Worrying about the future

I start to think about dinner

When I’m still eating lunch

I start to plan for tomorrow

When I’ve still got today

I start to worry

Farther and farther

Into the future

About what may never come

I start and never finish

Because I’m always worried

About the next thing

And the next

Nevermind now, I say

Look at what’ll happen then!

Focus

I keep returning to the idea of focus. In order to be successful you must focus.

With art, the artist must focus in order to establish a consistent theme. This is not only for the audience, but also for this artist, because without this consistency it’s not possible to gain the deep observations from focusing in one area.

With a career it is the same. You cannot do many jobs and be successful. You must choose one job and focus. It is only with this focus in your career that you can achieve the knowledge and experience to be successful professionally. If you try to do Many jobs you’ll be mediocre at all of them. If you focus on one job you have a greater chance of success.

It is the same with your identity. If you try to live many lives, you will be mediocre at all of them. In order to be successful you must choose one life to live. It is only by focusing on one identity that you can achieve the deep insights of that one life.

If you try to live many lives at once it would be like walking into a movie and walking out after the first 10 minutes never getting to see the middle or the end or how the characters develop. It will be like only reading the introduction of the book or only listening to the preamble of a symphony. Or when meeting someone it would be like only talking to them for one minute and then never seeing them again.

Spider web sparkle

A spider web string

Sparkles in the sun

Like a thin diamond necklace

Turning over and twirling

Seeming to float

Above the branches

Where it can’t possibly be attached

Just floating

Like a kite string

For a kite somewhere unseen

And not so menacing

Bare

And without a bug trapped

Lost kite

A kite caught up

On the tallest branch

Of the tree

Beyond hope of rescue

Blowing in the wind

Like one of the leaves

Except for the neon

Sticking out like a sore thumb

Among the green

Doomed to flap there

Until a fierce gust of wind

Blows it down

Or the tree falls

Run

Now I remember why I have forgotten why it is that I do what I do. Upon realizing recently, that I do not know why it is that I do what I do, I remembered this. Because I went about trying to figure out again, why I do what I do. Which is a funny thing, because I have been doing things all this time, but I cannot remember exactly why.

If I think of any particular thing I’ve done I can usually come up with a reason. For example, I ate breakfast this morning because I was hungry. But for all my decisions strung together, I can’t put my finger on a common theme, just disjointed ad hoc reasons.

So I started to think about it. I thought for a long time and took down notes and read some passages out of books. That is when I remembered why I have forgotten. I am not saying I know all. I do not.

But it seems there are some grim answers if you look hard enough, about why we are and what we should do. Upon thinking this thought, I was very depressed. And felt that I had experienced that depression before. I had, I knew it.

And that is why I have forgotten why I do what I do. Because at the point of my last depressions having stumbled upon these grim thoughts, I blindfolded myself and spun myself around and whispered a Truth in my own ear and pointed in a direction and said to myself, “Run.”

And so I ran. It took me a couple years to realize I couldn’t remember why I was running. So I’ll spin myself around again and whisper another Truth in my ear and set myself off running again.

Dry mouth

I wake up

With a dry mouth

From sleeping

With the window open

I get out of bed

And walk to the kitchen

To fill a glass

With water

And take a drink

Then put down

The empty glass

On the counter

And get back in bed

And fall asleep

Half notes

My heart sings off-key
For the half notes
That never got to whole

My hands beat a doldrum
Into the desk

Checking my watch
Every five minutes

Waiting for this day
To finally finish
So I can escape
To something else
Anything else

I can only whistle one tune
For so long
Until I forget the sound
Of all other tunes

And the hope of music
Becomes just
The senseless noise
Of that one tune

Nothing becomes something

One song
Without sound
And a painting
Without color

Dares you to look deep
Into the void
And press your ear
To the glass ceiling

Where you might hear
A white noise
Which seems at first
To be nothing

Listen long enough
And see
How nothing
Becomes something

Getting drunk and writing poetry

Getting drunk

And listening to music

I start to write poetry again

And think to myself

It’s no wonder

I haven’t been able to write

As of late

Because I’ve been too sober

And without music

Last beer

Beer bubbles

At the bottom of the glass

Make me sad

Because this was the last one

In the fridge

And I’ll have to switch

Over to white wine

After these last sips

Of good beer

The music is loud

The music is loud now

No exclamation points in poetry

Is a rule I once read

But I’m going to break it

!!!!!!!!!!!!!!!!!!!

Because wow this moment

The music is loud

Did I already mention that?

Must be on account

Of my having had two beers

And already being buzzed

Because it’s been a while

Since I’ve gotten drunk

And danced around the room like this

The music is loud

And the windows are open

And it’s all alright

Tree branch lovers

I see a point

In the tree

Where two branches

Cross over

And I wonder

If either branch

Longed for the other

Before they crossed

And if they now

Miss each other

Growing

In their own directions

Spilled milk

I made a bowl of granola this morning. When I tilted the milk jug, to pour some into the bowl, but too much came out. And I thought of how to get some back in the jug. Then I realized the meaning of the expression, “There’s no sense in crying over spilled milk.”

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How can you be so sure
A wrong turn won’t be right

How come you grip
The steering wheel so tight

Watching lines on maps
And planning where to go

It helps to know
That the road will have its way

A detour
Might save a crash

And a pit stop
Might change your life

So step on the gas surely
For going is the only way

But don’t worry so much
About where to

Morning

A bird chirps
Through the window crack
In the morning

Car wheels
Roll to a stop
At the light outside

Baby breathes
A deep waking sigh
With one eye open

I stretch and roll over
Before the alarm
I know is coming

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Bright light
Breaks through
The mouth of the tunnel

Like the face
Of the mountain
Is missing a tooth

Meat head

Oh here he goes
With heft again
Heaving as he may

Huffing and puffing
That big chest for something
But still he holds no sway

For strength aside
His muscles try
To make up for his mind

That door would budge
For just a nudge
If the knob were so inclined

I walked to the park today

I walked to the park after work today. I walked down California Street until I reached the avenues in the Richmond and then I turned north on Sixth Avenue until I got to the park.

It was sunny, but not too sunny. It seemed like the sun was farther away, sending its heat from a distance, so it wasn’t too hot. I almost wished it was hotter. When I walked through a part of shade under a tree or on the side of a building and a breeze would blow at the same time, I was almost cold.

The sky was blue. It was the same blue across the whole sky, except near the sun where it was white. I got to the park and walked out to a clearing in between the trees. There were other people around. Some dogs and some small children.

I watched one little girl squat down and cry. She seemed to be about a year old. Her mother (or at least I presume it was her mother) stood there and waited patiently for her to finish crying.

There were dogs on leashes with their owners. There were people seated on the grass having a picnic or just talking. I sat down on the grass and talked to my dad on the phone. We talked about making decisions and how that’s part of life. He told me his perspective and I thanked him.

It is ironic that I realize as I get older the value of wisdom from those who are even older than me. Perhaps it is because I am getting older and will want people to ask me for my wisdom someday. Perhaps it is because I am getting wiser as I am getting older, and it is part of being wiser to realize that it is wise to seek wisdom from others who are older.

After my call with my dad I walked deeper into the trees. I found an area of level ground and did push-ups. I started with twenty normal push-ups. Then I stood up and took a short break and walked in circles. Then I did twenty push-ups with my hands in the shape of a diamond. And I stood up and walked in circles again. I did other variations of push-ups until I was tired.

I was relaxing and thinking of whether I should walk deeper in the park. Then I realized I was late for dinner. My girlfriend said she was going to put the salmon in the oven. That was probably over an hour ago, I thought. So I went back.

I was late. My salmon was cold and dry. But the broccoli was still warm. I ate and then took a shower. Now I’m sitting on the side of the tub in my towel writing this.

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Our shower drain
Has been clogged
For as long
As we’ve lived here
So the shower
Makes three noises

First is the water
On the floor
Of the tub

Second is the water
On the surface
Of the pool
In the tub
Like rain
On a lake

Third is the drain
Drinking the pool
Slowly
Making gurgle noises

White tiles

White tiles
Take time to turn
Into something
Noticeable
On the shower walls

My fingers rake
My wet hair
Not even washing
No shampoo

My mind
Is someplace else
In fact, many
Other places
At once

Until I open my eyes
And see white
Tile walls
And return
Realizing

I’ve been rinsing
My hair
For some time now
I don’t know
How long

Kid secrets

I see kids careful

Now that grown ups

Are watching

About what they say

In a circle

Of parked bikes

On a side street

In suburban San Francisco

Covering their mouths

Telling their friends secrets

About what they watched

On television

When their parents

Weren’t home

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I wait for a morning

Where I can see

What’s already done

And what needs doing

So I can settle

On what to do

With my day

Shy sun

Hiding below the horizon

Like a shy child

Who forgets every night

That he is the sun god

And must muster again

The courage needed

To shine all day

For the world to see

City alarm

The city alarm is set

By the bus route

And the bakery man

Driving his truck of bread

And the other cars

Their wheels and engines

And occasional radios

And the street light

That never stops

Or maybe it’s the store light

Or traffic light

That always finds a way

Into your apartment

Despite your best efforts

To drape the windows dark

—The light and noise

Even here in San Francisco

Makes you believe what they say

About New York never sleeping

Focus

In meditation there is a principle, that you can focus on your breath forever and never stop learning new things.

In philosophy there is a principle, that you can never know all that there is to know about a fruit fly.

For poetry, I believe that you could sit in the same room and never run out of poems to write.

Breathing in the night

I breathe easy

In the night

On my back

Four fingers

Rest on my belly

Feeling it rise

And fall

A wrist

Props my head

Looking up

At the ceiling

A slightly

Different shade

Than the day

In the dark

And I just breathe

Takes a turn

It takes a turn

Tight as can be

Up on two wheels

Leaning to the side

When you thought for sure

You were going one direction

And even started to think

You might only ever

Keep going in just

That one direction

And then it turns

And everything you thought you knew

Turns to memory

While what you can see

Is replaced

With this new way

That you’re suddenly going

Bed sheet blind

Prose:

The metal rod that held up our blinds over the kitchen window broke yesterday. So I took a hammer and some nails and stood on one of the dining room chairs to nail a bed sheet to the top of the window frame to serve as a blind for the time being.

I went to bed and woke up in the middle of the night to get a drink of water. I opened the fridge and poured myself a cup of cold water from the pitcher. I was on my way back to the bedroom half-asleep when the bed sheet hanging over the kitchen window caught my eye.

I stood there, naked and drinking my water, and watched the headlights from traffic on the street outside passing through the grey bed sheet. They seemed like ghosts from an unfamiliar world. The lights were distorted beyond being able to discern that they were car headlights. It was like an abstract movie.

I started to make up stories about why certain ghost lights would come to stop and then go again. The fast lights were in a hurry to get somewhere. Some lights stopped next to each other and made love before moving on.

I stood there in the dark by myself and made up stories about the light movie on the bed sheet until I was almost fully awake. Then I went back to bed.

Poetry:

The metal rod

That held up our blinds

Over the window

In the kitchen

Broke yesterday

So I nailed up

A grey bedsheet

To cover the window

For the time being

I went to bed

And woke up to get some water

Then stood and watched

Naked and drinking water

The headlights from traffic

Passing through the grey bedsheet

Like ghosts

In an unfamiliar world

Bird bath bar

A bird chirping

In the middle of the night

Singing her heart out

Must be drunk

Coming home

From the bird bath bar

Not to see

It’s pitch black out

And time to sleep

And save the chirping

For the morning

Now

Don’t look forward

Look right here

There is nothing for you

Beyond this moment

Nothing more

This is it

The source of your troubles

And longing

And lamenting

Is all in the future

Causing you to think

There is more then

That is not now

The future

Makes you feel

Like you’re missing something

You must be

If there is more to come

Then you were missing it before

You must have been

But don’t be worried

Don’t let the future trick you

Focus here and now

Start with the senses

What do you see

What do you hear

What do you feel

Focus all of your attention

On the senses

What picture of the present

Are they painting for you

What song of the present

Are they singing

Your senses of the present

Are gold

Compared to copper imagination

Of any future

Not yet come to pass

For the body

But only for the mind

As some figment

Focus here

Breathe it in

Do not worry

Let go of the need to plan

To prepare

The future is now

It is part of the nature of now

To become the future

So if you want to prepare

Focus here

Searching for my muse

I woke up early today to find my muse. It is almost summer so the light was up before me, peeking in between the drapes. I got out of bed and rolled the rug away to make space for my mat. I did my stretches and put on the clothes and pack that I had set out the night before. I opened the door and locked it behind me and stepped onto the sidewalk outside to find the peace and quiet of the morning.

I walked on a street with shops. I walked in a forest. I walked across the bridge. After almost four hours of walking, I began to despair. My muse had been missing for some time. All this past week she has been missing, and I had only caught glimpses of her a few of the weeks before.

I stopped overlooking the ocean. I took a drink of water and ate one of the bars I had packed in my bag. I walked to the beach. It was still foggy and the beach was not too inviting. But I was tired and wanted to lie down. I did, and after finding a comfortable position in the sand, fell asleep.

When I woke, the sun was shining. The clouds had separated for the sun to shine through. It was then that I found my muse. I searched in my pack for my phone and began to write. I wrote some poems and then I wrote this.

My muse will have to go again soon. I have become used to this, her coming and going. But I am grateful to have found her. And will be grateful to search for her again.

Now

In a moment, there is nothing you need. It is only over time, that needs arise. It is impossible to be hungry, for example, in a moment. It is impossible to be tired. It is only a period of time that makes it possible to become hungry or tired.

These needs keep you from peace. They fill your mind with motivation for action. They tell you it is time to go and have something to eat. It is time to lay down and have a nap.

To fend off each of these needs would be like pulling leaves from a large tree. To pull up the tree all at once by its trunk, you need only to forget the passage of time.

There is nothing to need if there is nothing to come. There is nothing to need if there is only now.

Getting here

I go out

To get here

Not really knowing

Where I’m going

All the while

But now

Having arrived

Realize

This is surely

Where I was headed

All along

Beach bum

What moves me

Other than belly

And bladder

Tugging at my mind

Telling my body

It’s okay to stay

And lay out

On the beach

All day

Sun god

After fog and cold

All morning

The sun breaks through

Cloud cherubs

That flee

Feigning fear

Of a sun god

Now known to be

Quite benign

Blue

It’s a blue day

Out by the water

As the clouds move away

And the line between

Ocean and sky

Melts into

The same blue

Speed limit

My sense of speed

Is less than perfect

I admit

But I would say

If I were a betting man

That those fast cars

Seem to be

Above the limit

Posted on the sign

Lazy

Out on a walk

I have the urge

To return home

Even though

I haven’t gotten very far

I wonder why

Am I hungry?

No

I just ate a couple of dates

Am I tired?

No

I just woke up

Then why?

Laziness

Is all I can think of

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The dreamer is a night owl

The worker is an early bird

The realist is a businessman on lunch break

Dreams

Prose:

At night, I have a bunch of dreams and ideas for things that I want to work on. Most of them I forget soon after I’ve thought of them. Some I remember in the morning. I write down a list of the ideas that can be realistically achieved in a short amount of time. By the end of the day, I’ve completed less than half of the items on the list. Then the night comes, and I dream up a whole new list.

Poetry:

At night I have
A hundred dreams
Hoping for more
Than I could ever
Possibly achieve

In the morning I wake
With a heart full of hope
And a rested body
To go about
Making my dreams
Into reality

Around noontime
I have settled
On one, more realistic
Out of the hundred
Dreams to work on

Birds

I hear birds

And my heart lifts

Even though

They’re on the other side

Of a close door

And the clouds

Outside the window

Are dark today

My heart still lifts

Hearing the birds

What it means

After you have taken

It to mean

Something other

Than what I intended

It means

What you have taken

And nothing else

Bright city bedroom

Some light seeps in
From the street lamp
Between the drapes

Some light
From the buttons
Of various devices
Strewn about the room

And just those two
Besides the shimmer
On the ceiling
From one or the other
Of the aforementioned

Is enough to make
The night bright
In our bedroom
When we would rather
It be dark

The Potter and the Poet

I myself, was a potter
And my brother, was a poet
So we went to see a man
About some flowers
On the outskirts of town

We had already been
To the one man with flowers
Most well-known in town
In the morning
And had gotten two flowers

One for me
And one for my brother
And they were fine
But not exactly
What we had in mind

So we asked our driver
On our way back
If there were another
Man with flowers
Somewhere in town

And he said, “Well …”
And then he paused
“There is one other”

And by the tone of his voice
Like any fairytale
We should have known
To turnaround and go home
And be happy with our two
That we had gotten that morning

My brother, the poet,
Had heard the tone
And wanted to turn around

I, the potter,
Urged that we go on
And my brother, being the younger
Was forced to follow

When we got there
There was a large henchman
Seated at a long wooden table
In a larger open room
With a high ceiling
And a clutter of objects all about

We asked him to see the man about some flowers, and he asked us some questions that I now cannot remember. And our answers must have sufficed, because he turned and took us up the stairs that led to a small room in the back of the place, also cluttered with objects.

There was a man seated there, the man of the flowers. The second man of the flowers in town, or maybe the first—this we hoped to find out.

I told him sir, “We would like to buy two flowers.”

And he said, “Four.”

I said, “Beg your pardon.”

He repeated,” Four … that’s the minimum.”

“But the other man of flowers in town …”

“I’m not the other. I’m the only,” he interrupted me, without looking up from whatever he was tinkering with on his workbench.

I started to argue, but the henchman who had remained standing in the doorway stepped in and grabbed me gruffly, asking, “Do you know who you’re talking to?”

And what happened next will be hard to explain, but the long and short of it is, my brother the poet was turned into a pot to teach me a lesson about being greedy.

I was let outside and wept in the grass for the loss of my brother and learned my lessons once and for all about sacrificing the potter for the poet.

Done

Now it can be said
Of thoughts 
Passed through my head

Blunders 
They would be
In reality

Expect 
For this one
That I have done

Domestic branch

In the morning

I found

A tree branch

Had grabbed hold

Of the open

Window’s frame

As if to make its way

Inside

And out of the wind

Why writers must travel

In search

Of different

Travelling

And changing scenery

Smoking

And drinking

To move his body

Or at least his mind

A writer

Must always be

On the move

Lest he find

New ways

Of writing the same

Sailor’s story

A diversity of experience

Deemed to be

Different enough

From a normal day

To keep boredom at bay

Back at the beach

Left behind

And sailed away

Sought after stories

Of one’s own

To match the sailor’s

In the barroom

Boisterous

And spilling his beer

Is as close

To drowning

As he’s ever been

Hearing feeling

Having sex

While listening

To Sanskrit chant

Channeling

Into physical bodies

What would otherwise

Be only audible

For ears to hear

Senses mingle

In the heights

Of ecstasy

And ears

Start to hear

What skin is feeling

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Like buried treasure
We found them
At a fourth the cost
Of the grocery store

In one big box
Lined with a plastic sack
Piled to the top

We carried home
A heaping quart
And gorged ourselves

On fresh blueberries
From the farmers’ market

Stain dream

I had a dream last night

That I stained a shirt

With what I stained it

I can’t remember

But the shirt was ruined

And I was worried

About people looking at me

And the stained shirt

I was wearing

Closet door

Prose:

A closet seems to be so private, if we are to measure it by the same standards as other private things. A bedroom, for example, is a very private place. Usually it is behind two doors—the front door and the bedroom door.

If a stranger were to come to your home and knock on the door, it would not be unusual for you to first look through the peep hole, and then open the door just a crack in order to ask what they want. If they give you a sufficient answer, maybe you would consider letting them into your front room. They have, at this point, passed through the front door.

But for someone to pass through your bedroom door, it is usually a great deal more intimate. For a person to pass your bedroom door, they must usually be a lover, a family member, or a close friend.

What then shall we say of the closet, this third door? To pass through this third door must be to enter into the depths of intimacy within the confines of a home, even if there are only old coats and forgotten boxes in there.

Poetry:

A closet of stuff

Alone

And closed away

Behind

A closet door

A bedroom door

And a front door

Huff and puff

I run the flats

And huff and puff

I run the hills

And huff and puff

I run the flats

And need

Huff and puff

No more

Her poetry

I asked her to recite some poetry for me, and she did, easily and brilliantly. She created poems completely on her own and right there on the spot as if she were saving them in her head and waiting for me to ask.

I was a bit taken aback, to be honest. Not by her poems being brilliant—if course they were brilliant. But more so by the ease she displayed when creating them instantaneously, without even appearing to be trying.

This confirmed for me my belief that she holds all the poetry. I dance around her all day and try to make her smile, which is all just another way of kneeling in front of her with my face turned down and my cupped hands held up and open, begging for her poetry.

She does not care to write it because that is not how she lives her life. She is the poetry. This is why she as able to recite a few poems so easily when I asked. It is already within her, and always will be. So why would she go through the trouble of writing it down and giving it away? That is no the way she interacts with the world. She goes about living, and that is her poetry.

As for me, I am a taker. Whether that is because I am a man or I am me or because I live in America, I do not know. But at least I have realized the relationship for what it is. My baby is my poetry, all of it. I am a taker, and I am lucky for what I can get.

Rolled rug

We rolled the rug

Away

More toward

The window

To have space

To play

On the hard

Wood floor

Friends

Friends come and go. You intersect on your paths. If you are to remain yourself, you cannot stay together forever. Doing so would cause you to become more alike, meeting on the middle path, somewhere between the two paths you would each otherwise walk on your own. There is a rare friendship where you can walk side-by-side. Some paths run parallel just by chance. Some will deviate from each other and then cross again at some point in the future. Some will deviate and never cross again.

I write when

I write in the shower
With my eyes closed

I write at work
When my mind wanders

I write during conversation
When my friend writes for me

I write at the park
Laying in the sun

I write in the middle of a run
When it gets hard to breathe

I write after a dream
That I can barely remember

I write when I read
Stealing words for myself

I write at night
When I can’t go back to sleep

Run to write

I run to the park

To pick a poem

Like a leaf

From a low-hanging

Tree branch

Or a lyric

From a bird’s song

And then run home

To write it down

The Fish Man

Or maybe, it is like a side show I once saw at the circus. “The Fish Man,” they called him. I watched the man in the human-sized fish tank. He even swam like a fish. The tank was small, but he managed all sorts of aquatic maneuvers. Bending his back and kicking the water with flipper-like feet, he could swim circles round and round in the tank. It even seemed that he had webbing between his fingers and his toes (but that could have been makeup and prosthetics).

I read the plaque nailed to the top of a stake that was driven into the wet ground in front of the tank. The plaque read thus:

“Behold the Fish Man. He was not born this way. He chose to become like a fish. Some rumors say that he once told his mother while taking a bath that he preferred it underwater. He began learning to hold his breath. At first, like any person, he could only hold his breath for sixty seconds. Over the years, spending all his time underwater, the Fish Man learned, by various unknown methods, to hold his breath for longer and longer. Today, the Fish Man only comes out of water once in the morning and once in the evening. He sleeps at the bottom of the same tank that you see him in now.”

At the time, I didn’t for a second believe it. I figured there must be some invisible breathing tube worked into the tank, and by some sleight of hand, or sleight of swim, the Fish Man was able to take a breath from the tube as he completed one of his back-bending flip maneuvers. I watched him for a while but couldn’t catch a moment where the Fish Man seemed to do anything like breathing through an invisible tube.

I couldn’t help but wonder to myself what it had been like for the Fish Man to learn to hold his breath. Even if it was a sham, he probably had some talents for holding his breath underwater.

Day and night

The day teaches us to live. The night teaches us to die.

I wonder if the nights start to seem longer as you get older. As of now, I can’t tell a difference. The days seems to be about as long as the nights.

Some nights are longer, when I can’t sleep. Or when I sleep deeply and achieve a dream that seems to last a lifetime.

For those farther beyond their youth, I wonder if the nights grow longer. For fear that death grows near. That a night of nothing—no sound and all dark—is not all too different from death itself.

Backstage

Backstage wasn’t usually this quiet. Not completely silent, of course. You could still hear the opener thudding through the walls of the dressing room.

As soon as they had the bandmates pushed out and the door closed behind them, she had his shirt off. There was a ferocious banging on the door. They ignored it. Then it came even louder, threatening to knock the door out of its frame, and a voice screaming from the other side, “Jackie!”

He unclenched her grip from around the back of his neck, turned, and opened the door just a crack, through which the sound of the opener forced its way in, vocals wailing and bass thumping.

Travis, his drummer, was standing there with his forearm resting on the frame and his head against his rest, annoyed, like he’d been through this a hundred times.

“Can you at least hand me the bottle of booze off the table there, mate?”

“Anything else?” Jackie said, sarcastically, handing him the bottle.

“Oh yea, can I bum a cigarette?” Travis said with an open-mouthed grin that revealed a gap in his two front teeth.

Jackie slammed the door in his face.

“Okay, where were we?” Jackie said turning on his heel and waking over to the couch that was missing a cushion where she was lounging, like she felt right at home.

She was looking at him. He walked over and put both hands under her cheek bones. She pushed him away, and kept looking at him, at his torso.

“What? What’s wrong? Is it my tattoos? The devil on there doesn’t mean nothing. It’s just an old band I was with …”

“No, it’s not that,” she interrupted him.

“Oh,” he smiled. “It’s just because I’m so devilishly handsome?” He said this with the best London accent he could manage. His bandmates were actually born and raised in London but Jackie was just a tourist there when they all met. Most of their fans didn’t actually know that. He figured he could fool this one.

“No, it’s not that either.”

“What is it then?” He asked, now a little alarmed, hoping she wasn’t crazy. About to ask him if they would ever see each other again.

“You’re so … so skinny.”

He laughed. “What do you expect? I’m a rockstar. I eat more drugs than food.”

After they were finished. Jackie walked right out onto stage holding her hand. He didn’t think anything of it. He didn’t care. The magazines would write about it for weeks, “Who’s Jackie’s mystery girl?” And a feminine silhouette on the cover with a question mark in place of a face. The truth was, there were many faces that could have replaced that question mark.

He walked right out onto the front of the stage and held her hand as one of the security guards helped her down into the front row.

After the show, he looked for her. He really did. He tried to catch her face in the crowd all the way through their last song. He worried about it in the tour bus on the way to the hotel.

Then Travis handed him a bottle. A new bottle, full again. Jackie took a drink and forgot.

Don’t worry wind

Edited:

I wish the wind
Wouldn’t worry

For the leaves will surely
Shake themselves

Free 
From their branches

Before the fall
Is over

Original:

I wish the wind
Wouldn’t worry

For the leaves
Will surely
Shake themselves

Free from branches
‘Fore the fall
Is over

A white dog called Winter

Prose version:

I was on my way home from the park, still in the park actually, but on the borders of it, almost out, when I saw a white dog digging in the trash for scraps. It looked like someone had taken the trash bin and turned it upside down to empty all its contents on the ground. Or maybe the dog did it. But I doubted that because the trash bins in the park were usually kept inside of a metal container. Come to think of it, that container was usually locked. So maybe the maintenance man had made a mistake by forgetting to lock the container.

Anyway, so this white dog is digging in the trash strewn on the ground. And I already knew there was trouble coming, because it was a very pretty dog with a collar, which led me to believe that the dog had an owner. And that owner was likely close by. After all, we were in a park where people often come with their dogs. So I figured I must have caught this scene in the small amount of time between when a dog gets out of sight from its owner and before the owner realizes.

And sure enough, I heard a voice from the other side of the tall bushes shout, “Winter!” And see, this is where I had to laugh to myself. Because if it had been any other dog’s name, then I couldn’t have known for sure. If it was Milo, or Buddy, or some other generic dog name, then I couldn’t have known that this voice was coming for this dog’s owner. But there was no mistaking, putting two facts together—this dog was lost and it’s owner would probably be calling, and it’s fur coat was white as winter—that this owner shouting their dog’s name from the other side of the tall bushes was the owner of this white dog digging in the trash.

And that’s when I left. I realized I had been standing there just watching the dog dig in the trash. And I don’t like drama. So I didn’t want to be there when the owner found their dog. So I started walked away as fast as I could. And by the time I was out of sight but still just barely within earshot, I head the same owner’s voice shout, “Get out of there!”

Poetry version:

At the park

I walk past

A white dog

Digging in the trash

For scraps

And already know

There’s trouble coming

Before I hear

From a ways off

The dog’s owner,

I’m supposing,

Shout, “Winter!”

As the dog proceeds

To lick a paper plate

That once held pizza

I walk by

Leaving the scene behind

But not before hearing

The owner come closer

And exclaim,

“Get out of there!”

A man with hands

Looking out the window

At a man on the sidewalk

Who speaks

So much with his hands

I wonder

Being unable to hear

If he is using

Any words at all

untitled

The horns honk

So loud

On the street outside

It seems

As if the walls

Of the apartment

Weren’t even there