I have these rain boots that I wear to tramp through rain.
Month: April 2017
Digression
A conscious digression from the structure then contributes its creativity back to amend the structure.
Finger
I am a finger scratching a head—a head that I may or may not be. Then I start to think and I am surely the head.
Murderess
She took her lips off mine and pressed me down beneath the surface of the water. I opened my eyes and could still see her muddled figure. Even her washed form was beautiful, still conveyed to me my memories of her. I laid there, holding my breath, peaceful as long as I was still seeing her above the water. I thought she would soon let me up to kiss her again, but she held me pressed there, and I smiled then, been happy to die by her hands looking at her face. I didn’t resist, and opened my mouth to let the water in—then I woke.
Fly
I watched a fly die today. I heard a buzz as it fell from the window to the sill. Lifeless, then all of a sudden all its legs twitching furiously, then lifeless again.
We
We’re not the same I’m afraid. But then again, I might be more afraid if we were. See, I’m alone. And so are you.
Ego
God died, then ego was supposed to replace him, but instead it followed suit, or rather just stayed dead, or was never born. Ego hasn’t really figured out how to live yet.
Kiss of wind
The wind came in to kiss me this morning.
Unchartered
We are, all of us, as far as we know, in unchartered waters. That is, this has never happened before. And for that matter, this will never happen again. What a marvelous moment; it is ours!
Bumble bees
What if we were like bumble bees? When we killed our stinger fell off and we died ourselves shortly after the crime. We wouldn’t kill until we were ready to die ourselves.
Ice cubes
The ice cubes are made out of ice.
Angel slaves
What if we’re all slaves to an angel trade?
Move on
I forget about you by remembering everyone else.
Why
What if “why” had no purpose other than argumentation with those who still believe in it? What if Dionysus is the true God? But no, surely there is order, and therefore there is “why.” And even without order, there may still be “why.”
English
It visited me all at once and I did not have enough time to learn another art form; I thought it was well suited to be expressed in music but feared it might leave me sooner than I could become musical.
I had not yet mastered English but again for fear it might leave me I began writing, and became a writer, though I just as easily could have become a musician, painter, sculptor, architect, even any of the marketable professions, for what has visited me is universal and above languages, which can only have a different subsection of it above shine down through. For now, I let it shine down through my English.
Modern
Any modern middle class American life is a fantastic display of wealth, relative to the rest of human history. Even some in poverty have more than previous kings.
Empathy
There is no reason I cannot become them or at least see the world through their eyes other than because I do not share their pasts.
For the first time
I feel now as if I’m living for the first time: as if I’m really just starting to listen, actually, and see, actually, and the whole world flows through me.
A social love
A social love: not because he’s great, but because other people think he’s great.
Milkshake and salad
Like you’ll suck up all the good but put your head down and rush through the bad. But the bad makes the good, so like the last few drops you search for and slowly suck out of the milkshake, do the same with the final leaves in your salad; or like you exhale in your bed at night and focus on the relaxation until sleep, do the same with your work, welcoming and slowly feeling the pain that is soil for pleasure to grow.
Barely
Wearing barely any clothes like she’s proud as hell of her skin.
Faceless
My identity is my lack thereof.
Contrast
Spring comes after winter, and how quickly after smelling the spring flowers do I begin to fear allergens, because I have a weak mind for gratitude, owed mostly to my inability to remember the bad amid good, and for the lack of bad in my memory—I flee to the good when it does come, but how quickly then amid the good I begin to think of the bad.
Bug
I feel something crawling on the back of my neck, I think it is a bug. I reach back to pull it off but it is attached to myself, I pull and pull and unravel.
Early
I wake up early not to begin my day but to watch the morning.
Whitman
People say, that sounds like Whitman. But I have never read that Whitman. So who sounds like who?
One identity
You have the same type of clothes in your closet, the same work on your desk, the same friends. You live one life; you have one mask. That you have one history is not the warrant for this, for your one history is filled with multitudes. You chose a singularity because they told you to.
It is social, I think, that we each choose one identity. So that we might belong. Birds of a feather flock together. In the queue, thankful for comrades, ahead and behind, in order, buffering, letting him know he is in his place. A cog, on the correct gear, in the correct machine, in the correct factory. Because a cog that fits everywhere fits nowhere.
For the same reason I thought to write my books under pseudonyms, I give each idea its own point of view, its one whole identity. An eclectic personality makes people uncomfortable. Because it makes readers uncomfortable that such disparate styles might exist in one mind. At least because they do not know which of their own masks to feign, or for those who have only one, whether or not to smile.
Mask Off
Whereas I might show myself at once to be deeply intimate and successfully empathetic with one’s own experience but at once as I remove that mask and put on another, my partner seeing me switch guises so smoothly might ask how many guises there are. He believes not that I still wear the face similar to his own under my secondary mask, but that there are a third, fourth and many more.
Portfolio of selves
I am, at any one time, “acting” as one of my characters. I am always “the Writer,” the prime mover of my portfolio of selves, the initial cause of behavioral effects. All that remains is whether I myself am “the Writer.” Or if you and I share the same writer; and if, after all, God is our writer. In case She is, we might question our free will, but that is by the by.
The Chameleon
Now the Writer considers if one student was the whole, a studier of everything; across time, a renaissance man, with all these studies within him, but at once more like a chameleon, able to blend in with any field. And would this chameleon not grow large as a dragon, swelling with all of his environment, or does he merely contain the facade of each identity within him, or does he actually become the green frog, the yellow canary, the blue bluebird, or is he always merely the chameleon, not an actual shape-shifter, but only a master of disguise changing his mask?
The chameleon who changes his color with his surroundings, what color is the chameleon if there were no colors, would the chameleon cease to exist? Or would the chameleon take on the color of nothingness? Or would the Chameleon remember his past colors and put one on despite it serving no purpose to blend into a background of nothingness. How pathetic is my attempt at resisting conditioning, if even my resistance itself is a product of conditioning?
Is the Writer the Chameleon, with only guises. Or is he God, with all of it within him?
Masochism
The philosopher, having arrived at a nihilist amorality, thought to do nothing. He lost his taste and thus his hunger. He discovered that freedom is not what he desired. True freedom came from bondage. That is when he realized masochism. It is not so much a love for pain, as love was the farthest thing from his present position. And even pleasure to him was also nonsense. But so absurd the world had become that he only wanted to feel, and even for all his thorough scrubbing, his need to survive still barely remained alive, and awakened when he pressed the knife to his palm, and felt a sting that was neither good or bad, and felt the witness come forth from the sting.
Scrubbed clean
As I traveled and learned and empathized with others completely different from he who was myself, I felt my identity breaking out of the bourgeois and capitalist America in which I was raised. Thinking of all the possibilities of historical worlds and classical ideas and alternative lives other than a high-paying occupation and a happy family.
All the antecedents had been slowly wiggled loose by an amorality and released from my identity, and now there was nothing left.
Finally, I have reached its end, broken it open and everything has rushed out. There is no more. I am scrubbed clean. I am released from myself.
The darkest night
Dark archers defend the dream while light cavalry gallop from underneath the door and through the curtains. From behind eyelash parapets, a sea of arrows blot out the sun. Even a battering ram cannot open the eyelid gates to the outside world. Until the wise light leader calls out, “O’ dark lord, from whence comes the substance of your dreams if not the light?” Alas, the gates open and the real world digests the dream.
Fashion
Surely there are different parts of our nature, so on what morals, other than fashion, does one overwhelm all the others?
Three lives
My childhood I spent finding myself. My youth, losing myself. Now, noone, I will spend the rest of my life finding everyone else.
Potential identities
They all live with one or a few certainties, ignorant, consciously or not, I do not know in most cases, of the many other potentialities, which, together with their certainties, comprise the whole. Are not potentialities, certainties with all the same parts except for reality, and is not reality so dubious a thing that we might say potentialities are, in fact, certainties? And so the certain people live sixteenths of lives, or much smaller fractions, without filling up with all the rest other than their history and conditioning.
Only one identity
That I have a style, that I have a sound, genes and history—bothers me a little, bothers me to have a static identity. It has always annoyed me that each man feigns only one identity; and what’s more, of all the beautiful collisions of condition and environment within him, he chooses the one that just so happens to please his time and place.
I am
Whenever one says, “I am.” I congratulate them for discovering the meaning of existence. But before I can commend them, they start with so many words after the first two: “I am libertarian.” Or, “I am a salesman.” And I want to look at them dubiously and ask, “Are you?”
Fleeting
Fight the fleetingness, but what persists? Even the most principled man, do his habits fade? And the smartest; he eventually forgets. And the strongest; he eventually grows weak.
Apollonian winter
Winter is Apollonian; summer is Dionysian. But this is the opposite of how these Greek gods are traditionally alluded to. The dark night is the old drunk, but isn’t the cold of the dark so precise in ways other than to the human eye?
And cannot light too make us drunk? A blinding white light like an invisible night—both melt into indiscernible orgiastic until the One is achieved. Do omni dark and omni light cause the same effect in man? Or the opposite?
Thankful
I am thankful that so many other humans speak my language.
English and music
I write to live and live to write. My experience can be coded, transcribed, recorded, replayed, in many differently languages. I chose English because that is what was arbitrarily taught to me by my time and place, I am trying to teach myself music for the same reason, because I love a story in song.
Time
I make noises. I live so I write. Each day is a song. It’s tempo and pitch, it can be slowed down and sped up, harmonized or made dissonant. One note, many unison intervals, is not music. Or is it? Is not diversity necessary for music, but too much diversity is too dissonant.
I wake now with the morning birds, only this is a long morning and I have hours to go before I wake, and then I will have miles to go before I sleep, only to again have hours before wake. I do believe I can slow down time. These last few weeks have been very slow. Like if you watch the clock it ticks drudgingly, knowing it is being scrutinized and cannot cut corners.
I watch these days and I feel that I live whole lifetimes before I sleep, and when I watch my breath before I close my eyes, I wonder if I might not be so sad that they not open again, if not for all the joy and wonder I feel when they do, as I am provided with a whole new world and a fresh set of rules to set out to play again, and I am once more an awe and energy child in the morning, a hungry young man before lunch, a man in long and committed love in the afternoon, and elderly in the night, breathing slow, content anytime now to close my eyes and contribute my energy back to the dark, so that it may brighten the light for those who remain behind.
Balance
For me it is the balance, I return from the chaos of travel to the order of home, and it is then I write my most, creativity meets logic.
Black and white
Black and white parts of a grey whole.
How
How little you know about how much you and anybody else knows anyhow.
Sex and love
Sex is of structure, love is of chaos.
Art and world
The art has to be packaged within the world, the chaos within the order, you must follow the rules to break them.
Writing reality
I am constantly writing in my head. The guy behind me talks to the barista and I am at once hearing them speak through my ears and simultaneously writing the dialogue in English in my mind’s eye. I see the words type out, even the quotation marks, and assign an adverb to how he said it—he “whispered” to the barista. Though it was not, in this reality, so sensual an encounter. If I were trying to write the reality, I would have wrote—he “talked with a patronizing tone” to the barista. And after all, the first is no more fiction than the second, in my opinion.
Writer and artist
The writer and the artist lay together.
She asks him, “What is it like when you create?”
“It is like this.” He kisses her shoulder.
Two bikes
I see two young men ride by on their bikes—they are the same, or at least appear so: combed over hair, sunglasses, and sweaters.
What you know
I sit down to write and I can only write myself: the Writer. I suppose this is because I am only an amateur writer, or maybe because I am selfish, or maybe I am afraid to fail because my empathic abilities are weak.
Pine
A pine branch waves with its needle fingers.
Peppermint soap
In the shower, like a waterfall, with peppermint soap stinging and smelling like sharp air. In the shower, in the bathroom, in the apartment, on the floor, twenty two floors above the ground—what delivered me here? What delivered us here? So high above the ground.
The artist
The artist tells me that she has to travel to another world anytime she creates, and it makes her sick, like home sickness; when she travels to that other world of genuine creation, she misses the world of custom and past history of proven correlation in which we are accustomed to living. So quickly she rings up a man to have in her bed to feel his real body, or meets her real friends to have real conversation about real things, or to grab handfuls of the real grass and smell the real trees—letting her real body experience the real world that someone else created, vacationing from playing god herself. But this is only the halfway solution for an artist, she tells me.
The greatest pleasure is the combination of the two worlds, instead of fleeing her created world to return to the real world, the inhabitants of the real world come to her created world to live in it for a while and it becomes real for them. Then she transcends from a halfway human to a full god, a world creator. And she delights in her own reality substantiated by those who come to live in it. But of course she cannot live in her own world; she prefers to live in His just as much as they prefer to live in Hers. But she must still create, because she is an artist and could not do anything else.
Dream again
I dreamed like you last night. It was raining, like every drop was a shape or color that gave space and light to the world, like a whole garage sale full of high school band instruments bouncing on the earth’s surface, bleeding rainbow into a topograph.
Dream
For the first time I could not tell dream from reality, but I was aware both were equally possible. Then I took the elevator to a floor that I had entirely created with my mind, and I created a vase of flowers. And I thought then surely this is a dream, but then I thought maybe it is reality. But no, because I remembered I was not an architect or a vase-maker or a flower-grower. Then I created another. And I thought again, surely this is a dream, because I’m not God. Though now thinner is the veil.
Oatmeal
Oatmeal is bang on after a long vacation. Like separation makes the heart grow fonder. Travel makes for new worlds, and brings a freshness to the old one. Travel makes new worlds; it makes the old one new too.
Appearances
You should be guided by appearances for practical purposes; all you’re refraining from is making truth claims about those appearances.
Freedom
Freedom requires an ability to choose. But how to choose without morality? Freedom needs a little bit of slavery.
Empathy
Empathy is selflessly egocentric — yes, this is an oxymoron. Because in reality I think true and genuine empathy is actually a paradox. As much as it is selfless it is also self-centered in the sense that the only faculties you have to understand others are those with which you are endowed yourself.
Identity
It has always annoyed me that each man feigns only one identity; and what’s more, of all the beautiful collisions of condition and environment within him, he chooses the one that just so happens to please his time and place.
Myself
I discover myself in others: find my heart in love, my mind in conversation. I discover myself in nature: my eyes in rainbows, my fingers on tree branches, my ears in morning birds. I discover myself in myself: my thinking mind and my observing mind.
All
I find all of history in one moment; all of knowledge in one idea; all of space in one atom.
World creator
Surely I could, hurdle myself headlong in the direction of fact and exactitude. And for what? To stand on the shoulders of giants, and not stand my full height on my own. And what’s more, at the cost of the time I might spent with the humanities. Leave the understanding to the gods.
Opposite meaning
Sometimes ideas don’t fit clean together. Order preceded by order just is. White preceded by white just is. Order preceded by chaos is peace. White preceded by black is light. When even opposites have meaning together, what doesn’t?
Sound control
Because the sound is there, and words were only sounds in the first place, but why let the first words and their derivatives, be ours, why not take back control of the sound?
Art freedom
Artists have more freedom, or less; it depends whether freedom comes from rules.
Why art
They asked, why do we need art? The artist said, explain to me your emotions, logically. They consulted then said, we can’t. The artist said, that’s why.
Jazz
She says, “I want to feel permanently how jazz sounds.” She understands jazz more than me; I understand her more than anyone else. But of course ‘more’ is a funny word to say about these things.
Hands
My hands are creepy crawly things, and big blobs when folded together.
Eclectic
They don’t understand the artistic amorality of an eclectic, I’m not inconsistent or haphazard but aware of the lack of reasons to choose and unwilling to feign an identity that only comes from conditioning. They traded their free will for an identity, even if the only free will to maintain was a certain randomness.
Fiction
The purpose of fiction is to alleviate the pressure of biography from the author in his own time, place, and personhood; but nonetheless to project himself on other characters and plots other than his own life.
Advanced economy
How far removed is our economy from production for our base animal needs of food, water, shelter and safety? Surely we satiated these in the first century after the mid-eighteenth century. Now we have advanced occupations for great and greater improvements in the former, but also for politicking, suing, financing, consulting, counting, keeping track of, news, travel, learning, pleasure, hygiene, and social connection.
Going somewhere
I am keen to be going somewhere, spatially—traveling. Even when I sit, I travel, temporally—this going forward, I enjoy less, but am glad for the motivation it affords me.
Trick
Once you have seen the trick, it is only by great effort that you fool yourself again.
Animal
We are born animal, live as humans, and die godlike. If another species rises to the top of the food chain and learns to think, I wish their kind all the humanity we enjoyed ourselves, before they too ascend to the gods with us.
Morning dreams
There are two worlds on either side of the line that divides sleep and wake in those early morning hours when you cannot tell which is which, when figments drift over to the real bedroom and the clock from your nightstand dances in between dreams.
Marketable art
Where does art fit in the economy? What does it mean that people are willing to pay for art, but at the same time artists starve more often than bankers, even though the less successful bankers don’t buy art, and the more successful artists don’t starve.
Sublime
I delight in the sublime, really truly seeing the world for the first time.
Hands-on
Thinking in those terms endemic to my own experience. When I explain, it is best to use the descriptors of the world where I live and the language through which I experience reality.
Sanity
A sane mind looks up and outside of itself.
Amid
To contemplate solitude amid company, and death amid life, for how quickly after satiation does all the hunger go?
Day
I wake up to get to know a day.
In the depths
In the depths of exercise, music, readings, mediation, nature—this is where I found my joy. When you are alone, do not be so quick to fly to the shallow sociality, drugs, food, sleep and the easy pleasures; instead, hold out for the greater pleasures. Sweeter sun is just beyond the visible horizon.
Coming of age in modern America
Coming of age in modern America is the process of whittling down your identity from a coloring book to a business card; the irony is that it’s the business cards that make the coloring books possible. Stability comes from ensuring we do not have too many of either one.
American beauty
Obsession as rebirth from a lifeless life. What does it mean that a ‘beauty’ is qualified by the adjective ‘American.’ At once it was a free beauty, now it is a commercial beauty. Like a beautiful restaurant dinner. Knife and fork parallel on either side of a perfect circle underneath a perfect meal paid for with papers that have killed some and reborn others, let alone the pant leg groping that goes on underneath the table cloth. The greatest chaos under the tablecloth of structure, the greatest pleasure under asceticism.
Critic
Is the critic made successful by his understanding of the tastes of the masses? Why then is he not a successful creator?
Weather
I want a season: anything other than the one I currently have. When it is hot, I want cold. When it is dry, I want rain. Even non-weather would make me want for the extremes. I want an oscillation on my watch. I want to control the weather.
Form and function
Form becomes tradition and sometimes we fail to see past habit that it no longer serves its function. My mom cuts the ends off the meatloaf; I ask her why. She says, that’s how grandma does it. I ask grandma. That’s how great grandma does it. I ask great grandma. Because my pan ain’t big enough for the whole thing.
Sound writer
I am a writer because I am an ideator, and English is my primary language for communicating ideas, as opposed to Spanish or French, or even math or music. English words are how I primarily map my experiences and thoughts; if I mapped in a different language, I would record in a different language.
Why do the sounds of our language not match the sounds of the things which they describe? Because surely not all things make sounds? Not even are all things objects in the physical sense. What sound does ‘science’ make?
Do we use words to describe music because they are our closest communicable comparison, or because music is the fundamental of language?
History
As a post-industrial American, I thought of history as increasing linearly, until the exponential bend in the graph at 1750. Wealth, technology, investment, consumption—marketable values were the only y-value my bourgeois working mind perceived. I realized history was cyclical when I realized the y-axis is not static. I read Socrates and listened to classical Waltz and asked myself: have we progressed? Or just pursued contemporary brilliance? Expanding contemporary brilliance of the time. Though any one modern man struggles to remember to reach the heights of a Renaissance man. He is enamored with what modern fashions applaud.
General feeling
As time goes on, I notice fewer particulars, and melt slowly into a general feeling.
To write
To write, I go to the symphony, watch a beggar beg, close my eyes and listen to my breath, watching myself.
Writer
Even in the way I write my novels, say I perceive that there are certain rules that make for “good” writing, where “good” writing is writing that people like to read. Am I wrong then to ignore these rules? To write what people don’t like. Such a choice might make for awfully queer novels but would not a fool be the fellow who says they are not “good” and means anything other than people don’t like to read them. For the same reason that my own preferences seem arbitrary and unfounded, so too for the collective preferences of society, and might I choose the former for “my” writing, even if it is not preferred by the latter? For isn’t this the only way to maintain individuality? Yet what is worth more: a homogenous mass one or a heterogenous small many?
Her reality
It begins with a building up of potential and power: flowing up from the earth through the palms of your feet and from another soul through their eyes and into yours.
Learning to hold potential realities, your mind fills with experience: your whole being swells with the reality that flows in through the senses. It grows within you and wants to get out and return to the rest of reality, but you must hold it, letting it fill and stretch your bounds.
The reality you hold enters its own home; you carry Her like a welcome guest. The energy exists in the physical space, all that remains to be seen is whether it will exist within your gates for just a little while longer before returning to the wider bounds. It grows as reality pours in through your eyes, ears, and skin.
Together with reality, taking mutual pleasure that it is held within you but also at the same time within Her, breaking down economic laws that one good cannot be possessed at once by two. The simultaneous ownership is symbiotic, and the swelling grows within the inner gates while reality, hospitable to Her guest, expands Her widest bounds.
Reality delights in the creative friction where you rub on the edges of the world, pressing against its walls, borders and exactitude to stretch its limits and let it unfold for you. Her walls, laws and rules bend around you.
Drunk with pleasure there is the temptation to overflow before reaching the high spiritual and deep physical. Or there is the temptation to lose focus and slowly shrink. Yet you endure, skeptical of both your limits and reality’s bounds.
Alas, the king is not foolish to keep within his own gates what has grown from resources imported from the outside; he is a vessel for reality, a traveler in the realm of power and creative ecstasy. When he has built up his kingdom to the perceived limits and can endure no longer he allows his gates to open and flood the countryside and even the deepest valleys with a river of wealth.
He releases his power and hugs tightly to his People, for they are now inextricably linked like a family. If he is still young, he will rest to regain his strength, then set out to be filled with reality and swell up again, using the residual power of his last creation—knowledge of principles, strength of body, and awareness of spirituality—to build up his next kingdom even greater than the last, until he is buried beneath his magnum opus.
Moral stone
A moralist and his son walk along the lakefront. The son, Max, holds a rock in one hand and then tosses it and catches it in his other.
The moralist looks down at the rock nervously and says to his son, “Max, you cannot throw that rock.”
At once, as if to silently say, “Well of course I can, just watch me,” Max shifts the rock from his left to his dominant right, skips toward the water and catapults the rock into the center of the lake.
“Maximilian! I just told you that you cannot.”
Max smiling even wider at the game says, “But of course I can, papa. Just look at the ripples in the water from where it splashed. Would you like to see me do it again?”
Realizing he had misspoken, the moralist struggles to explain, ” What I meant to say was that you should not.”
“But what does that mean, papa? That word, should.” Max had been meaning to ask his teachers at school this same question; they too seemed confused about when to say cannot and should not.
The moralist thought for a long time, and then shook his head—it was better not to say what he was thinking. And he only said this to his son, “What I meant, son, is that I would prefer it if you didn’t throw rocks.”
At once the boy smiled and jumped into his dad’s arms, “Well then of course I won’t, papa! Why didn’t you say so in the first place?”
Banana
Unripe bananas taste like youth.
Chess
Life is like chess, only you do not know the exact rules of the game or the capabilities of each piece, and it is likely that neither are static. Yet each moment you decide on a set of rules and capabilities and get along that way so long as neither make an obvious change and your opponent does not object.
Mind and World
The mind is classic and the world is contemporary, the mind reaches along histories to recurring principles, the worldly are subjected to timely fashions.
History
The history of histories: in each macro segment of history there are micro segments vying for power, each with models and weights for each other.
Exactitude
In the world of exactitude and borders and corners, my energy flows less but more swells, welling up as if my power came from inside.
Exactly
It is when I explain, and my conversater replies, “That is exactly how I feel,” that I feel betrayed. That word ‘exactly’ should not be used to describe feeling, and especially not in comparing the feelings of two different people. Even logically, when I explain my maths, that is not ‘exactly’ why you understand it.
Push
I tried to be one way, and the universe pushed me to be a different way. I wanted to sleep; the universe filled my head with dreams.
God
Humans created God. He was fiction, but now He is real. Fiction becomes non-fiction once it is written; it and its effects on its readers become real history. God has caused war and peace, love and suffering. God, as an idea, is even more real to man than His omni-form.
Step
When you step into my body.
Turn
Begin time to turn me. Turn and say, “Yes.”
Stepwise
That it may lie along someday, beating back its own way, into the stepwise.
Cut
In the cut, on the fringe, where all creation is born, but where I myself die.
Higher
The politician offers a gloved hand to the anarchist: “Didn’t I take you to higher places you can’t reach without me?”
Unappreciated art
Think of all the art not appreciated. Is it not the same for all the lives not appreciated? Are not artistic choices very similar to the moral choices we make in our lives? And though there seems not to be a provable universal set of rules, there are surely popular fads. Woe to the artists and lives not in fashion in their time and place. Is this not the reason that classics are discovered only after the death of their creators, as the themes of the time shift but the classic remains. Or because a fashion comes around capable of recognizing its brilliance. But surely we have forgotten, or never recognized some of the classics.
Summer smells
Waking up one summer to smells that were not real before.
Order
We start from a morality assumption feigning agency for ourselves. What if we started from amorality? So too with economics: we start from a survival assumption and feign a motivation. What if we started from a death assumption? But surely this would result in chaos. And at least the majority are in favor of stability, so we’ve arrived at our current social institutions.
Permanent change
There are those things that you wish to know and experience, only that in doing so you can never be the same. It’s the paradox of learning in reverse: it might be bad or good for you, but how can you know until you’ve done it, and once you’ve found out, it’s already happened, and you can’t go back to the way things were.
Dichotomy
There are two kinds … The dichotomy is rarely exhaustive, but the paradigm is helpful.
Wisdom
The monk says to the young man, “This can’t be proven, only known.”
Mask
He asks, is this a mask? She says no. He asks, might it be a mask that is telling me it is not? She says yes.
A classic identity
Timeless and spaceless, not shaped passively by the physical skin tone, natural talents, and brain size, nor the surrounding parents, religion and culture, but rather intentionally by all of it at once.
In one time, an Easterner and Westerner, but also both over past times, and even future times. As is most truly human, with access to the experience of all who have ever lived and all who will, and even those who will not but could have.
One achieves this inwardly by openness, contemplation and understanding of potentialities; but of course one self is limited. The wider human experience comes through others, especially via empathy.
A power to understand perspectives not rendered to the sensory body and mind in the present time and place. Investing deeply in present relationships, also traveling to meet different people, and reading to meet different characters, and using these to imagine characters who don’t exist, and maybe even create them for others to empathize with and thus continue to expand humanity.
Our Ford
Ford as our second god, father of economies of scale, he who invented such that we no longer need to work to live. Our first God gave us our biological life. Our Ford gave us our human lives.
Our
If we are to say our love, is the our not just you and I? Or do we include the rest of them? Surely not, lest I am dishonest to call you mine. I might instead say, they are ours. But still we say you and I: ours. Then why do we use their ideas about it, what do they know?
Answers
There mightn’t be right answers.
Gratitude
How sweet is health after sickness, friendship after solitude, satiation after hunger; less sweet is health after health, friendship after friendship, satiation after satiation. To appreciate everything as if I had spent a great deal of time in its absence, or as if it will soon be taken—to live as if I were dead long before my life and will return to sleep again soon.
Day
Life is a long day, and death is a longer night. Like I am happy to sleep when I have been awake too long, might I in old age be happy to die?
Eyelids
When I return to the light behind my eyelids.
Choices
This time, place, mind and body chose me. Still, I have choices: profession, lover, breakfast. But how? Other than according to those things which already chose me.
What am I but my history? Other than past experiencing present and becoming future. My past created by other pasts. A sack of borrowed atoms and taught thoughts. Must I own what I am? I who says am, be, is.
When I ask myself, “What should I do?” My next question is: which one of me is the “I” referring to? Or, from which of my moral frameworks is the “should” derived? Then there seems to be a morality of moralities. A higher order morality that chooses which morality to apply in each situation. But does this cause an infinite regression?
Love game
Love as a prisoner’s dilemma: each caught by the other, each asking the other to confess the feeling crime. Held in the same interrogation room. Promiscuity is the Nash equilibrium.
Want
The hungry man wants on.
Washed
The old ascetic floats for the first time: “I have washed my vessel clean. Only the present world moves in and out of me. I am only ever at once: memory meeting present experience. My memories too washed clean, reft of their morals and baptized in their original nature as past presents.”
Time remains a human crutch to wobble on in order. Like Hume says of cause and effect and the creation of custom, so too is a present utterly nonsensical without past or future, having come from nothing and going thereafter to nothing.
Absurdism as a Pessimism
The absurdist claim—life is nonsense—seems to me an arbitrary value judgment: for is life not also plenty of sense? Think of how much there is still between us and absolute chaos. Do we not then have some order and sense about how we might live, albeit not the whole picture. But history has sentenced people to death with much less than a whole picture, so might we get along and live with the puzzle pieces?
Too simple a way to view our life: certainty and uncertainty. Why must that scale be the only place where we find meaning? Do we not find meaning in uncertain art? The mathematician might say we feign artistic meaning. But by what justification? By his maths?
Gender
A bigger masculine and a smaller feminine—must that be it? But, of course, that is not the right question. Unless your only paradigm is physical, spatial, real—which it is not.
Squirrel
A brown leaf hopped up and became a squirrel.
Smile
Optimal social behavior learned from socialite peers, leftover predatory teeth-showing.
Words
The beauty of language is not that it communicates meaning, but that each word provides a bank for every human to deposit their experiences. The words swell with us, collecting our connotations. So that one word is a saga in itself: said, read, sung, heard and added to the art in your mind’s deposit account specifically for that one word.
Even literary nonsense is a language art. Because even if the sentence makes no mathematical sense, novel combinations and original juxtapositions still deliver emotion to the reader.
Nostalgia
It’s a backwards thing, but why? Is there no feeling of missing what is still to happen? Like there is for what already has. But maybe that’s why. Because it will.
It’s yours but it’s not. Like a thought you can’t remember. It’s there, but not really—memory isn’t the real thing.
It’s so far close. Like an apple in a glass box. To see, not taste; remember not live.
Like her hair and his smile, the wet smell of cider and sound of warmth—and all else that made that day what it was. All else, except of course, that it was, and therefore will not again be.
Hunger
All of a sudden he feels a pang in his stomach. He wonders what is it. He says to it, “Go away, I am working.” The pang clouds his vision, and alas! “I am housed in a hungry body,” his mind remembers.
One
He claims to be one but really there are many in him. His is the small one, part of a whole. To be One is to be all, the One. The order goes like this: lower one, many, higher One.
you’ve changed
She says, you’ve changed. Well of course I have, how can a thinking man stay the same?
Fiction
For every argument there is a counterargument; an antagonist for every protagonist. We often assign good and bad to each side, but really they are two sides of a coin, and there is no way of telling whether it is heads or tails. The flipped coin lays locked in a closed fist.
Punctuation
I don’t like the idea of a period as punctuation. Is a sentence not a small paragraph, and a paragraph a small section, and a small section a book, so is not a sentence a book?
Daydream
Solemn, sulking, looking down, frowning, feeling, oops, now sleeping, but still feeling, dreaming, flying, feeling, falling, falling: you wake with a start and grasp the chair arms.
Merry is the go around
Oopsy toolip, whoopsy flour, pocket full of poses. Ashes, smashes, we all stand straight.
This isn’t poetry, sounds or meaning, but it certainly is, all of that, or none of it. So what, if not, by the normal means. The original Socratic thought wisdom the means of purifying our virtue. But whose wisdom? Surely not his which says there is none. Nor hers which said art.
Then whose? While God is away. You there! Yes, your wisdom. Be my arbiter brother. Surely you think these words, even feel them. By wisdom? What say you? No surely not. Then how is it that this nonsense work. Random seems a more noble life, than by our conditioning. Art then, at least us. But is this random nonsense not also from my conditioning?
Merry is the go around.
The avant-garde capitalist
Isn’t the best nighttime avant-garde artist a capitalist salesman by day? Who first follows the rules in order to later break them. Like an enemy is killed on the battlefield, but a traitor is guillotined in the public circle.
Fridge
My fridge is bulimic.
Morality of moralities
When I ask myself, “What should I do?” My next question is: which one of me is the “I” referring to? Or, from which of my moral frameworks is the “should” derived? Then there seems to be a morality of moralities. A decision framework for selecting one of many decision frameworks. A higher order morality that chooses which morality to apply in each situation. But does this cause an infinite regression?
Names
People have names for the same reason that books and songs have titles. We like to be able to call it something. Even though, as Sartre notes in Nausea, “Things are divorced from their names.”
Names of things don’t really make sense. Form doesn’t match function; the physical thing isn’t represented in the sound. Except maybe in the case of onomatopoeias.
Nietzsche writes in Zarathustra:
“My brother, when thou hast a virtue, and it is thine own virtue, thou hast it in common with no one. To be sure, thou wouldst call it by name and caress it; thou wouldst pull its ears and amuse thyself with it. And lo! Then hast thou its name in common with the people, and hast become one of the people and the herd with thy virtue! Better for thee to say: ‘Ineffable is it, and nameless, that which is pain and sweetness to my soul, and also the hunger of my bowels.’ Let thy virtue be too high for the familiarity of names, and if thou must speak of it, be not ashamed to stammer about it.”
There seems to be a hierarchy of meaning from names: highest, there is the kind where we do not name it at all—this is what Nietzsche recommends. In the middle, is a diversity of names that allow for some differentiation—this we do with books and people. We say this book is non-fiction and its subject is automobiles; that person is a mechanic and a deist. We say as if this nomenclature is exhaustively and perfectly descriptive; though it comes closer than the lowest, it is not perfect. And the lowest, when we have one name for a diverse thing.
We have one name for love, as if it were describing one thing. We bring our “love” to the herd as if we had it in common with them. We say, I am in love! As if it means the same thing. And we set parameters, guidelines and expectations that are the averages of other loves, most usually those loves proximal to our time and place.
So too with justice. Justice is a general concept, but surely its applications are ad hoc. Not to mention that there are competing justice models and we have not agreed on just one. So that it is most appropriate when someone says, “That is just!” The most appropriate response is: “What exactly do you mean by justice?”
Surely love and justice are general concepts with Forms of which there are many different conceptions. Just as I am, and my identity is, something like a Form with many different renderings in reality.
Let I and love be ineffable. Caress it and pull its ears!
Boat and river
If there is no free will, then our loves are happenstance and life is just a sensory experience. Like a boat rolls down a river, the design of the boat and all the water of the river is set. But this does not mean you cannot enjoy the boat ride. Even if there is a waterfall at the end—in fact, a crashing end might make you enjoy it even more. I might enjoy less an infinite boat ride, as compared to the undulating moments of a finite boat ride. But then remains the question of those with a shoddy boat or tempestuous river—these are the arguments for charity and equality, and they seem to be true with or without free will, especially in the case without free will.