was moving or not or fall off a cliff no matter if it was tall enough to die from the fall.

Alone, she had to worry about these things. With a lined man, he held out his arms for her to lean against and bounce between, but never having to worry much about boundaries so that she was free just to flow and dance about.

In the same way, I, the lined man, am free to smile and laugh when I’m with her. Her falling in love in high culture, and I falling in love back, in need of a little levity and fairytale to inspire my philosophy and science.

Sick

I like to be sick and lay in bed all day and escape the world and obligations of a healthy person.

Space

After you have focused on the breath, moving in and out of your nostrils. You start to focus on seeing the black of your closed eyelids. Now look, not through your eyeballs, and see without seeing the space that isn’t spatial, which seems to be behind your eyebrows and inside your frontal lobe.

Your conditioned mind will try to assign it a color, and you watch this take place physically as the “space” turns into all sorts of colors and shapes, until you are finally able to let go of your need of seeing a physical thing and it undresses from its colorful and shapeful cloak.

You are no longer looking at something else that seems to have a contained space inside your frontal lobe but instead it opens up and spreads in all directions so that immediately you are with it and in it and there is no distinction between you and this “space” that is everything and nothing and you’ve lost all memory of sitting there on your cushion and just balance up and out of it, until a door slams shut or a bright light flashes or something else brings you back to the physical world in your seated body.

Dreams

If I read a novel with romance and conflict I have western dreams about sex and violence; if I meditate and lay in shavasana before bed, I have Eastern dreams about nothing.

Sick

Being sick makes things simple. You become like an animal again and worry only about being healthy and nothing else.

My philosophy of time

The philosophy which will improve my life, which will give me the courage to exhaust myself with every most minute unit of time, is this: this time, for the next however long of a moment, will pass no matter what, and I, as a dynamic spatiotemporal creature, have the power to do anything within my power, and the only sure way to find out what I should be doing, is to do. Whether to think, act, create, love, or be; I will, because I can, and therefore I must.

Another

How we will do things 
with another 
that we would never do 
on our own, 
like running along in the forest 
and getting into the ice cold river 
when we get there.

Rest

How to enjoy the time that is 
without worrying about what will be, 
when the time that is, is only so, 
relative to what will be.
 
I lay here 
on a beautiful 
Saturday afternoon
smelling eucalyptus 
and seeing light come in 
through the shades. 

I want this to last forever 
but think about Monday. 

I wonder about 
when to go and 
when to stay. 

I think it’s about time I rest;
and that’s the scariest thought 
I’ve ever had.

Morning

She leaves.

I eat.
I watch a movie.
I wonder.

What to do now?
What could be better? 
How can I ever go higher?

After laying there
perfectly lazy
all morning 
with her.

I couldn't care
about my work
or to wake up
and make coffee.
Smelling eucalyptus
and seeing light come in 
through the shades.

How ever
to go higher.

Coming of age

There's a period of life, 
in between coming of age, 
and getting old;
when young enough 
to see, hear, and feel;
and old enough
to cherish and understand;
and if you blink, 
you'll miss it;
with healthy body 
and wise mind,
you can keep 
your eyes open.

Moved

I didn't just get moved into this;
I got up above and picked it. 

But I wonder if my having gotten 
up above in the first place, 
was moved so by something else.

I want to say it's all me
but I'm starting to believe 
it's everything else
of which I'm thankful 
to be part.

Novelty

I need the newness. 

I can't stand 
to settle down 
and sit still. 

I need the first night she sleeps over,
and the adventure to a new part of the world, 
and a skill not yet mastered. 

Thank god there is enough, 
so I'll never have to face my fear 
of there being nothing more.

Momentum

Move with 
the momentum; 
and if there is none, 
create a mass, too large, 
to be ignored by gravity, 
and start it to roll, 
and pick up momentum, 
leveraging the powers 
already at play, 
all around.

Om

We om together in Grace Cathedral. I move my pitch higher to match the mass. The high marble ceilings echo … oooooooooommmmm.

Jelly mold

I consider the emotions of mold in a jar of jelly. At first non-existent, there is just jelly in the jar, and the jar in the fridge. Then born, the mold, crying into a cold world. Its young years are slow and painful but joyful just to be alive. Struggling, to grow in less than ideal conditions.

Then, a miracle happens: the jelly jar is taken out of the fridge and thrown away in the trash can. Misery for the jelly but, ah, what bliss for the mold! A whole new world like heaven with all the ease of growth in the warmer trash can. And in the landfill, the jar broken, the mold breaks free to spread and grow and lives happily ever after.

6th roofl

On the 6th floor, 
which happens 
to be the roof,
in the open air,
on a sunny day,
somewhere 
in San Francisco, 
I scratch my head and sigh; 
what of the world haven’t I seen? 
And when will I get there?

 

There

We needn’t have it all 
so much and so fast.

You can slow down
the things that matter
without losing 
their attention. 

There is more there 
so it doesn’t thin 
when spread out.

Italy

To get into a situation like in Southern Italy on an eternally sunny day so that you could just read and write and play and listen to music in the most lazy yet intellectual mood.

Salsa

Ae salsa danced in the club at two in the morning. I wasn’t any good but drank enough so that at least the confidence to move made it alright. A nice latino gentleman showed me the cadence for my steps, stepping to one side and putting one foot behind the other and then doing the same to the other side all while moving my hips much more than I was used to from any other style of dance—not to say that my experience was extensive.

Maximize

If you are really going to maximize a day, you cannot just head off at hurtling speed in any direction. It is just like a lifetime; there is a balance between present and future, between pain and pleasure.

Andy

I know a guy Andy who really doesn’t care. Even on days when he’s really looking swell, I tell him, but he doesn’t care enough to repeat the look. Even if the whole world told him, the next day he’d wear the same clothes he would have worn anyway.

See

At once to think it is all here in front of me and I need only look into it deeper in order to see the rest; but then also at the same once to think I am only seeing one here in front of my eyes and there are so many more and I haven’t the time to see them all.

Day

Hiked in Pacifica yesterday then went to a super nice french bistro and had lamb then went to a latin club and salsa danced at 2am and now sitting on my rooftop reading and meditating and tanning.

Pacifica

I wake up and text Alex to see where we’re going. He texts back, “Pacifica.” I dress and pack a bag. We drive along the pacific coast highway. I play music on Alex’s stereo. The blues in the sky are beautiful.

I catch again the sense of moving forward without any effort and enjoying the passing scenery. The ocean and a concept of never-endingness to the right and mountains standing in wait to the left. Making progress toward an unattainable (and thankfully so) point in the distance where the road hugs into a singularity with the horizon.

During the climb we talk. Mostly I look at my feet and focus on my breathing. At the top, I hallucinate. The ocean and sky blues melt together. Sitting, holding my knees, with my eyes closed. My meditation is easier than usual—not for being at the top of the mountain but for having climbed it. My body is exhausted and so is happy not to be noticed by my mind which focuses instead on the blood orange backs of my eyelids.

The hike down is shorter, as usual. We drive the same beautiful highway route back home.

Oliver

Blake was surprised by Oliver’s response.

“Don’t you want to have friends?” Blake asked.

“Unless you are a young beautiful woman,” Oliver started coldly, “I really want nothing to do with you; unless you are a young handsome man also after women, then I would enjoy to learn your skills and be your comrade in the chase.”

Seeing

What is it about a view that makes me feel, is it the memories of my other senses? That I have climbed a mountain with my feet and smelled the trees that stand on it, so that when I see the scene now it is my eyes reminding my feet and nose. Or is it just the colors and shapes for my eyes—I doubt it is this objective and aesthetic latter, but is instead the former: the whole body and mind remembering via the eyes.

Good day

It's on a good day, 
the whole world seems like art,
 and I want to photograph everything.

It's on a bad day, 
I constantly say, what else? 
And miss all of it in front of my face.

Western clock

I have a little more
free time than I need; 
but if I had to pay for it, 
or saw what I was missing, 
then I wouldn't have enough.

To

And we knew
it would happen, 
but it didn't matter,
we had to do
what we came to.

Her

And once I see her it all comes back. I want to impress her, tell her, show her. We sit down. I smile. The novelty is my favorite part; that again, all within the possibility of the next few hours, I can meet a whole new soul. I wonder: what does she do, what does she love, what does she cry about, how does she look naked, will she come home with me. And I have to start delicately, asking simple questions first and smiling.

Blake and Ish

Ish was always singing, most of the time with her headphones in her ears, singing along to whatever music she was listening to. For most people this is impossible because they need to hear their own voice to regulate their own pitch.

But Ish explained it to me once—like a painter who only needs to look at the blank canvas once and the palette of colors in his hand once, and then can close his eyes and paint the whole painting, his hand so trained in muscle memory and exactitude moving back and forth between palette and canvas, so that at the end he opens his eyes for only the second time and sees the whole masterpiece—so too with Ish and her singing with her headphones in her ears.

She didn’t need to hear her own voice; she only needed to hear the pitch and rhythm, and then she could keep up recreating it only using her feelings of the vibrations inside her head and chest. And the whole time looking like a dancer, swaying back and forth so that her long black dreads were reaching down to her waist and swinging slowly side to side.

When they first met, Blake couldn’t stand Ish’s singing. When Em introduced Ish to the group, they sat in the coffee shop and Blake, as usual, set his current volumes of interest on the table and read a few pages and then picked up his pen to write and then read some more and picked up his pen again, and he usually went on like this all morning until they left the coffee shop for lunch.

But with Ish there on this particular day when she started to sing Blake looked up from his work and just stared at her for some time with his brow furrowed but Ish couldn’t notice because she had her eyes closed with her headphones in her ears and was just swinging her long black braided hair side to side.

Blake looked back down to his work and tried to keep on reading and writing but he couldn’t and you could tell because he pushed his chair back from the desk and stood up and walked over to where Ish was standing, swaying and signing.

He tapped her on the arm and said directly, “Could you please stop?”

Ish looked at Em, her being the one that had invited Ish along. Em smiled nodded back in Ish’s direction as if giving her the approval for whatever Ish would say or do anyway.

Ish looked back at Blake and took one earphone out of her left ear and said innocently, “Stop what?” And she swayed a little bit as she said it so that her hair swung from one side of her waist to the other.

“Stop singing please. I can’t concentrate on my work with you singing like that.”

“Oh, my apologies, yes of course I can stop. I didn’t know it was distracting you.”

Blake showed her a smile and turned to go back to his desk but before he could turn all the way around Ish said, “But only if you stop scratching with your pen and turning those pages. It throws off my rhythm.”

Blake was taken aback. Em was smiling noticeably in the corner, pretending to listen to what Oliver was saying to her but really she was just watching Blake and Ish.

“Well, I’m sorry, but I can’t stop reading and writing.”

“Well, why not?” Ish asked resuming her innocent tone.

“Because that’s what I do; I read and write,” Blake responded defiantly.

“Of course. Then I’m sure you can understand that singing is what I do,” Ish said this a little more directly and stern without so much innocence.

Blake was silent and just looked at her, not just frustrated as before; still frustrated, but now with respect. He turned and went back to his desk and picked up his pen. Ish put her earphone back in her left ear and kept on singing. Em watched as Blake’s pen paused for a second as Ish started singing again, but then Blake went on writing and Ish went on singing, and they both went on for the rest of the morning. And right before they left for lunch Em could have sworn she saw Blake’s foot tapping along to Ish’s singing.

Momentum

Once you’ve put it into motion
then you just have to keep up
and let it carry you along.

The tough part is
when you want to change directions
after you’ve built up some momentum.

So that you have to
stop the whole system
and spend some time
away from the world
to rebuild the whole machine.

Until you've set it 
into motion once more
and breathe a sigh of relief
as it begins again 
to carry you along.

Read

I read a little less; in the city, I’m constantly reading into all the experiences around me.

Drishti

After a high Thursday night and early Friday morning, I am up and euphoric. Not worried about anything, lazy and just kind of floating. Not taking control of anything because what is coming to me is great.

Then after lunch in the early afternoon, I feel a dip lower—and here is where I realize the difference between what I used to do and what I want to do moving forward. I used to think that my emotions were necessarily sinusoidal. But I believe now that is a fixed mindset and not necessarily a fact of life.

Because the greatness comes from all different directions. I dip lower now sitting in my office chair after last night with Lily. But I needn’t live only in that linear. I am surrounded with friends and my body is healthy and ready for exercise and there are books and music for me to lean into and adventure as soon as I take the first step and beauty if I’ll only see it and all this is always around me.

There is also always meditation for me to return home to my Self and, what’s more, subtle, is that the dip is not necessarily a dip in any particular direction with an associated value judgment; in other words, the dip is not necessarily “bad,” if I just watch it and look at the dip on the bridge of its nose and in between its eyes and meet it with empathy.

The dip might be otherwise understood as an opportunity to take in more; whereas, when I am focused on something on the up and up, something “good,” whether it be love, beauty, art, pleasure, or anything else that occupies the whole of my conditioned dualistic attention, I am consumed by it fully. The dip is an opportunity to refocus, to have another “good” fill my attention. Yet this is still of the natural, conditioned, dualist world. On the spiritual level, the same question remains: How can I fill up with all of it always? How can I, figuratively, stay up in tree pose, focusing on my drishti, being One with all of it.

Blueberry

She hands me a small chocolate-covered blueberry. I eat it. It tastes more like my Grandma’s sofa than a blueberry. I like the taste though. I walk and wonder about these artists. How they always seemed to have a group of friends around them that influenced their work. How sometimes, a work I look at and say anybody could have created this, and other times I look at a work and say only this one individual in all of human history could have created this.

She is extremely perceptive. We each are timid about saying that a work is too minimal or, god forbid, that it is not “good.” For example, there is one work of art that was just blank—three canvases on the wall, all of them just blank. She says maybe this is just an exhibit that hasn’t been set up yet, or the artist hasn’t been here to create it yet. But then we read the little placard on the wall and it says something like “blank painting” for the title. It explains the artist wanted to show a work of art that displayed all the “opportunity” of blankness.

The exhibit is closing so we go down the elevator and before leaving find one last work of art—a giant rusted steel maze with walls at least fifty feet tall and slanted sideways. We start to walk through and soon don’t know where in the maze we are, but continue to walk along the same path assuming it must lead to the end. I feel safe with two walls on either side of me and no option other than the path in front of me and her in the path in front of me so I’m walking after her. Finally we emerge from the steel maze and I ask her, “Are you hungry?”

We walk, arm in arm, it’s a little cold outside. We walk into the restaurant. We ask the hostess for a table for two. The hostess tells us the wait will be 15 minutes. She says she’s going to use the bathroom. I sit down in a chair to wait for her. I wait for a few minutes and really start to feel the blueberry then.

Leader

It is very difficult for any leader to be anti-structure, having been deemed a leader by said structure.

Postcoital nihilism

A subtle slip into nihilism in between sex: waking up with her still asleep next to you, her cheek bone pressed against the inside of your bicep, cutting off the blood flow to your hand so that it’s gone numb, but you don’t care; that limb is hers now as far as you’re concerned.

Waking up, usually quickly, to put laundry in the wash, start breakfast, and get dressed to go out and start the day; but this morning, just laying there on your back, content to stare at the ceiling and smile. It’s not so much a “nihilism,” you suppose, as it is just an indifferent gratitude.

City

To be in a modern American city, once it’s really gotten hold of you, is like being at the center of a wheel with all the spokes bringing the rest of the world directly to you. The loves, music, arts, money; late nights in the underground speakeasy, early mornings running on the coast from pier to pier. It’s all there to fill you up; you just have to get out, and open up to it. Then it will carry you along.

Unaveraged

When we speak 
in our own 
odd unknown
language
so that each word
stays up and out
all alone
unaveraged 
into common words
that are expected
undrowned
by what is
supposedly 
already known.

 

Nonsense

I like to think of it as using the sounds (words) that we’re already used to hearing (reading) a certain way, and rearranging them in a way that still barely makes sense, so as not to be too disruptive; and then, from its newness, there opens up new parts of our thoughts and emotions.

Self

I get up and out of it
and see the moving pieces
and switch back and forth
between focusing and not focusing
on the pieces that constitute my Self.

Live

I am constantly trying to live so that my life is a worthy subject of my writing.

Humanity

Humanity, the real stuff—looking into someone’s eyes, feeling their skin—the important stuff, you have only one lifetime to learn; you cannot read it in the history books.

Here I lay

It was all of it still
as it was from the start;
alas, here I lay, dead,
buried with my art,
never having 
gotten hold 
of it.

Utopia

A utopia 
is subjective, 
of course. 
This is mine. 

Not necessarily 
my mind’s 
nor my soul’s, 
but at least 
my time and place’s.

Sleep

Lately it’s gotten hard to sleep; there are things I’d rather do than sleep anyway.

Time

All we really have is time, and it’s what we do with it that makes up a life. So I never take time for granted; I’m always trying to slow it down and fill it up with as much as possible.

Crooked Jaw

Most of the time I am changing. This way, in a professional setting, wearing a suit, shaking hands, and smiling. That way, writing on Saturday morning, frowning, one hand of fingers in my hair, forehead in my palm, and the other hand holding a cup of coffee, haggard, bags under my eyes, trying to get it out of my mind and onto the page. This way, for my girlfriend. That way, for my mother.

Except for my crooked jaw, which stays the same always. Because the doctor told me they’d have to basically saw off my teeth from the whole top half of my face, sawing right under my nose straight back to my ears, and then move my whole jaw two inches forward and drill it back into my face with screws that will be permanent and set off the metal detectors at the airport. And so I said, no that’s okay. My crooked jaw can stay the same.

spoken word nonsense

and she says no no no I don’t stop before that goes where it goes but I know it does because with those lights of hot sky soft black too but I’m going going going to take off then rise up and out of it all into the top where it all fits together and also which of the three made it be such a peculiar way like this.

Piece

A piece that discovers the meaning of meaning, held together by itself and nothing else.

Times like these

It is when I’ve really relaxed and started to pay so close attention to myself, my mind, and my body that I can breathe so smoothly through my nose. I think to myself in times like these that my meditation will be better than usual. In this particular instance, it is because I have really taken a break from thinking about it.

Wonder

I wonder what it will be calm when it dies but then they get once that it won’t and once I think it won’t I wonder if it ever did and how we’re going to make it with things the way they are.

Be

Don’t create all these ideas about who you are and what you do just keep doing and become.

Book

It gets to be
like a sickness
at the end;
you eat yourself
from the inside
and must get out.

With you

Every minute
I'm not with you
I'm thinking of it
and resisting
only because
I know it'll be better
when we're back.

Snow

Next to the little gold buddha statue 
on top of the Chameleon's bookshelf 
there's some snow.

Travel

I lay up late
the night before travel
and can't sleep.

I pack my bags
and find among my things
the habits I haven't even realized
have formed since 
the last time
I left.

Explode

My mental ego inflated until I couldn’t take it anymore and exploded out of my physical self.

Two

Less often
can I tell the difference
between the two:

So that I'm always asking,
did that happen?
Is it happening now?

Or has it already,
and always will?

Shadow words

I've written on my apartment window
so that when cars drive by
with their lights on
just for a moment
I can see the writing
flash its shadow
on my ceiling.

Drug cold high

I stand in a hot shower
turn it to cold
and wonder:

Can you imagine
if you took a drug
and the come up
was like an ice bath
that you didn't expect
but had no choice
other than to persist
through a painful cold
that would kill any human
but keeps you alive
because it's only in your mind?

And then after the cold
comes the greatest high of your life
and you are enjoying it so much 
and think without a doubt 
the cold was so worth it.

But what you are now experiencing
is being sober and warm,
born again
out of the drugged ice bath.

So that what you are enjoying so much 
as the greatest high of your life
is really just normal lukewarm life
that seems so pleasantly warm
after such an awful cold.

Social mobility

Even those with social mobility
don't move side to side; 
instead, they go up 
and to the right, 
where instincts 
and social pressures 
guide them.

Conversation

It’s about when you trade the responsibility to talk, and the tone with which you finish your turn.

For example, if I ask a very intelligent question and end with a very clear and resolute tone shift up, versus asking a convoluted question and trailing off without any clear indication that it’s the other person’s turn to talk.

Dream

I dream about these things 
I would never do in real life,
but they help me to think 
about what would happen 
if I did.

Almost done

There’s a point where you need to let a work rest so that you can come back later and read it anew; I always end up drinking and going out and partying to distract myself from it, then a month later I’m a new person and can read it again and bring it to a more objective popularity.

Feel

The verb “feel” has two meanings. In one way, it describes one of the five senses—the sensation of touch—alongside the other sensory verbs: see, hear, taste, and smell.

In another, it is emotion—which has everything, and nothing, to do with the five senses, touch especially.

Leave it

You really have to learn
to leave it alone
when it's time
and to keep going
even when you don't want to.

 

Lights

I look up on
a wall of windows
and wonder about
the lights on
and the lights that aren't

 

Rap

Why is rap only ever about the struggle, the come up, and success—the same story over and over, then they run out of things to say.

Wolves

I dreamt that we as humans were fighting wolves. The wolves were winning and the humans moved to a gated community in the middle of a big field.

Category

No artist is necessarily “good” by definition, they’re just in a category, and every category has an audience—some are big, some are small. Nietzsche wasn’t necessarily good, he was just in this category of pedantic intellect that has a mysterious quality to it where nobody is sure whether he’s brilliant or insane. Same with Hemingway he’s just in a category of having such simple sentences that people aren’t sure whether he’s a revolutionary writer or just never figured out how to write complex sentences. Or, all self-help, most of it’s not any good but people love to read about how to improve themselves so it’s popular. It’s all about just producing and marketing, there’s an audience for everything. Even Lewis Carroll’s nonsense has an audience, and so do notebooks with blank pages.

Heeby jeeby

I was a little up and out of it and insane at the time. So when I look back it seems a little heeby jeeby, gives me the creeps and make me wonder what will people think.

Gun

It was dark in the alley, he had the gun low pointed at my chest. He wasn’t even holding it right, kind of side ways and scared. I put both hands over his, holding the gun and raised the barrel and pressed it to my forehead.

Click.

Click. Click. Click.

He pulled the trigger once, to my surprise. I didn’t think he would. Then he pulled it three more times. Thank god I pressed the safety button when I put my hands on his.

Generations

There are some things we can only learn for ourselves; mental things that can’t be written down, recorded, even passed from parent to child; things that we lose between generations.

Run

Running up a hill, nearing muscle failure, fight or flight makes sense: whether, based on your body, your energy expended before muscle failure will result in a won fight or an escaped flight, makes the choice. If both result in death, I suppose you choose the best odds.

With you

When I am here with you, especially one person, even more so my love, I am here with you fully. When I am not with you, even when I sit with you physically, I am in another world.

Hike

How many deaths have been caused by a surreal misunderstanding of reality? The mountains pinch away into one point as I hallucinate. 

These woods give me energy to write. I feel my mind overwhelmed, begin to worry, then redirect my thoughts to writing. As my friends capture the moments in photos, I capture them in words. 

The energy of nature fills me and I empty it back out. It fills me to the brim and I spill over. I give the energy back. After all, I am a vessel. 

Let myself teem with it. My body is weak for the strength of my soul. 

The mountains clearing up. Nah, just rolling in a new face. Like the mountains change cloud cover, I change my guise.

Spending time

I am not yet good enough at maximizing the time I do have in the present to start worrying about how I will spend my time in the future.

Fork

I try not to worry too much 
about choosing a road 
and instead focus 
on the fork itself, 
so that I find myself 
all of a sudden 
at another fork 
and so start 
to focus on this fork 
just the same as the last.

Feel

Sometimes when I am writing a message to a friend I can’t decide whether to say “I think” or “I feel.” Almost always I choose “I feel.” Just seems that my friends understand me better when I say it that way.

Memory

Meditating in yoga my memory cuts through the shallow recent into the deeper past. When I deny my mind its easy present bias, still it wants something to hold, and is not satisfied with just a simple focus on the breath.

So it reaches deeper and wider, dodging the defenses that protect my meditation and pulling memories from my childhood which I didn’t even know I still had, memories which are much more poignant and effective at breaking my concentration and occupying my thought.

Orthodoxy

You can create your own orthodoxy. Look and say these are the facts of the thing and from such one-time facts follow these all-time principles. Only a half-man is forced to follow the orthodoxy of tradition; he has not spent enough time paying attention himself. If he had, he would have realized that all the facts are contained in one moment of space and time, one consciousness—His own.

Old man

On the way home,
I walk on the sidewalk
behind an old man
and go at his pace
to see what it'll be like.

Sculptor

He said it was necessary that he became like them before he could sculpt the world. A sculptor can only create the object with a great amount of personal skill and time alone. But the object always has a subject. And he cannot possibly know what it looks like without subjecting himself to the subject which he must remember when creating the object alone.

He gets into it and soaks it up, then goes away to render it in his art form. Before he must come back again to get more. He must be alone and away from it all to create, but only after being deeply with and part of everything.

Natural drugs

It’s the trippiest thing, after a lethargic Saturday, I wake up on a Sunday, and fight to return, not artificially with coffee, but naturally by sitting up straight in the early morning and enduring to do my work, for two hours; my back hurts and I am not enjoying myself, then all of a sudden at 9:45am, the whole world returns to me, and the art flows through me, so that I can write again, and the edges of everything that were blurry are sharp again.

Solitude

Only in solitude can one encounter the clarity of oneself, and it is this richness which one has to offer the community.

Yogi

A yogi says: your inhale invites the fight-or-flight response, and your exhale is the calming mechanism. When you start to think, blow air out of your mouth.

Alone

Whenever I get away from it all and spend time alone and just be quiet and content, I feel like a little kid gotten into something I should not’ve. Even alone, I feel like they can see it in my eyes and smell it on my breath when I return.

Someone else

I wonder about what keeps me from waking up tomorrow and becoming someone completely different: moving to the other side of the world and changing my name.

Loner

The key to being alone is to be like a homebody; just as a homebody prefers their own abode to anywhere else in the world, so too does a loner prefer his own body and mind to most others most the time.

Leper

Any man alone, even a socialite, looks like a leper, without a partner, to invoke his social qualities.

Bad writing

I must take my hyper-self-awareness, and turn it on others; if I’m ever to write, anything other, than loves stories, to myself.

The Artist

Her artistic life, she can only live one day a week; and spends the other six days getting ready for it.

Safety

Ever since 11th street, I’m more conscious of the vulnerability of the back of my head, and always want to be looking around to make sure somebody doesn’t come up with a shovel or a wrench.

Swim

It all wells up and gets me so anxious, when I’ve not flown a kite or been with friends at the surface and resisted my conditioning long enough to swim deep mentally and grab at something new and original.

Glass door

I have a plant, that sets on my bookshelf, in my apartment. I believe, whether it is true or not, that it makes me healthier: to have some nature, inside my industrial apartment. Only that, some mornings, when I leave for work, I forget to open the blinds for my plant to get light. And some nights when I get home, I’m so tired, that I forget to water it. So that, the plant may be healthy for me, inside my apartment; but my apartment, is not healthy for the plant.

One day, I opened the glass door to my balcony, and set the plant outside, to get sun all day and water from the rain. I planned to bring it back inside the next morning, but have now left it outside on the balcony for several weeks. I can still see it through the glass door. And so receive any health benefits from “seeing” plant life, but cannot smell it, nor receive its oxygen from my carbon dioxide.

That glass door—between the inside of my industrial apartment and the outside of sun and rain—is a line in the sand, and the human species is drawing near to a point where we must decide which side we’re on.

So

I'm really starting to believe in it,
and have so much anxiety about losing it.

Cut

A couple of years ago I made an incision but couldn’t cut all the way through and so left just a perforated line; today, I cut all the way through.

Horizontal

Up and out of it all,
through a vertical,
to grab onto something original
and then endure a great anxiety
to pull it back down
and spread it out,
horizontally,
where it can be shared.

Tourist

I get up and out of it,
focus on something else,
live another life; 
then return
like a tourist 
and find it anew
—to read 
a different writer,
my past self.

Anxiety

I drink coffee in the morning and write poetry and get so worked up and anxious and have a panic attack and think of so much at once that I’m thinking of nothing at all just feeling a great worry and so think to myself about my artist friend who after a day of creating has real men in her real bed and so think to myself: I just need to fisticuff tonight and I’ll feel better.

Neo-religion

This spiritual revolution has already happened in some sense—it is the religious revolution that began with caveman animal spirit drawings, mythology and monotheistic Judeo-Christian religions. The religious revolution demonstrates the great extents to which humans will strive in the physical world for spiritual utility. Only this revolution was based on faith and ended with the beginning of reason. The new spiritual revolution will be based on reason and science, at least to its bounds; bounds, for which reason and science will themselves argue.

Spiritual singularity

This certain point in history, when we realized our scientific success was linked to an increase in our quality of life, and so we were ordered biologically to pursue scientific success that satisfied our animal selves. There is another certain point I expect in the future when our spiritual success will be linked to an increase in our quality of life—then will begin the spiritual revolution. However, the question remains: wether our quality of life will continue to be based in our animal selves, or if it will rise up into a higher spiritual tier of needs at the peak of Maslow’s hierarchy—such a tier is likely to be up and outside our physical world and bodies.

Spiritual revolution

In the same way that man has made great scientific strides in the past few centuries to understand the order and cause and effect of the physical world, I can imagine another period of great spiritual strides in the next few centuries to understand the order and cause and effect of the spiritual world. I only wonder wether order and cause and effect are the correct nouns to describe the functioning of the spiritual world, or if there are other nouns I don’t know yet—being a product of the scientific revolution, myself.

Consciousness

You look out at the space in front of your eyes and wonder if it’s real and three-dimensional, or if it’s all just a two-dimensional painting right on top of your eyeballs, or if your eyeballs and the rest of your body are just a projection of your brain, or if your brain itself is just a projection—so that it’s all just the manifestation of a consciousness that’s really not physical at all.

Child energy

I feel like a little kid again who doesn’t want to go to bed and wakes up early in the morning with so much energy.

Change

I grow up and move around and change too fast to make consistently accurate observations about myself.

Market

No it’s not popular, but must it be, in order for you to like it? Must you be marketed to? Do you have any values and powers of evaluating on your own?

A long nap

On Saturday, usually; sometimes on Sunday—my exhaustion catches up to me, so that after I make my breakfast, but before I’ve had my coffee, when I’ve read a few pages, I’ll lay down to rest, and then not wake up until it’s dark out. I think about, if I didn’t let it catch up, and just cumulated exhaustion until I died a long nap.

Lost my mind

I really lost my mind today, and so lay up at night, not hungry or tired, but perfectly comfortable; I know I’ll be fine in the morning.

Amoral art

A solid philosophical belief in amorality is very helpful for an artist, because you never again have to take anyone seriously who says, “you are wrong,” and means anything by it other than: “I don’t like your art.”

Breath

A softer, slower and longer breathing, moving in and out of your lungs at the same pace it moves in the open air. An opening and allowing in, and a sighing and allowing out. This kind of breath has less noise and movement—less to hear and feel, and so better for meditation.

Thirsty

I know I'm no longer thirsty
When I've forgotten my cup
And picked it up by accident
To find there is still some water left

Enlightenment

The Enlightenment advocated reason as a primary value of society; only that reason is an unstable foundation for society, if it reduces to uncertainties, especially in ethics.

Pigeons

In San Francisco,
the homeless people 
are like pigeons, 
eating out of the garbage 
and shitting everywhere.

Words

I like to let each word do heavy lifting in a short sentence; meaning a whole lot, all alone. There are certain common words that have so much meaning, so that when you toss them in with each other they cannibalize their neighbors. One word all alone on a blank page, like one barracuda in a big fish tank.

Healthy

There are laws for a healthy life; and there is truth. And they are not necessarily the same thing—is this the absurdist claim? That we are coming of age and out of our former animal selves. There is a way to be, even in the modern world, to satisfy our age-old instincts; and then there are higher values up and out of and, sometimes, directly counter to our animality. So which do we pursue?

Living and dying

Living and dying are the ground standing up and the sky falling down. Living and dying are the same thing; sometimes one shows its face more than the other. Sometimes you feel light and sometimes you feel heavy.

Morality

Instinct is the moral code born in us; survival is its supreme value. As society became essential for survival, a new moral code of social law sometimes superseded instinct. And now there is reason and it’s supreme value is truth—only a certain absurdism comes from there being nothing certainly truthful about morality.

Choose

Maybe you don’t have to choose; maybe you just take it as is determined and find beauty and joy and gratitude in it and always chase after more and take in more.

Maslowian chain

Coming out of the top of the Maslowian pyramid we start to wonder if there is another pyramid flipped upside down and stacked on top of the first to make both pyramids like an hourglass figure—and there is a chain of hourglasses, that connects back to itself in a full circle.

Spatiotemporal

I have met a hundred men who have said they could do it, if in an instant; only they forget that the length is the humanity. And so too spatially. It is the time and space which is ours. So to say such and such if only in a moment, or in a molecule—is not human. It is a non-phrase. The language itself is spatiotemporal.

Body need and soul satisfied

I am lucky that my soul is subjected to needs that my body can satisfy; but then I wonder if my body just satisfies the needs that it can, and these are those which my soul accepts as its own.

Choice

Everything is a choice. Sitting still is a choice. Not choosing is a choice. It is the nature of a spatial choosing thing that, in time, it is always choosing—every second affecting matter somehow. What we do affects what is—ourselves and everything else.

Choosing is what we call action by a thing with will. For everything else it is just acting. And everything is always acting.

Capitalist collectivism

Capitalists claim individualism when the economic heights we’ve reached were and will continue to be necessarily collectivist. Any one wealthy man owning companies and interest-bearing investments: he has many of the working class to thank.

Utility monster

Markets are motivated by human utility monsters; the rest suffer myriad negative externalities. All of economics will change when the supreme value is no longer man’s utility.

Her

There once was only I and everything else. Now there is only me and Her; she is everything else.

Ourselves

Diverse striver, lone wolf, critical counterculturist, new traditionalist, engaged idealist—these we call ourselves.

Writing feelings

When I write, I am not thinking of rules of grammar and definitions; I am thinking only of how certain sounds put together and spoke aloud or read silently, of how they make you feel. I think only of the former rules insofar as the latter reader feels about them.

Literary nonsense

It is precisely all the sense wound up in language that empowers literary non-sense. Like all the memory and meaning of life is contrasted by the instantaneous chaos and confusion of death. And, like all the science of the real world is just so slightly undone in a piece of art.

Moments

I chase every minute after these moments that I only get once or twice a month; they always make it worth it.

Together

There came a point when we began to be together in this. Together, is a part of who we are as individuals. If we wish to maintain these heights, we cannot go back.

Catholic suffering

Where the catholic suffering doctrine turns back on itself: a true catholic should follow for love of god and not fear of hell, but assuming there is a small population motivated by the latter; why would a benevolent god allow for a hell? And if the cause of hell is to fall into certain vices on earth which are actually the fruits of human life, why would we not claim our heaven now and suffer eternally, as opposed to the catholics who suffer now to live joyously forever—other than, of course, a utilitarian logic like Pascal’s wager. Why would I not disobey a god who gives me an ultimatum, just like a catholic martyr who disobeys a king who threatens who threatens him with death if he does not adopt the state religion. Is not an atheist a saint by the same definition? Choosing the long death of hell, in exchange for a humanist life on earth.

Mental illness

Some cases of mental illness are such that, in regards to some part of his conditioning, the invalid has forgotten how to be human.

Human art

Is not art necessarily a human thing end-to-end, a word we created to describe things that only we perceive, if esse est percipi.

Potential

I see so much potential everywhere, like everything could just burst out of itself and explode all at once; you wouldn’t be able to tell a lady bug from a pinto bean.

Curious child

Just like my child body, my child mind used to run all over as fast as it could in and out of smaller spaces and up and down big spaces; now my older mind, like my older body, conserves its energy—sitting on the shore with binoculars watching ships, waiting for one with treasure and worth the swim before I neatly undress and efficiently swim out. Only some ships keep their treasure beneath the deck, and those are the ships I boarded when I was young. Creativity is surreal. When I was younger, I created, because nothing was too surreal to inhibit my chasing after it. Now, I conserve my energy and err toward real pursuits.

Free train

Are you really free? Do you remember boarding this train? Did you choose it?

Does it not bother you a little that your political views align exactly with where you come from? And that your natural abilities are from your parents?

Does it not make you a little dubious as to who invented you? Don’t you want to invent yourself? Or are you fine to merely board the train and watch the pretty views out the window?

For me, I want to build the train, the track, and the whole planet it’s tracked on.

Balance between east and west

Something between the Randian obsession with american industrialists and Hessian obsession with eastern ascetics; Hesse was closer to the balance of the two, but Hesse focused more on a philosophical exactitude rather than an economic.

Pinched

I like to keep a job so I stay pinched in a world of angles and boundaries and numbers; if I’m an artist all day I float away.

Little space

I carved out a little space for myself, for my thoughts reflected inward; and that little space turned out to be the densest little cannibal that sucked in the whole universe.

Original

A grasp of originality comes from knowing what’s already been said; for many, there is still a great deal that is very original.

Auto type

I see in words. When I look out at a scene a typewriter plays across the middle describing it. I have thought so much about how can I put this into English? Now it happens automatically.

Needing nothing

I wake up with my best friend and make breakfast. We party all day in the forest. In the morning it is clear and sunny and at night it is dark and foggy. We eat. We are tired. On our way home, I think I am needing nothing. When my best friend leaves I set on the edge of my bed and wonder what to do. I am tired but not sleepy. I look at some things. I read a little. I live a whole lifetime in a day. Accidentally, I fall asleep. I wake new and with refreshed needs. I get out of bed curious about my new life and the change of scenery.

Pupils

After a purifying experience the darks of my pupils are black and clear and reflective.

Lightshow

Close your eyes and stay awake long enough to see the lightshow on the back of your own eyelids.

Coffee

The reason the coffee affects me so is that I treat it so damn serious: I feel the surge and look inside and multiply the effect.

Permanence

I feel a need for permanence. As much as I enjoy a present moment, still I want it to be notated or remembered.

Two unnamed artists

In between two unnamed artists in the backseat, “unknown artist” reads on the radio, up and coming they say we are, right here we are, a writer and a musician.

Bassi

All around the Christmas trees were pine cones the size of both my fists put together. We trekked on a trail that was grassed underneath and wooded on either side. We stepped out of the trail into an open clearing. It looked like a giant had stamped through here and crushed redwoods underneath his toes and picked up tall trees like twigs and thrown them aside. With all the debris the trail was less defined except where regular sized human toes had pressed down the giant crushed redwood splinters. Following this we found the trail. This trail was more eclectic underneath and not all the woods on either side were still standing. Some were fallen.

The same sureness

For a while when I was young in the time between after I gained my intellect and before now, I was depressed. Because I learned enough to believe that truth was important. But began to doubt the truths I had from before.

See, before I was just a physical young boy and went with my instincts. As I learned, sometimes a thought overwhelmed my instinct. The only trouble was that there were so many thoughts, all of which did not agree with each other. At least my instincts were consistent.

So before I learned, I was happy. And after, I was troubled. But now, I have found consistency in some thoughts, like love and balance, and I am happy again. So that now I feel the same sureness of my boyhood.

Stimulants and depressants

I naturally feel like I’ve had stimulants and depressants at the same time and my baseline swells, like my undulations normally strung along in time have been crunched down into one tick at the origin of the x-axis and my emotion goes infinitely up and infinitely down the y-axis.

Float

I’m living this weird romantic lifestyle where I’m so well cared for that I float away from my body and its needs. Comfortably within the system carried along by my genes and upbringing—this is how I float up and away from myself.

 

Characters

I spent time avoiding my art and living other lives; but I do not regret it because I got to know my characters.

Fill up

I run around and see and shout and hear myself and find people and smile at them and breathe in to fill up with it all.

Chameleon

I am obsessed with living other people’s lives, not playing pretend and dressing up, but actually taking on their abilities and emotions.

Puzzle

Writers are puzzle-put-togetherers. We experience the world through the lens of a language. We hear a word and see its descriptee. I say a word to find out what it means to you. A child sifting through puzzle pieces. I lose some under the couch. And find ones in the rug. And friends bring over new ones. Each piece gets bigger and more colorful. For example my pieces for ‘love’ and ‘energy’ swell and blossom. More than half the pieces are still missing. On top the coffee table is a pile of pieces and a few islands of connected pieces; one is the biggest and forms a corner but still jagged at its hypotenuse. I’m starting to think there are not enough pieces in the pile to complete the puzzle. I might go back to the store and ask for a complete set. Or just cut them myself. A friend comes over and I show her the puzzle. She says “i like this corner.” And pulls out a piece from her pocket and adds to the jagged hypotenuse. “Do you mind?” “Not at all.” I started to reconsider cutting pieces myself.

Forest drive

We travel through forests more quickly, forty-four miles per hour to be exact, in Steven’s jeep on a neatly paved road that winds. Listening to a song by The Stray Birds called I Dream in Blue.

I like to ride along. Getting somewhere, and also watching at the windows like a film with only tree characters. The wind comes in and we blow it back out the open windows. Not the first little chipmunk runs across the road. I hope the road never ends.

Modern life

The greatest problem is to see how much we can consume without getting sick. And that is not just food but also art and books and knowledge. They say an immortal man has already been born.

Built for war

There were not any good wars for me to go off and join, the greatest problem I’ve ever had is that everything’s been solved already.

Yogi

There is a point in your life when you must slow down. You cannot keep going going going. There is enough to go around. There is enough for everything.

Run

He ran all over the city to find it, then couldn’t run fast enough home once he had gotten it. The kind of thing he had been running after all over the world for some time. In his head he couldn’t quite tell if it was the right one, but he wouldn’t know for sure until he got it down on paper.

He was running with Peter and he said to him, “Pete, I need you to remember a sentence.”

“O-kay.” Peter said with a breath in between.

“Ready?”

“Yes.”

“Amid uncertainty … “

Pete repeated it back to him.

“That’s right.”

“I like it.”

Max liked it too. It sounded good out loud.

“Amid uncertainty, rather than say I am nothing, I would like to say that I am everything. but perhaps that is just the God in me.”

Max ran until he couldn’t, and then he ran more. He had to get back to his desk to write down that sentence. He wasn’t sure if it was quite right. But then again he wasn’t even sure if it was the sort of thing that could be right, or if it even was the type of thing that could be said. Or, if it was the type of thing that someone just holds within them, that drives them forward. It could fill up the world, refusing ephemeral words, but embracing with all joy the cycle of life that never ends.

Pinched

To be creative and write a good story I have to be “pinched”—in between uncomfortable enough to be inspired and motivated and comfortable enough to be physically able to write.

Believe

If there are two stories and I can’t prove either one I might as well believe the better story.

Pronouns

Don’t be distant from my “I.” It is only the slice of god closest to my own eyes and ears.

I, you and the other pronouns are just parts of a whole that exist in a place where the word “part” doesn’t make any sense.

Bored

I know we have all these natural mechanisms for motivation and I tried to order them and reward myself but once I see it all out in front of me I just get bored; the only good stuff is brand new but of course that’s ephemeral so I go on creating.

Do other animals dream?

Everything is so serious and vital in my dreams from the war stories I read at night, and then I wake up to my safe slow 9-5 sales job. Someone once told me that of all animals, humans are the best at adapting to a wide range of circumstances.

A dream about escaping

And then all of a sudden it became an urgent situation and my brother and I climbed the stairs to higher and higher floors to get away from a man who was trying to kill us until this man fell into a classroom of glass and when I went down to finish him off I saw his spine was severed at the neck and this is how I knew it was a recurring dream because there was a perfume vial capping the top of his exposed spine and I remembered and that’s when my brother and I crept and tiptoed down the building with so many floors where everyone was looking for us but the young kids were on our side so when they saw us creeping down they just shook their heads and smiled and acted like they hadn’t seen us so that the adults wouldn’t find out until we got to the basement and my brother had to pack his stuff to leave and that’s when she found us and really started to yell and we were in trouble and my brother handed me the shotgun and I ran ahead and now here I was sitting in the car with the gun’s neck resting on the open window and the two golden-butted shells behind two silver hammers and my heart beating like a tribal drum wondering what the hell was taking my brother so long.

Double barrel shotgun

When you hold a gun for the first time with the intention to shoot it at someone, and your heart really starts to beat like a big tribal drum in your chest and your ears only work on the inside to reverberate the drum bangs echoing off the insides of your giant hot hollow torso, and I could simultaneously imagine what it would be like to be shot in the stomach and have that giant hot mess spill out; I was holding a double long barrel shotgun cracked in half at its waist looking at the gold pristine butts of two shells peeking out of the inside ends of each barrel. I snapped the gun straight hiding the golden butt shells in front of both silver hammers. I pulled back the hammers and put my finger on the double action trigger and waited for my brother to get out of there.

Go-between

I live this weird go-between life in the middle of sane and insane, artistic and scientific, alive and dead, in between all these things.

Walk

Sometimes I just walk; it’s easier to pick a direction than a word.

Eyelid notes

I write things down on little pieces of paper behind my eyelids and then fold them back to store in my brain but I can never find them again most of the time.

Monday

There is a little bit of turbulence as I land from a high flying artistic weekend, sometimes on a Monday morning I crash land into the office. There is the animal that needs to eat, there is the modern American working class man that does his job and behaves himself unless he is drinking, and then there is this young creative god who stretches his arms on the weekends.

Jackhammer

The world is wide and bright to me now, a giant industrial jackhammer machine guns down a highway bridge that no longer fits in the city’s plans, and I want to jump or run up some stairs; I’d really like to find a jungle gym.

Surviving

I like it when I ask someone how they’re doing and they say they’re surviving. Sometimes I’d like to respond, “You’re such an animal, man.” I think they’d like that.

Secrets

There are things that persons in power could say that would greatly upset everyone else in society.

Like if a critic said that he only writes good reviews for the books and movies that are already popular and he writes bad reviews for the ones he’s already found out that nobody likes anyhow, or if a politician said that the elections are really decided by the people already in power and all the vote tallying is for show, or if a drug company finally released the cure for cancer because it was no longer profitable to keep it a secret, or if a banker said that he really truly believes the financial system is not fair and unequally favors the rich over the poor but he keeps on with his job because he has a wife and family and four homes and two boats and he’s got to keep making just as much money each year to pay all his bills so he pushes out of his mind that he plays a role in the unfair system.

The stability of society depends on persons in power not saying these things. For the most part these seem unlikely to be true, but sometimes I wonder whether it is that they are not true or if the persons in power are just very good at keeping secrets—and even from each other, for surely a banker’s mother has died of cancer and a movie critic has voted in an election.

Cog

I met this guy named Tommy. He said, “Let me guess, you’re from the midwest.” And later in the conversation he said, “Also, are you in sales?” This made me quite smug. It lets me know I’m playing my role well.

Body mind spirit

The mind is half spirit and half body; the spirit was invented when the mind began to grasp things other than the physical.

Don’t worry

Don’t worry about it if you don’t need to; don’t worry about anything if you don’t need anything.

Bird

I looked at a bird and her two eyes and thought we are not so different.

Writing

I tried to write a novel and it didn’t work out so I let flow more naturally the style you’re reading now. I started writing on my phone in the streets. Something tells me this requires less talent, but maybe talent was only a selfish aim.

Fashion

I wear what I think I should. Fashion is skewed largely towards form in a world of environments so regulated as to have less need for clothes for their original purpose.

Title

I thought I’d remove the titles of each poem before I published this, but when I did the poems weren’t the same, especially the ones that are only one sentence. Which made me think there is something important about a title, like when you decide to read a book you make a judgment about its content based in large part on its title, along with some other content on the front and back covers. You have an expectation about what the book will contain like a sign above a doorway that says “welcome home” or “please take off your shoes.” And so I decided to leave the titles because it makes for a dynamic micro-experience of each poem, splitting the reader into two of herself, one who reads the title and sets an expectation in her mind and the other who reads the poem and wrestles with her former self if it is not what she expected or feels smug consonance with her former self. And so i decided to leave the titles.

Nike commercial

It’s one of those things where you know you know it but you can’t quite remember; and it’s a funny thing because thoughts like this are those on which we seem to base our decisions more often than the conscious and thought-out thoughts. I suppose that’s why I still curse and throw things sometimes, as I can’t quite remember the time that I decided this was not a thing I should be doing. Something else takes over and I just do it.

Fashion

I wear what I think I should. Fashion is skewed largely towards form in a world of environments so regulated as to have less need for clothes for their original purpose.

Poem titles

I thought I’d remove the titles of each poem before I published this, but when I did the poems weren’t the same, especially the ones that are only one sentence. Which made me think there is something important about a title, like when you decide to read a book you make a judgment about its contents based in large part on its title, along with some other content on the front and back covers. You have an expectation about what the book will contain like a sign above a doorway that says “welcome home” or “please take off your shoes.” And so I decided to leave the titles because it makes for a dynamic micro-experience of each poem, splitting the reader into two of herself, one who reads the title and sets an expectation in her mind and the other who reads the poem and wrestles with her former self if it is not what she expected or feels smug consonance with her former self. And so I decided to leave the titles.

Thoughts like this

It’s one of those things where you know you know it but you can’t quite remember; and it’s a funny thing because thoughts like this are those on which we seem to base our decisions more often than the conscious and thought-out thoughts.

I suppose that’s why I still curse and throw things sometimes, as I can’t quite remember the time that I decided this was not a thing I should be doing. Something else takes over and I just do it before I can even think.

Pampered artist

I am consistently and thoroughly cared for, how was I supposed to create art when my only dissatisfaction was a lack thereof. The challenge of a pampered artist is to find suffering.

A little game

Sometimes I play a game where I try to live everyone else’s life at once; I try to simultaneously be all persons from all times and places and feel all their joys at the same time as all their sorrows, sometimes I cry and smile at the same time.

Dreams

Dreams are this weirdly objective part of our minds, where we just be without fear of judgment, I think a lot of art happens in our dreams, this is a daydream journal.

Higher

I feel just caught in the cycle of life, unless I’m creating or loving—these two things are higher.

Energy

When I say energy I mean the things we can’t describe, I mean the parts of the physical world that we can’t explain yet but still experience, I mean the emotions that are fossils of our million year old conditioning, fossils with whose origins time has put us out of touch; when I say energy I mean the things we feel but don’t understand.

The spiritual is just what is currently beyond us but not necessarily so, maybe the spiritual is the corners of the physical world we haven’t found yet, maybe religion is just what we can’t describe; I’m not sure about religion, really, but I’m sure about what I feel for my fellow human beings, and caveman conditioning or not, I feel it.

Twisted

I try not to think about my instincts too much, otherwise I tend to pervert my conditioned frameworks.

Godlike

Those of us born into this modern generation without firsthand experience of our animal past sometimes take for granted how close we have now come to living like gods.

Amoral conundrum

I feel there is a right way to live but I think there’s not; it’s hard to live if there isn’t, so this is one of those cases where I trick myself into thinking what I feel.

The right way to live

A new friend told me that she just wants to have the highest quality of life possible, and she uses her biological remnants as her guide. Which reminded me of something my philosophy professor once said: you should be guided by appearances for practical purposes; all you’re refraining from is making truth claims about those appearances.

The common principle being a dichotomy between what actually is and that according to which we do in fact live (which may or may not be). It seems what is and what we live by are not necessarily the same, but there is also no obvious reason why that should be cause for distress.

It is hard to live without an idea of the “right” way to live, because otherwise how are we to make decisions? But need there actually be a truly right way to live? Or is just a conception of the right way enough? Especially if our realities are created by our own minds. Doesn’t our conception of the right way become a self-fulfilling prophecy.

But there’s also a back-up plan: art. In the absence of meaning and morality we have art; for me in some sense, everything is art—it’s just what is.

Second derivative experience

Sometimes it seems like I’m not paying attention, but this is because in addition to experiencing I am also focused on being conscious—experiencing the experience.

Rich diagonals

People live in their verticals, without learning to move side to side, and thus closed off from the richness of the diagonals.

Gluttony

I once heard a modern American say as we passed a restaurant: I wish I were hungry.

Create

I do not create well when I am thinking too much; because it is then that I make so mental what is also physical and spiritual.

Words

Words each have their meaning all on their own, so much so that a sentence all out of order which most people would say doesn’t make sense still makes sense in some way, just maybe not in a way you’ve thought of before.

Samely, each letter has a meaning, especially its sound. And so I could create a word that does not exist in the English language, and you would say that is not a word. But already you are associating it with words that sound like it and have letters in common. And further, when I start to use it consistently in the same particular contexts then you would build up a memory of that word and you would understand the situations in which I was using it and so you could even start using that word.

It is because this is my theory of language that I have included so much nonsense in this book. because there are unusual corners and undiscovered lands of our language which represent parts of you mind that you didn’t know existed. This book seeks to guide you into those new parts of your own mind.

Justice dice

Do I think what I should, or do I think what I’m caused to? If the latter, and if in order to do, I must think, then should you jail me? Or do you just jail who you’re caused to? And so justice is a game of dice. Who am I to thank for my good roll?

Emotion or nah

Sometimes I feel emotion and feel a tear but then I think it is just my conditioning and chemicals and then my mind blankets my heart and drys my eyes—I don’t know which is better, to be awash in it or to think past it, but of course “better” is the wrong word.

Part of One

Building frameworks to understand my Divine self, to understand the part of One of my self, to understand everything.

You try to see your one self but there are many, you are a composite, and at the same time there is a larger One composite, of which you are one part.

Human art

Human art is pseudo creation. I, as a writer, did not invent language. And you, as a painter, did not invent color. The humanist will say, look, we invented these words and assigned sounds to concept; language is ours. And look, we made these paints and designed shapes; color is ours.

But no human is responsible for the material world nor for his own ability to mold and craft it. We do not create so much as we rearrange what has already been created.

And how fortunate are we in a position of capability and power in such a time and place to be able to make art. I do not mean to belittle art, I still think it is the most important thing we have. I mean only to say: let it flow through you, rather than try and grasp and wield all of it at once, all by yourself.

Routine

In a new time and place and still how quickly things become old and routine so that your mind need only travel familiar pathways.

Adulthood

You become an adult and things get edges and contracts are binding and your identity gets tighter as your history cannibalizes your future and there’s less room to stretch out and breathe deep, but of course that is only looking at it one way, for in another way there are depths in the tightness and passion in the exactitude, and an adult can still be a child whenever he wishes, the only difference is that now he has become his own parent, and his adult self cares for the safety and hunger of his child self, he is grown up and powerful to play his role in society, but also young and curious to step into a forest on the weekend and hug a tree as if it were all for the first time. Child is not only for youth and adult is not only for grown up, they are both within me always.

Home

I am more and more comfortable in each of many places, more a dweller of the earth rather than just of my hometown, more restful to sleep in a new place, less anxious to travel far away, more understanding of people different from myself and places different from where I was raised, there is a feeling of comfort and safety in one’s own home, the lack of which is what we call home sickness.

I am less homesick nowadays for my home is bigger. I imagine I might be homesick to leave earth, to travel in space or visit another planet, but now I have learned to stretch myself and learn and adapt and even far away from earth I would only be homesick for a little while until I made friends with aliens and learned to walk in less gravity, just like I learned to make friends with different cultures on earth and be healthy in different climates.

And my primal self is more relaxed, less anxious for my safety and food security. In large part this is due to the modern economy and ease of transportation and scale of food supply in America. I am thankful for the opportunity to see and live in so much of such a beautiful world.

Wonder and awe

God please don’t let me lose this newness of vision, please let me see the world like the first time, like I’m traveling to a place I’ve never been before, when my world fills up with possibilities and I see more paths than the routine one. God please don’t let me lose this newness of vision.

Curiosity

How odd would everything seem if we weren’t conditioned for survival. Everything would just be, without all the human-centric judgments that we assign. A plant is green because that’s the way human eyes take in that light on the frequency spectrum. A plant is food because we humans need to eat. A plant, the very word “plant,” is what we decided to call it. But is a plant any of this objectively and apart from us? The world is as we define it; we define it because we need to; we need because we must survive. But what if we didn’t need to survive, then everything would just be. Presumably the world would still be dynamic, but without one change better than any other. And then I think the prime value would be curiosity.

Suicide

I think about dying. When I’m really sleepy, I think maybe it wouldn’t be so bad. But there is still potential for pleasure. Even the pain I don’t mind because I know it is like dark to the light pleasure. It must have its opposite. Which is why it is when I am sleepy that death seems alright. I am not satisfied nor do I seek satisfaction, I am depleted, ready for the dark and quite for a little while. Buddha sought to escape suffering. Where there is craving there is suffering, he said. So he reached nirvana and no longer craved and therefore no longer suffered. I tried this once. When I couldn’t taste. And I walked alone at night. I decided I prefer the craving, and the suffering is not too expensive a price for pleasure. I stay alive because I am hungry, I live for the satiation. On the flatline I do not rise. I rise on the widening amplitudes of my undulations.

Age

How arbitrary the number of days for which we are chosen before lying down forever and rejoining the rest.

Flick and swish

flick of the swish in the faded dark

cultivate the spark, please

please kindle and huddle and burn and stretch out into the absence of you

stretch out little flame

Death poetry

I walked a witch away

dark days they say

not so dark I say

when you don’t know up is which way

death is a dare

say jump and I might

say jumped and I did

Advice

Not all advice is good advice; true advice is good advice; true advice is based upon principles that recur and are proven by historical data.

Up

Up through my body, through my mind, and pushed my soul higher and higher.

Belief adaptation

When you learn something new and then incorporate it into your beliefs/change your opinion instead of just ignoring it or keeping it separate.

Ordinary

I love that when you meet someone new and you really meet them and they become the most interesting person in the world for a few minutes.

Nostalgia

I work up my temporal strength to hold on to a moment; I revel in the feeling of pain or meditate in the heights or even just listen to silence that slows the clock hands.

But as soon as I get hold of one moment the next few pass quickly. And they always pass eventually, even the ones that pass slow. And so inevitably it seems time has gone by all at once.

My father always told me I’d understand things when I’m older. I’m old enough now to understand that even though I hold onto my youth as much as I can, I’ll look back when I’m older and breathe deeply for no matter how slowly I tried to pass the moments, I could not stop them from passing altogether.

Slice of God

Meditation is breathing and watching my thoughts, what is the mind that watches my mind, or is this my soul? Then what watches my soul? Or is my soul my own personal slice of God? Than the composite of which there is nothing higher.

Capitalist morals

We champion only capitalist, and thus monetary, success in post-industrial America. When there are so many amazing humans who have excelled in disciplines that are not so fashionable and appreciated at this time. I wonder if there is an artistic or spiritual revolution coming, when we realize how far we’ve come in the physical world and see that we’ve had enough for centuries now.

Mirror mistake

In the gym today my vision panned in the mirror from one dude’s reflection to another dude’s, and I said to myself that first dude looks lazy and the second dude looks like a douche.

Only the second dude was myself and I didn’t recognize myself until after I’d judged myself.

And the surprise at having judged myself made me think: in a more metaphorical sense, I am also that first dude I judged.

Them and now

I am tempted to be myself and to think of past and future. But I am them, they are I, and everything is present at once.

Holdout

You don’t have to be a “holdout,” because the energy comes from all around you. You do not hold it within; rather, you breathe it in through your mouth and nose and drink in the beauty through your eyes and absorb the sun through your pores, and then exhale and return all the energy back to its source for replenishing.

You, also, are the source. You are responsible for replenishing other’s energy that they breathe out to you. So don’t conserve your energy, because there is an unlimited supply source all around you.

The cure for psychosis

Psychosis is unhealthy in solitude for the psychotic is out of touch with the physical reality where his physical body exists. Psychosis is unhealthy in society for the psychotic is illiterate in the reality that others seem to have agreed upon. If there is objective reality, we are all psychotic, because our subjective worlds as they appear to us are not necessarily the worlds that are. Assuming then, that the average of our many subjectivities trends towards objectivity, each of us cures our unique psychosis by empathy. We come closer to reality through understanding and conversing with others and nature.

I am tree

My legs are roots and my toes are its nodes; my arms are branches and my hands are leaves. The tree draws energy through its roots from the water and nutrients in the soil and through its leaves from the sun in the sky. The tree takes in this energy to turn carbon dioxide into oxygen and give us humans life. I want to be like a tree. Open to the energies that flow through me from below and above, in order to cycle this energy and produce good for the world.

Others

To write characters other than yourself you must get out there and meet them, unless you write a whole world of you—this is a good strategy for your personal journal, but not for a book that will be published.

Multiple personality order

I cannot contain all of God at once. I am spatiotemporal. I can only have part of Him at any one time. But over time more and more of Him can flow through me and I swell to become larger.

On the way to rising up and out of ourselves we take on more than one self. We were always destined to be gods. But there is an intermediary step between man and God. And that step is the many men. We all together comprise the supreme being. To take on two or more of us is to participate in a larger fraction of the supreme being.

Idk

You have to have a feeling that your extraordinary melody is out.

Balance of opposites

In pursuing happiness I seek also its opposite. Like white from black and life from death, happiness is implied by its opposite, was simultaneously born with it, and now codepends with it.

In pursuing satiation I seek also hunger. In wishing for pleasure I wish also for pain. I think we associate happiness with satisfaction of first plane desires on the “good” ends of these balances. The “good” ends are those that our conditioning prefers: satiation, rest, sex.

However my second plane mind tells me of gluttony, sloth and lust. And that there is too much of a good thing, not because I have read so in religious dogma, but because I have personally experienced the extremism of eating constantly without allowing for hunger, rest without intermittent work, and sex without intermittent chastity.

Because the “goods” imply their opposites. True virtue lies in the balance, and a greater virtue comes from extending the heights of the one and the depths of its opposite, to undulate with a wider amplitude. And there is a balance between itself and unbalance in order to allow these amplitudes to increase, to allow for extremism on one end in order to return higher (or deeper) to the other end.

On the first plane I pursue the “good” for which I am conditioned. On the second plane I pursue also the “bad” because it amplifies the “good.” On the third plane, however, I begin to rise up and out of “good” and “bad” and into wonder and awe and gratitude for all experience.

On the first plane I take hot showers. On the second plane I take cold showers to amplify my hot showers. And on the third plane the shower is neither hot nor cold but only water, for which I am thankful.

No escape

There is no escape possible from the physical. Rather, use nature itself to transcend.

Glass half full

Two ways to think about hunger: it’s annoying that I have to eat; or, it’s great that I have the desire to taste again. Two ways to think about sleep: I’m wasting all this time; or, I get to rest

Suicide note

She wanted to kill herself. And so we argued—I for life, and her for whatever is after. She killed herself, and left me this note. And I don’t know if I’ll ever be able to forgive myself, for not being able to argue better for life.

Born for war

I was born for war, not peace; for the higher values of bravery and honor, not smiles and niceties.

Vessel

The energy is not in you; it passes through you: from out there, in and back out. You swell as a temporary vessel, not a permanent container.

Mental to physical

By what powers does my mind move my hand? When I see an object and imagine that I will pick it up, and then do so—my mental self interacts with the physical world. Is it by my nervous system that signals are sent by my brain to sensory parts of my body. If so, what flows through my nerves? Electricity, chemicals, pure energy? Let’s call it energy.

So if this energy is produced in my mind and then sent to my parts of my physical body which are caused by it to move and in turn cause movements and changes in the rest of the physical world, why can this energy not flow from my mind to the outside of my physical body? Why can this energy not travel through my skull and leap between the particles of air around my head and cause effects in the physical world around me? Or is my body a necessary intermediary in the process. In any case, thank God for my body and its connection with my mind.

Onions

They give their own energy to create green sprouts. They are in a bowl, so they shrivel. If they were in the ground, they would pull up energy from the earth and create green sprouts over and over. But they do not have any other energy in the bowl. So they die to create, give of themselves to fill their creation. It is not within us. It comes from the earth, from the universe. We are only a medium, only a prism that just barely changes what passes through us from the world and back to the world—this is art.

Weapons within me

If I compound fractured my leg and then cut my finger on the pointy bone sticking out—wouldn’t that be ironic?

Of it

It is of it that we are, though we needn’t be, for it always was, even before us, anyhow.

Classic bigger

I’m always after bigger, and not just the bigger according to our modern fashions, but a classic bigger.

Instinct and knowledge

On a macro scale, human knowledge of the general populace is passed down via conditioning and natural selection as it becomes instinct, but how many generations are required for common knowledge to become instinct? And how much do we learn individually in just one lifetime on the micro scale?

We advance as individual humans from year to year based on what we learn, just as our species has advanced from generation to generation based on what it has learned collectively.

But great knowledge is not necessarily common and doesn’t get passed down via instinct or even necessarily recorded in the most popular books and other forms of media, so mustn’t an individual who is to advance be ravenous to find all that has been recorded in the past that was not passed on evolutionarily by instinct because it was never common but is only passed on in books, some of which only ever had a few thousand copies printed?

The greats

What appears is not what is, what they say of you is not what you are. The greats, classics—those who win over and over—they are great themselves alone, naked in nature. Their powers and talents don’t go away when they lose their clothing, money, status.

For the first time

It’s the same way that a newborn sees the world for the first time: without all the experience of the world as it is; without so many memories to assure you that this is the way things are.

Green is not just green but it is this phenomenon that my eyes perceive which occupies the exact space of these things that I have since called leaves but which I am now trying to see new as if I have never seen them before. And the whole world seems marvelous and sublime all of a sudden.

The same idea can be applied to emotions and thought and all other parts of our experience. This is one means to creativity: to remove all your assumptions about the world as it is while maintaining your mature artistic powers to recreate it.

Chant

The crowd walked in a tunnel with an echo and at first everyone chanted the same chant that one person had started but then more individuals got creative and started a diversity of chants and the competing songs created a dissonance that killed the chants altogether.

Know

Others say they know me and I want to say to them how is that possible? I don’t even know myself. But maybe you know my outside, and even my inside if the out reflects the in. So what parts of me do I know, and what parts do they know?

Tabula rasa

He was a blank state, only ever what was flowing through him at the time. He didn’t really have much time to think about past and future as he was always so filled up with the present. He was so curious that the greatest good for him was just to experience. Just to live.

A mirror that remembered. He wasn’t so much himself as he was a mirror that remembered. It’s just that he would rather experience someone else, and so he built himself up to attract others; he was handsome because he liked to see beauty, and smart because he liked to hear intelligence.

But when it came time to decide what to show back to them, he was only ever a chameleon, or a mirror that talked like a parrot.

Little mouse steps

When it gets to rain and storm I wonder whether the little mouse, like me, has laid down to breathe in the wet air and meditate on the thunder, or if he continues his work and the rain pitter patter just drowns out his scratching and scurrying. First we are young with first principles that are like little mouse steps.

Rain

I hope it really starts to blow when I am watching, just laying there to pay attention to the rain.

I wrote unconsciously

I wrote unconsciously—in my dreams, drunk, out of breath, exhausted, in love. And then gathered all the unconscious puzzle pieces and sat down with a coffee to put it all together.

Loud and bright

Everything is quite loud and bright to me now, even though everyone else seems to think it is just as usual.

Infinite

Infinite in the sense that it has happened, and therefore always will have, and may even have always been certain to.

I wrote a dream

I dreamed a million dreams and grew much bigger than my bed. I wrote in my dream. I wrote a whole book, a thousand pages. Then I woke up and it was lost. I couldn’t remember when I woke up. I don’t even know if the languages would be the same.

In the nighttime I dream so many dreams that I don’t remember, and think in the morning: how many lifetimes have I lived before this one?

Homeomorphism

Can you imagine homiomorphism? It’s not a word but should be. Wait, in fact, upon waking up and googling it, it is a word. Apparently, two objects are homeomorphic if they can be deformed into each other by a continuous, invertible mapping. Whatever that means. Not what I imagined it to mean in my dream that’s for sure.

Digression

A conscious digression from the structure then contributes its creativity back to amend the structure.

Finger

I am a finger scratching a head—a head that I may or may not be. Then I start to think and I am surely the head.

Murderess

She took her lips off mine and pressed me down beneath the surface of the water. I opened my eyes and could still see her muddled figure. Even her washed form was beautiful, still conveyed to me my memories of her. I laid there, holding my breath, peaceful as long as I was still seeing her above the water. I thought she would soon let me up to kiss her again, but she held me pressed there, and I smiled then, been happy to die by her hands looking at her face. I didn’t resist, and opened my mouth to let the water in—then I woke.

Fly

I watched a fly die today. I heard a buzz as it fell from the window to the sill. Lifeless, then all of a sudden all its legs twitching furiously, then lifeless again.

We

We’re not the same I’m afraid. But then again, I might be more afraid if we were. See, I’m alone. And so are you.

Ego

God died, then ego was supposed to replace him, but instead it followed suit, or rather just stayed dead, or was never born. Ego hasn’t really figured out how to live yet.

Unchartered

We are, all of us, as far as we know, in unchartered waters. That is, this has never happened before. And for that matter, this will never happen again. What a marvelous moment; it is ours!

Bumble bees

What if we were like bumble bees? When we killed our stinger fell off and we died ourselves shortly after the crime. We wouldn’t kill until we were ready to die ourselves.

Why

What if “why” had no purpose other than argumentation with those who still believe in it? What if Dionysus is the true God? But no, surely there is order, and therefore there is “why.” And even without order, there may still be “why.”

English

It visited me all at once and I did not have enough time to learn another art form; I thought it was well suited to be expressed in music but feared it might leave me sooner than I could become musical.

I had not yet mastered English but again for fear it might leave me I began writing, and became a writer, though I just as easily could have become a musician, painter, sculptor, architect, even any of the marketable professions, for what has visited me is universal and above languages, which can only have a different subsection of it above shine down through. For now, I let it shine down through my English.

Modern

Any modern middle class American life is a fantastic display of wealth, relative to the rest of human history. Even some in poverty have more than previous kings.

Empathy

There is no reason I cannot become them or at least see the world through their eyes other than because I do not share their pasts.

For the first time

I feel now as if I’m living for the first time: as if I’m really just starting to listen, actually, and see, actually, and the whole world flows through me.

Milkshake and salad

Like you’ll suck up all the good but put your head down and rush through the bad. But the bad makes the good, so like the last few drops you search for and slowly suck out of the milkshake, do the same with the final leaves in your salad; or like you exhale in your bed at night and focus on the relaxation until sleep, do the same with your work, welcoming and slowly feeling the pain that is soil for pleasure to grow.

Contrast

Spring comes after winter, and how quickly after smelling the spring flowers do I begin to fear allergens, because I have a weak mind for gratitude, owed mostly to my inability to remember the bad amid good, and for the lack of bad in my memory—I flee to the good when it does come, but how quickly then amid the good I begin to think of the bad.

Bug

I feel something crawling on the back of my neck, I think it is a bug. I reach back to pull it off but it is attached to myself, I pull and pull and unravel.

Whitman

People say, that sounds like Whitman. But I have never read that Whitman. So who sounds like who?

One identity

You have the same type of clothes in your closet, the same work on your desk, the same friends. You live one life; you have one mask. That you have one history is not the warrant for this, for your one history is filled with multitudes. You chose a singularity because they told you to.

It is social, I think, that we each choose one identity. So that we might belong. Birds of a feather flock together. In the queue, thankful for comrades, ahead and behind, in order, buffering, letting him know he is in his place. A cog, on the correct gear, in the correct machine, in the correct factory. Because a cog that fits everywhere fits nowhere.

For the same reason I thought to write my books under pseudonyms, I give each idea its own point of view, its one whole identity. An eclectic personality makes people uncomfortable. Because it makes readers uncomfortable that such disparate styles might exist in one mind. At least because they do not know which of their own masks to feign, or for those who have only one, whether or not to smile.

Mask Off

Whereas I might show myself at once to be deeply intimate and successfully empathetic with one’s own experience but at once as I remove that mask and put on another, my partner seeing me switch guises so smoothly might ask how many guises there are. He believes not that I still wear the face similar to his own under my secondary mask, but that there are a third, fourth and many more.

Portfolio of selves

I am, at any one time, “acting” as one of my characters. I am always “the Writer,” the prime mover of my portfolio of selves, the initial cause of behavioral effects. All that remains is whether I myself am “the Writer.” Or if you and I share the same writer; and if, after all, God is our writer. In case She is, we might question our free will, but that is by the by.

The Chameleon

Now the Writer considers if one student was the whole, a studier of everything; across time, a renaissance man, with all these studies within him, but at once more like a chameleon, able to blend in with any field. And would this chameleon not grow large as a dragon, swelling with all of his environment, or does he merely contain the facade of each identity within him, or does he actually become the green frog, the yellow canary, the blue bluebird, or is he always merely the chameleon, not an actual shape-shifter, but only a master of disguise changing his mask?

The chameleon who changes his color with his surroundings, what color is the chameleon if there were no colors, would the chameleon cease to exist? Or would the chameleon take on the color of nothingness? Or would the Chameleon remember his past colors and put one on despite it serving no purpose to blend into a background of nothingness. How pathetic is my attempt at resisting conditioning, if even my resistance itself is a product of conditioning?

Is the Writer the Chameleon, with only guises. Or is he God, with all of it within him?

Masochism

The philosopher, having arrived at a nihilist amorality, thought to do nothing. He lost his taste and thus his hunger. He discovered that freedom is not what he desired. True freedom came from bondage. That is when he realized masochism. It is not so much a love for pain, as love was the farthest thing from his present position. And even pleasure to him was also nonsense. But so absurd the world had become that he only wanted to feel, and even for all his thorough scrubbing, his need to survive still barely remained alive, and awakened when he pressed the knife to his palm, and felt a sting that was neither good or bad, and felt the witness come forth from the sting.

Scrubbed clean

As I traveled and learned and empathized with others completely different from he who was myself, I felt my identity breaking out of the bourgeois and capitalist America in which I was raised. Thinking of all the possibilities of historical worlds and classical ideas and alternative lives other than a high-paying occupation and a happy family.

All the antecedents had been slowly wiggled loose by an amorality and released from my identity, and now there was nothing left.

Finally, I have reached its end, broken it open and everything has rushed out. There is no more. I am scrubbed clean. I am released from myself.

The darkest night

Dark archers defend the dream while light cavalry gallop from underneath the door and through the curtains. From behind eyelash parapets, a sea of arrows blot out the sun. Even a battering ram cannot open the eyelid gates to the outside world. Until the wise light leader calls out, “O’ dark lord, from whence comes the substance of your dreams if not the light?” Alas, the gates open and the real world digests the dream.

Fashion

Surely there are different parts of our nature, so on what morals, other than fashion, does one overwhelm all the others?

Three lives

My childhood I spent finding myself. My youth, losing myself. Now, noone, I will spend the rest of my life finding everyone else.

Potential identities

They all live with one or a few certainties, ignorant, consciously or not, I do not know in most cases, of the many other potentialities, which, together with their certainties, comprise the whole. Are not potentialities, certainties with all the same parts except for reality, and is not reality so dubious a thing that we might say potentialities are, in fact, certainties? And so the certain people live sixteenths of lives, or much smaller fractions, without filling up with all the rest other than their history and conditioning.

Only one identity

That I have a style, that I have a sound, genes and history—bothers me a little, bothers me to have a static identity. It has always annoyed me that each man feigns only one identity; and what’s more, of all the beautiful collisions of condition and environment within him, he chooses the one that just so happens to please his time and place.

I am

Whenever one says, “I am.” I congratulate them for discovering the meaning of existence. But before I can commend them, they start with so many words after the first two: “I am libertarian.” Or, “I am a salesman.” And I want to look at them dubiously and ask, “Are you?”

Fleeting

Fight the fleetingness, but what persists? Even the most principled man, do his habits fade? And the smartest; he eventually forgets. And the strongest; he eventually grows weak.

Apollonian winter

Winter is Apollonian; summer is Dionysian. But this is the opposite of how these Greek gods are traditionally alluded to. The dark night is the old drunk, but isn’t the cold of the dark so precise in ways other than to the human eye?

And cannot light too make us drunk? A blinding white light like an invisible night—both melt into indiscernible orgiastic until the One is achieved. Do omni dark and omni light cause the same effect in man? Or the opposite?

English and music

I write to live and live to write. My experience can be coded, transcribed, recorded, replayed, in many differently languages. I chose English because that is what was arbitrarily taught to me by my time and place, I am trying to teach myself music for the same reason, because I love a story in song.

Time

I make noises. I live so I write. Each day is a song.  It’s tempo and pitch, it can be slowed down and sped up, harmonized or made dissonant. One note, many unison intervals, is not music. Or is it? Is not diversity necessary for music, but too much diversity is too dissonant.

I wake now with the morning birds, only this is a long morning and I have hours to go before I wake, and then I will have miles to go before I sleep, only to again have hours before wake. I do believe I can slow down time. These last few weeks have been very slow. Like if you watch the clock it ticks drudgingly, knowing it is being scrutinized and cannot cut corners.

I watch these days and I feel that I live whole lifetimes before I sleep, and when I watch my breath before I close my eyes, I wonder if I might not be so sad that they not open again, if not for all the joy and wonder I feel when they do, as I am provided with a whole new world and a fresh set of rules to set out to play again, and I am once more an awe and energy child in the morning, a hungry young man before lunch, a man in long and committed love in the afternoon, and elderly in the night, breathing slow, content anytime now to close my eyes and contribute my energy back to the dark, so that it may brighten the light for those who remain behind.

Balance

For me it is the balance, I return from the chaos of travel to the order of home, and it is then I write my most, creativity meets logic.

How

How little you know about how much you and anybody else knows anyhow.

Art and world

The art has to be packaged within the world, the chaos within the order, you must follow the rules to break them.

Writing reality

I am constantly writing in my head. The guy behind me talks to the barista and I am at once hearing them speak through my ears and simultaneously writing the dialogue in English in my mind’s eye. I see the words type out, even the quotation marks, and assign an adverb to how he said it—he “whispered” to the barista. Though it was not, in this reality, so sensual an encounter. If I were trying to write the reality, I would have wrote—he “talked with a patronizing tone” to the barista. And after all, the first is no more fiction than the second, in my opinion.

Writer and artist

The writer and the artist lay together.

She asks him, “What is it like when you create?”

“It is like this.” He kisses her shoulder.

Two bikes

I see two young men ride by on their bikes—they are the same, or at least appear so: combed over hair, sunglasses, and sweaters.

What you know

I sit down to write and I can only write myself: the Writer. I suppose this is because I am only an amateur writer, or maybe because I am selfish, or maybe I am afraid to fail because my empathic abilities are weak.

Peppermint soap

In the shower, like a waterfall, with peppermint soap stinging and smelling like sharp air. In the shower, in the bathroom, in the apartment, on the floor, twenty two floors above the ground—what delivered me here? What delivered us here? So high above the ground.

The artist

The artist tells me that she has to travel to another world anytime she creates, and it makes her sick, like home sickness; when she travels to that other world of genuine creation, she misses the world of custom and past history of proven correlation in which we are accustomed to living. So quickly she rings up a man to have in her bed to feel his real body, or meets her real friends to have real conversation about real things, or to grab handfuls of the real grass and smell the real trees—letting her real body experience the real world that someone else created, vacationing from playing god herself. But this is only the halfway solution for an artist, she tells me.

The greatest pleasure is the combination of the two worlds, instead of fleeing her created world to return to the real world, the inhabitants of the real world come to her created world to live in it for a while and it becomes real for them. Then she transcends from a halfway human to a full god, a world creator. And she delights in her own reality substantiated by those who come to live in it. But of course she cannot live in her own world; she prefers to live in His just as much as they prefer to live in Hers. But she must still create, because she is an artist and could not do anything else.

Dream again

I dreamed like you last night. It was raining, like every drop was a shape or color that gave space and light to the world, like a whole garage sale full of high school band instruments bouncing on the earth’s surface, bleeding rainbow into a topograph.

Dream

For the first time I could not tell dream from reality, but I was aware both were equally possible. Then I took the elevator to a floor that I had entirely created with my mind, and I created a vase of flowers. And I thought then surely this is a dream, but then I thought maybe it is reality. But no, because I remembered I was not an architect or a vase-maker or a flower-grower. Then I created another. And I thought again, surely this is a dream, because I’m not God. Though now thinner is the veil.

Oatmeal

Oatmeal is bang on after a long vacation. Like separation makes the heart grow fonder. Travel makes for new worlds, and brings a freshness to the old one. Travel makes new worlds; it makes the old one new too.

Appearances

You should be guided by appearances for practical purposes; all you’re refraining from is making truth claims about those appearances.

Freedom

Freedom requires an ability to choose. But how to choose without morality? Freedom needs a little bit of slavery.

Empathy

Empathy is selflessly egocentric — yes, this is an oxymoron. Because in reality I think true and genuine empathy is actually a paradox. As much as it is selfless it is also self-centered in the sense that the only faculties you have to understand others are those with which you are endowed yourself.

Identity

It has always annoyed me that each man feigns only one identity; and what’s more, of all the beautiful collisions of condition and environment within him, he chooses the one that just so happens to please his time and place.

Myself

I discover myself in others: find my heart in love, my mind in conversation. I discover myself in nature: my eyes in rainbows, my fingers on tree branches, my ears in morning birds. I discover myself in myself: my thinking mind and my observing mind.

All

I find all of history in one moment; all of knowledge in one idea; all of space in one atom.

World creator

Surely I could, hurdle myself headlong in the direction of fact and exactitude. And for what? To stand on the shoulders of giants, and not stand my full height on my own. And what’s more, at the cost of the time I might spent with the humanities. Leave the understanding to the gods.

Opposite meaning

Sometimes ideas don’t fit clean together. Order preceded by order just is. White preceded by white just is. Order preceded by chaos is peace. White preceded by black is light. When even opposites have meaning together, what doesn’t?

Sound control

Because the sound is there, and words were only sounds in the first place, but why let the first words and their derivatives, be ours, why not take back control of the sound?

Why art

They asked, why do we need art? The artist said, explain to me your emotions, logically. They consulted then said, we can’t. The artist said, that’s why.

Jazz

She says, “I want to feel permanently how jazz sounds.” She understands jazz more than me; I understand her more than anyone else. But of course ‘more’ is a funny word to say about these things.

 

Eclectic

They don’t understand the artistic amorality of an eclectic, I’m not inconsistent or haphazard but aware of the lack of reasons to choose and unwilling to feign an identity that only comes from conditioning. They traded their free will for an identity, even if the only free will to maintain was a certain randomness.

Fiction

The purpose of fiction is to alleviate the pressure of biography from the author in his own time, place, and personhood; but nonetheless to project himself on other characters and plots other than his own life.

Advanced economy

How far removed is our economy from production for our base animal needs of food, water, shelter and safety? Surely we satiated these in the first century after the mid-eighteenth century. Now we have advanced occupations for great and greater improvements in the former, but also for politicking, suing, financing, consulting, counting, keeping track of, news, travel, learning, pleasure, hygiene, and social connection.

Going somewhere

I am keen to be going somewhere, spatially—traveling. Even when I sit, I travel, temporally—this going forward, I enjoy less, but am glad for the motivation it affords me.

Animal

We are born animal, live as humans, and die godlike. If another species rises to the top of the food chain and learns to think, I wish their kind all the humanity we enjoyed ourselves, before they too ascend to the gods with us.

Morning dreams

There are two worlds on either side of the line that divides sleep and wake in those early morning hours when you cannot tell which is which, when figments drift over to the real bedroom and the clock from your nightstand dances in between dreams.

Marketable art

Where does art fit in the economy? What does it mean that people are willing to pay for art, but at the same time artists starve more often than bankers, even though the less successful bankers don’t buy art, and the more successful artists don’t starve.

Hands-on

Thinking in those terms endemic to my own experience. When I explain, it is best to use the descriptors of the world where I live and the language through which I experience reality.

Amid

To contemplate solitude amid company, and death amid life, for how quickly after satiation does all the hunger go?

In the depths

In the depths of exercise, music, readings, mediation, nature—this is where I found my joy. When you are alone, do not be so quick to fly to the shallow sociality, drugs, food, sleep and the easy pleasures; instead, hold out for the greater pleasures. Sweeter sun is just beyond the visible horizon.

Coming of age in modern America

Coming of age in modern America is the process of whittling down your identity from a coloring book to a business card; the irony is that it’s the business cards that make the coloring books possible. Stability comes from ensuring we do not have too many of either one.

American beauty

Obsession as rebirth from a lifeless life. What does it mean that a ‘beauty’ is qualified by the adjective ‘American.’ At once it was a free beauty, now it is a commercial beauty. Like a beautiful restaurant dinner. Knife and fork parallel on either side of a perfect circle underneath a perfect meal paid for with papers that have killed some and reborn others, let alone the pant leg groping that goes on underneath the table cloth. The greatest chaos under the tablecloth of structure, the greatest pleasure under asceticism.

Critic

Is the critic made successful by his understanding of the tastes of the masses? Why then is he not a successful creator?

Weather

I want a season: anything other than the one I currently have. When it is hot, I want cold. When it is dry, I want rain. Even non-weather would make me want for the extremes. I want an oscillation on my watch. I want to control the weather.

Form and function

Form becomes tradition and sometimes we fail to see past habit that it no longer serves its function. My mom cuts the ends off the meatloaf; I ask her why. She says, that’s how grandma does it. I ask grandma. That’s how great grandma does it. I ask great grandma. Because my pan ain’t big enough for the whole thing.

Sound writer

I am a writer because I am an ideator, and English is my primary language for communicating ideas, as opposed to Spanish or French, or even math or music. English words are how I primarily map my experiences and thoughts; if I mapped in a different language, I would record in a different language.

Why do the sounds of our language not match the sounds of the things which they describe? Because surely not all things make sounds? Not even are all things objects in the physical sense. What sound does ‘science’ make?

Do we use words to describe music because they are our closest communicable comparison, or because music is the fundamental of language?

History

As a post-industrial American, I thought of history as increasing linearly, until the exponential bend in the graph at 1750. Wealth, technology, investment, consumption—marketable values were the only y-value my bourgeois working mind perceived. I realized history was cyclical when I realized the y-axis is not static. I read Socrates and listened to classical Waltz and asked myself: have we progressed? Or just pursued contemporary brilliance? Expanding contemporary brilliance of the time. Though any one modern man struggles to remember to reach the heights of a Renaissance man. He is enamored with what modern fashions applaud.

To write

To write, I go to the symphony, watch a beggar beg, close my eyes and listen to my breath, watching myself.

Writer

Even in the way I write my novels, say I perceive that there are certain rules that make for “good” writing, where “good” writing is writing that people like to read. Am I wrong then to ignore these rules? To write what people don’t like. Such a choice might make for awfully queer novels but would not a fool be the fellow who says they are not “good” and means anything other than people don’t like to read them. For the same reason that my own preferences seem arbitrary and unfounded, so too for the collective preferences of society, and might I choose the former for “my” writing, even if it is not preferred by the latter? For isn’t this the only way to maintain individuality? Yet what is worth more: a homogenous mass one or a heterogenous small many?

Her reality

It begins with a building up of potential and power: flowing up from the earth through the palms of your feet and from another soul through their eyes and into yours.

Learning to hold potential realities, your mind fills with experience: your whole being swells with the reality that flows in through the senses. It grows within you and wants to get out and return to the rest of reality, but you must hold it, letting it fill and stretch your bounds.

The reality you hold enters its own home; you carry Her like a welcome guest. The energy exists in the physical space, all that remains to be seen is whether it will exist within your gates for just a little while longer before returning to the wider bounds. It grows as reality pours in through your eyes, ears, and skin.

Together with reality, taking mutual pleasure that it is held within you but also at the same time within Her, breaking down economic laws that one good cannot be possessed at once by two. The simultaneous ownership is symbiotic, and the swelling grows within the inner gates while reality, hospitable to Her guest, expands Her widest bounds.

Reality delights in the creative friction where you rub on the edges of the world, pressing against its walls, borders and exactitude to stretch its limits and let it unfold for you. Her walls, laws and rules bend around you.

Drunk with pleasure there is the temptation to overflow before reaching the high spiritual and deep physical. Or there is the temptation to lose focus and slowly shrink. Yet you endure, skeptical of both your limits and reality’s bounds.

Alas, the king is not foolish to keep within his own gates what has grown from resources imported from the outside; he is a vessel for reality, a traveler in the realm of power and creative ecstasy. When he has built up his kingdom to the perceived limits and can endure no longer he allows his gates to open and flood the countryside and even the deepest valleys with a river of wealth.

He releases his power and hugs tightly to his People, for they are now inextricably linked like a family. If he is still young, he will rest to regain his strength, then set out to be filled with reality and swell up again, using the residual power of his last creation—knowledge of principles, strength of body, and awareness of spirituality—to build up his next kingdom even greater than the last, until he is buried beneath his magnum opus.

Moral stone

A moralist and his son walk along the lakefront. The son, Max, holds a rock in one hand and then tosses it and catches it in his other.

The moralist looks down at the rock nervously and says to his son, “Max, you cannot throw that rock.”

At once, as if to silently say, “Well of course I can, just watch me,” Max shifts the rock from his left to his dominant right, skips toward the water and catapults the rock into the center of the lake.

“Maximilian! I just told you that you cannot.”

Max smiling even wider at the game says, “But of course I can, papa. Just look at the ripples in the water from where it splashed. Would you like to see me do it again?”

Realizing he had misspoken, the moralist struggles to explain, ” What I meant to say was that you should not.”

“But what does that mean, papa? That word, should.” Max had been meaning to ask his teachers at school this same question; they too seemed confused about when to say cannot and should not.

The moralist thought for a long time, and then shook his head—it was better not to say what he was thinking. And he only said this to his son, “What I meant, son, is that I would prefer it if you didn’t throw rocks.”

At once the boy smiled and jumped into his dad’s arms, “Well then of course I won’t, papa! Why didn’t you say so in the first place?”

 

 

Chess

Life is like chess, only you do not know the exact rules of the game or the capabilities of each piece, and it is likely that neither are static. Yet each moment you decide on a set of rules and capabilities and get along that way so long as neither make an obvious change and your opponent does not object.

Mind and World

The mind is classic and the world is contemporary, the mind reaches along histories to recurring principles, the worldly are subjected to timely fashions.

History

The history of histories: in each macro segment of history there are micro segments vying for power, each with models and weights for each other.

Exactitude

In the world of exactitude and borders and corners, my energy flows less but more swells, welling up as if my power came from inside.

Exactly

It is when I explain, and my conversater replies, “That is exactly how I feel,” that I feel betrayed. That word ‘exactly’ should not be used to describe feeling, and especially not in comparing the feelings of two different people. Even logically, when I explain my maths, that is not ‘exactly’ why you understand it.

Push

I tried to be one way, and the universe pushed me to be a different way. I wanted to sleep; the universe filled my head with dreams.

God

Humans created God. He was fiction, but now He is real. Fiction becomes non-fiction once it is written; it and its effects on its readers become real history. God has caused war and peace, love and suffering. God, as an idea, is even more real to man than His omni-form.

Cut

In the cut, on the fringe, where all creation is born, but where I myself die.

Higher

The politician offers a gloved hand to the anarchist: “Didn’t I take you to higher places you can’t reach without me?”

Unappreciated art

Think of all the art not appreciated. Is it not the same for all the lives not appreciated? Are not artistic choices very similar to the moral choices we make in our lives? And though there seems not to be a provable universal set of rules, there are surely popular fads. Woe to the artists and lives not in fashion in their time and place. Is this not the reason that classics are discovered only after the death of their creators, as the themes of the time shift but the classic remains. Or because a fashion comes around capable of recognizing its brilliance. But surely we have forgotten, or never recognized some of the classics.

Order

We start from a morality assumption feigning agency for ourselves. What if we started from amorality? So too with economics: we start from a survival assumption and feign a motivation. What if we started from a death assumption? But surely this would result in chaos. And at least the majority are in favor of stability, so we’ve arrived at our current social institutions.

Permanent change

There are those things that you wish to know and experience, only that in doing so you can never be the same. It’s the paradox of learning in reverse: it might be bad or good for you, but how can you know until you’ve done it, and once you’ve found out, it’s already happened, and you can’t go back to the way things were.

Dichotomy

There are two kinds … The dichotomy is rarely exhaustive, but the paradigm is helpful.

Mask

He asks, is this a mask? She says no. He asks, might it be a mask that is telling me it is not? She says yes.

A classic identity

Timeless and spaceless, not shaped passively by the physical skin tone, natural talents, and brain size, nor the surrounding parents, religion and culture, but rather intentionally by all of it at once.

In one time, an Easterner and Westerner, but also both over past times, and even future times. As is most truly human, with access to the experience of all who have ever lived and all who will, and even those who will not but could have.

One achieves this inwardly by openness, contemplation and understanding of potentialities; but of course one self is limited. The wider human experience comes through others, especially via empathy.

A power to understand perspectives not rendered to the sensory body and mind in the present time and place. Investing deeply in present relationships, also traveling to meet different people, and reading to meet different characters, and using these to imagine characters who don’t exist, and maybe even create them for others to empathize with and thus continue to expand humanity.

Our Ford

Ford as our second god, father of economies of scale, he who invented such that we no longer need to work to live. Our first God gave us our biological life. Our Ford gave us our human lives.

Our

If we are to say our love, is the our not just you and I? Or do we include the rest of them? Surely not, lest I am dishonest to call you mine. I might instead say, they are ours. But still we say you and I: ours. Then why do we use their ideas about it, what do they know?

Gratitude

How sweet is health after sickness, friendship after solitude, satiation after hunger; less sweet is health after health, friendship after friendship, satiation after satiation. To appreciate everything as if I had spent a great deal of time in its absence, or as if it will soon be taken—to live as if I were dead long before my life and will return to sleep again soon.

Day

Life is a long day, and death is a longer night. Like I am happy to sleep when I have been awake too long, might I in old age be happy to die?

Choices

This time, place, mind and body chose me. Still, I have choices: profession, lover, breakfast. But how? Other than according to those things which already chose me.

What am I but my history? Other than past experiencing present and becoming future. My past created by other pasts. A sack of borrowed atoms and taught thoughts. Must I own what I am? I who says am, be, is.

When I ask myself, “What should I do?” My next question is: which one of me is the “I” referring to? Or, from which of my moral frameworks is the “should” derived? Then there seems to be a morality of moralities. A higher order morality that chooses which morality to apply in each situation. But does this cause an infinite regression?

Love game

Love as a prisoner’s dilemma: each caught by the other, each asking the other to confess the feeling crime. Held in the same interrogation room. Promiscuity is the Nash equilibrium.

Washed

The old ascetic floats for the first time: “I have washed my vessel clean. Only the present world moves in and out of me. I am only ever at once: memory meeting present experience. My memories too washed clean, reft of their morals and baptized in their original nature as past presents.”

Time remains a human crutch to wobble on in order. Like Hume says of cause and effect and the creation of custom, so too is a present utterly nonsensical without past or future, having come from nothing and going thereafter to nothing.

Absurdism as a Pessimism

The absurdist claim—life is nonsense—seems to me an arbitrary value judgment: for is life not also plenty of sense? Think of how much there is still between us and absolute chaos. Do we not then have some order and sense about how we might live, albeit not the whole picture. But history has sentenced people to death with much less than a whole picture, so might we get along and live with the puzzle pieces?

Too simple a way to view our life: certainty and uncertainty. Why must that scale be the only place where we find meaning? Do we not find meaning in uncertain art? The mathematician might say we feign artistic meaning. But by what justification? By his maths?

Gender

A bigger masculine and a smaller feminine—must that be it? But, of course, that is not the right question. Unless your only paradigm is physical, spatial, real—which it is not.

Words

The beauty of language is not that it communicates meaning, but that each word provides a bank for every human to deposit their experiences. The words swell with us, collecting our connotations. So that one word is a saga in itself: said, read, sung, heard and added to the art in your mind’s deposit account specifically for that one word.

Even literary nonsense is a language art. Because even if the sentence makes no mathematical sense, novel combinations and original juxtapositions still deliver emotion to the reader.

Nostalgia

It’s a backwards thing, but why? Is there no feeling of missing what is still to happen? Like there is for what already has. But maybe that’s why. Because it will.

It’s yours but it’s not. Like a thought you can’t remember. It’s there, but not really—memory isn’t the real thing.

It’s so far close. Like an apple in a glass box. To see, not taste; remember not live.

Like her hair and his smile, the wet smell of cider and sound of warmth—and all else that made that day what it was. All else, except of course, that it was, and therefore will not again be.

Hunger

All of a sudden he feels a pang in his stomach. He wonders what is it. He says to it, “Go away, I am working.” The pang clouds his vision, and alas! “I am housed in a hungry body,” his mind remembers.

One

He claims to be one but really there are many in him. His is the small one, part of a whole. To be One is to be all, the One. The order goes like this: lower one, many, higher One.

Fiction

For every argument there is a counterargument; an antagonist for every protagonist. We often assign good and bad to each side, but really they are two sides of a coin, and there is no way of telling whether it is heads or tails. The flipped coin lays locked in a closed fist.

Punctuation

I don’t like the idea of a period as punctuation. Is a sentence not a small paragraph, and a paragraph a small section, and a small section a book, so is not a sentence a book?

Daydream

Solemn, sulking, looking down, frowning, feeling, oops, now sleeping, but still feeling, dreaming, flying, feeling, falling, falling: you wake with a start and grasp the chair arms.

Merry is the go around

Oopsy toolip, whoopsy flour, pocket full of poses. Ashes, smashes, we all stand straight.

This isn’t poetry, sounds or meaning, but it certainly is, all of that, or none of it. So what, if not, by the normal means. The original Socratic thought wisdom the means of purifying our virtue. But whose wisdom? Surely not his which says there is none. Nor hers which said art.

Then whose? While God is away. You there! Yes, your wisdom. Be my arbiter brother. Surely you think these words, even feel them. By wisdom? What say you? No surely not. Then how is it that this nonsense work. Random seems a more noble life, than by our conditioning. Art then, at least us. But is this random nonsense not also from my conditioning?

Merry is the go around.

The avant-garde capitalist

Isn’t the best nighttime avant-garde artist a capitalist salesman by day? Who first follows the rules in order to later break them. Like an enemy is killed on the battlefield, but a traitor is guillotined in the public circle.

Morality of moralities

When I ask myself, “What should I do?” My next question is: which one of me is the “I” referring to? Or, from which of my moral frameworks is the “should” derived? Then there seems to be a morality of moralities. A decision framework for selecting one of many decision frameworks. A higher order morality that chooses which morality to apply in each situation. But does this cause an infinite regression?

Names

People have names for the same reason that books and songs have titles. We like to be able to call it something. Even though, as Sartre notes in Nausea, “Things are divorced from their names.”

Names of things don’t really make sense. Form doesn’t match function; the physical thing isn’t represented in the sound. Except maybe in the case of onomatopoeias.

Nietzsche writes in Zarathustra:

“My brother, when thou hast a virtue, and it is thine own virtue, thou hast it in common with no one. To be sure, thou wouldst call it by name and caress it; thou wouldst pull its ears and amuse thyself with it. And lo! Then hast thou its name in common with the people, and hast become one of the people and the herd with thy virtue! Better for thee to say: ‘Ineffable is it, and nameless, that which is pain and sweetness to my soul, and also the hunger of my bowels.’ Let thy virtue be too high for the familiarity of names, and if thou must speak of it, be not ashamed to stammer about it.”

There seems to be a hierarchy of meaning from names: highest, there is the kind where we do not name it at all—this is what Nietzsche recommends. In the middle, is a diversity of names that allow for some differentiation—this we do with books and people. We say this book is non-fiction and its subject is automobiles; that person is a mechanic and a deist. We say as if this nomenclature is exhaustively and perfectly descriptive; though it comes closer than the lowest, it is not perfect. And the lowest, when we have one name for a diverse thing.

We have one name for love, as if it were describing one thing. We bring our “love” to the herd as if we had it in common with them. We say, I am in love! As if it means the same thing. And we set parameters, guidelines and expectations that are the averages of other loves, most usually those loves proximal to our time and place.

So too with justice. Justice is a general concept, but surely its applications are ad hoc. Not to mention that there are competing justice models and we have not agreed on just one. So that it is most appropriate when someone says, “That is just!” The most appropriate response is: “What exactly do you mean by justice?”

Surely love and justice are general concepts with Forms of which there are many different conceptions. Just as I am, and my identity is, something like a Form with many different renderings in reality.

Let I and love be ineffable. Caress it and pull its ears!

Boat and river

If there is no free will, then our loves are happenstance and life is just a sensory experience. Like a boat rolls down a river, the design of the boat and all the water of the river is set. But this does not mean you cannot enjoy the boat ride. Even if there is a waterfall at the end—in fact, a crashing end might make you enjoy it even more. I might enjoy less an infinite boat ride, as compared to the undulating moments of a finite boat ride. But then remains the question of those with a shoddy boat or tempestuous river—these are the arguments for charity and equality, and they seem to be true with or without free will, especially in the case without free will.

I am

I met a man who said, “I am A.”

And I replied, “Ah, my friend! I am also A.”

And he exclaimed, “It is always so nice to meet another A.”

And we talked and talked and slapped each other’s shoulders. Until along came another man.

He said to us, “I am B.”

And I replied to the newcomer, “Ah, my friend! I am also B.”

And the newcomer exclaimed, “It is wonderful to meet another B.”

But now the old A looked at me with scorn and questioned, “I thought you were an A?”

And I replied, “My friend, I am both.”

And now the new B looked with scorn as well and A and B both left me.

A web of seesaws

Imagine a single seesaw: a narrow beam resting on a pivot at its midpoint; as one end goes up, the other goes down.

Now add another seesaw perpendicular to the first. And keep adding saws the same way you would halve slices of pie, cutting in straight diametric lines from crust to crust.

It should now look as if you drew several dozen straight lines through the center of a circle connecting opposite sides and then erased the outer circle.

Now you have the static image; let’s make it dynamic and set the seesaws in motion. Every saw can rotate 90 degrees on its pivot in one plane to one side or the other. If all the seesaws teeter really fast in both directions you can see a blurred sphere.

Instead of children-sized seats at either end of each beam, imagine opposing ideas: religion and atheism, government and anarchy, wealthy and poor, solitude and community, home and travel, pride and humility, specialization and diversification, order and chaos.

Everyone has their own web of seesaws. Each saw indicates where they stand on an issue, tilted to one side or the other: as one end goes up, the other goes down. No saw is zero-sum; the tilt is continuous.

A person’s web is a snapshot of their beliefs at the time. Some have seesaw webs like flat snowflakes (balance). And others have a bundle of sticks pointing in all directions (imbalance). And still others have snowflakes with just a few tilted sticks.

But our webs are not static. In flux, each saw tips as we learn about the issue. F. Scott Fitzgerald wrote, “The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.”

A hopeless game of telephone

On the way down from Mount Le Conte, we stopped to hug a sun-warmed trunk, on the most beautiful day, climbing waterfalls and tiptoeing across fallen trees. This one still stood. With our cheeks against its bark soft as cotton, four arms stretched round its belly, we smelled its sap.

“Can you feel that?” I asked.

He smiled. A man of energy: the spiritual, not religious type. He could feel it—not what I felt, but something of his own.

“And then it dawned on him,” writes Camus, “that he and the man with him weren’t talking about the same thing.”

Because my tree isn’t his tree. Because her love isn’t his love, be it that they may love each other. And your sadness isn’t her sadness, because the other sees a different shade of purple than the purple you see. Nobody knows what you mean when you say it’s beautiful.

First, our experience is different: only I feel my feels; only you think your thoughts. Then our language is different: the same words we all speak don’t mean the same thing to two of us.

“The image he had tried to impart,” Camus continues, “had been slowly shaped and proved in the fires of passion and regret—this meant nothing to the man to whom he was speaking, who pictured a conventional emotion, a grief that is traded on the market-place, mass-produced.”

The one-of-a-kind universe in your mind is only yours: to paint your complex world into one they could see, you might try to learn their color language and the connotations of their shapes, then make two translations, both impossible: first, from your own mind to the canvas, then from canvas to their mind. Like a hopeless game of telephone.

The Loop

And my connection to the world returns. Bradford says we draw energy up through our feet. A joy from connection: tethered and latched onto nature and others. To feel the flow of give and receive.

Rand’s isolationist selfishness creates a circular loop entirely within myself.

That loop is a very healthy thing if some parts of it are in you and some are out: love, knowledge, strength, energy all flow into you and back out to the universe. In the healthiest relationships, whatever is passed along is improved by each node on the loop so that with each complete circle the energy is improved and improved.

Closed within myself, if one node trends in a bad direction, and then the next node, and all of a sudden it is hard for any one node to return the loop to a higher level.

Outside of me, however, are many strong nodes to replenish myself, that allow me to catch my breath to improve my own nodes and contribute again to the improving loop between myself, others and nature.

Just now, music and a smile outside the elevator—two higher outsides nodes, and all of a sudden my desire to write returns so that I might contribute positively again to the loop.

Library 13th Floor

On the 13th floor of the library there are four corners, each with a desk. I set my bag and coat in the southeast corner and leave them there to walk the shelves. Until I become lost.

I gather my bearings and walk toward what I believe to be the southeast corner, only to find someone already sitting there. My first conclusion is not that I had by accident come upon the northwest corner, but that I, my physical self, had never actually left the southeast corner, and now I, the wandering soul, am happening upon myself from the outside.

But in fact, as I approached, this man’s body was heavier than mine and he wore glasses. So I said, that is not I. But then again, I considered it very well could be I, who instead of maintaining a thin frame and good eyesight had grown thick and come to need glasses, and I thought for a moment that my wandering soul might inhabit this body just as it might find the true southeast corner and re-inhabit the body from whence I came.

Crooked Jaw

We stand inside a stump’s stomach and meditate. My color wispy white, like cloud tails that mustache the mountain faces.

Boots on a forward tilt crushing wet redwood. She says, between deep breaths, “I’m not feeling … anything … but my biology.” Woken just an hour ago from our green symbiote moss mattress. We dance across a fallen trunk bridged atop the river.

The forest doesn’t apologize for its fallen trees; nature isn’t orderly. I don’t apologize for my chipped teeth.

Even amid tall trees and wide rivers, I look at my feet. Retreat into myself, a perceiving thing, and a thing to be perceived, without sense of which is which—other than some vague memory of a rational animal that emerged from the woods, until I now re-entered.

In the wooded world, I roll in my present fingers a perfect stone for the game we played on the lakefront yesternoon. Take aim at a tree down the mountainside. And release it. Ahead the group has left me; I run to catch up.

Longer than the zig-zags rise, we come upon two others: one kneeling, holding his face, and the other standing.

I ask the standing what happened; she hands me a stone perfect for the game that we played on the lakefront yesternoon, “This came down through the trees.”

The kneeling looks up; I look back into my own eyes and do my best to smile with my jaw hanging from its hinge on one side, a smooth string of blood streaming through the ghost teeth. I smile back to myself, showing me my own crooked jaw, and hook a finger in my cheek to show the scar between my top and bottom molars.

At once, my companion and I become ourselves.

A typo in Genesis

And you see I don’t see, not because I tell you so but because we don’t fisticuff tonight.

What is it then to fall so far if only far so fell?

I really tried to dot my i’s and cross my t’s.

‘Earth’ is art hugged by an ‘eh.’

There’s a typo in Genesis.

When God made the world he did not say ‘very good.’ He said ‘eh.’

Man is just man. Human is love.

For me, art is feeling. Not in the creator alone or the onlooker alone, but together between the two, and from this comes a third. Like the Trinity, or the family. Not mine or yours, but ours. Your worldview perceiving my worldview and creating a third. I find meaning in that third creation. Which is why I suppose God said ‘eh’ when he first created the world. But surely he later said it was ‘very good’ when he entered into love with us, and thus the third creation, which could only follow from man’s second.

For her, art is a physical expression of all the experiences that have shaped her identity.

For me, art is experiencing Her.

Interdependent (or, Art and Love; orr, Us)

Rand says, you must first say the ‘I’ before ‘I love you.’

There must be two ones, ‘fore two become one.

In the morning, she peels an orange. And separates me a slice.

It has been a few months since I was last alone. I am feeling better.

Agreeable bedfellows: fruit and morning, I think behind my eyes closed tight against the light.

“How’d you sleep?”

“I didn’t,” she breathes through a mouthful of orange.

I push myself up on my elbows.

“Why not?” I ask concerned.

“You were occupying the dream space,” she smiles sheepishly, pretending to be human.

“I was what?”

She peels an orange, tells me she shares dreams with her bedfellows.

Last summer oranges were only wet.

I found myself “out there”—in others, in nature. It is in me actually it seems, but doors within me to which only outside things hold the keys.

“What on earth are you doing out here in the cold without your coat?”

Shivering, cupping her coffee, she looks up out of a trance and smiles.

“I’m writing,” she says simply.

“What,” I begin to stutter an objection.

She smiles at my misunderstanding and raises her index finger to tap twice her temple.

“Oh,” I whisper.

I was in a holy place.

So I took off my coat and sat next to her.

There must be at least one on either side. One cannot be dependent on nothing.

Dependent on oneself at least—but I learned this was not enough. Happy at least those years of self-reflection were not a waste.

I searched for meaning and rightness but the truth is I feel alive when I’m with you and if we’re godless then I care much more to be with you than to be right. And if you don’t hear my logic I’ll learn to speak music.

Independent (or, Philosophy; orr, I)

Sartre says, man first exists, encounters himself, then surges up. But he leaves out intermediaries. First man exists, yes—but in what sense? Then he encounters them, not yet himself—necessary; we would die very young without them.

The true test is a secondary non-existence, to walk into the woods, physically a grown man, but nothing in any other sense, and say to Her, “Mother Earth, am I you, or am I?”

Only thereafter can he surge up and define himself.

I took religion’s truth condition to philosophy, still ignorant of art—the true untruth.

I read Thoreau and thought I could make myself. I tried to scrub my nurture, and get at a raw starting point for rational existence.

I lost my mind in New York.

My hands gripped either side of the sink. I looked in the mirror over his shoulder at me.

6 a.m. on the subway. My wristwatch tapping on the rail.

Lunch break, in the windowed ground floor of skyscrapers, when the sun catches it just right I can see my Form morph into its potentials.

Blades of grass kept me alive that summer.

True meta is particular. A whole universe in an Adam’s apple. Size matters, relatively.

I thumb an almond. They say you can’t know even a fruit fly. The skin peels from its body, sticks to my teeth, and I feel what I don’t know. It becomes me and knowing matters less.

I learned it from the jabber worldly and the losiphizers who couldn’t tell me why.

Because it’s muddle mush: why use their language if we don’t follow their rules? How far beyond the golos before sapoth too can’t hear me?

Always search for meaning but sometimes neaming isn’t what we need, sometimes the call to our deeper selves uses sounds uncombined into dictionary words.

Then I discovered art.

Dependent (or, Religion; orr, They)

A joke: two theologians walk into a bar …

One says, “God does this.”

The other says in reply, “He certainly does.”

I remember when I told my mother no.

Do you make me or do I make you? I asked Her.

She told me to put my nose in the corner.

So I asked my priest; he told me to ask God.

“I already asked Him,” I said.

“Then wait and listen.”

So I listened.

I remember when they taught us to pray.

“God speaks to you,” said one teacher.

“He certainly does,” said the other.

So very quietly I waited and listened. I concentrated on the silence and waited patiently for Him to speak. Until finally, I heard the voice! Alleluia, I heard the voice. Through tears of joy I said, “It’s so great to meet you maker of worlds. I have so many questions.” And I asked, and He answered. All day and night I asked for weeks and He answered, until I had no more questions except one.

I asked, “Who are you?”

It was silent.

I asked again, “Who am I?”

“You are.”

“I am?”

A British penman

Your writing is too abstract, said every newspaper.

Too philosophical, too sensational, too emotional. Just too.

I argue with a British penman about the difference between a journalist and a writer.

“You must be more relatable,” he echoes the newspapers.

“Why?” I respond coldly to his commonness.

“To be read, of course.”

“I don’t want just to be read.”

He pauses. I take the opportunity to rant:

“Don’t you see? A writer can’t be of the world because they read about that world everyday just by living in it. We have to create different worlds. We can’t think the way our readers do. What’s the point in their reading from their own perspective? Memory at best, no?”

He looks up at me through his bushy eyebrows.

“You’re going to die alone, you know?”

“I know.”

He was a tourist.

Ink

His name was Ink. He took a job thinking he could melt into the mold. At least until his other energies subsided. Two years later, he felt them still. Curious, he stood on his windowsill and leapt to reverse trapeze a telephone line. The world chewed up the mold and welcomed back his energies.